Jake Benzinger (Wych Elm) and Tabitha Barnard join me to officially launch my series on publishers and authors where I explore the relationship that builds between publishers, editors, designers, and photographers and to hopefully provide some insight as to how photobooks are being made. Tabitha’s book, Dead Trees Speak to Me, was Jake’s first photo book that was not his own and Jake and Tabitha will share how they came to know each other and why Jake wanted to publish Tabitha’s work. We will talk about the editing and sequencing of the book as well as some of the more traditional questions about how they both got to where they are.

https://wychelm.press ||| https://jakebenzinger.com ||| https://www.tabithabarnard.com

This podcast is sponsored by the Charcoal Book Club Begin Building your dream photobook library today at https://charcoalbookclub.com

Tabitha Barnard was born in Freedom, New Hampshire in 1994. She is a photographer who grew up in rural Maine with three sisters. Growing up in a very Christian female-dominated family has had a huge influence on her work. Barnard works primarily in digital color photography exploring themes of femininity and religion. She received her Bachelor of Fine Art from Maine College of Art in the Spring of 2016 and a Master of Fine Art from Massachusetts College of Art in the Spring of 2021. She has worked in both commercial studio settings, as a shooting assistant, and as the media technician for the photo department at the Maine College of Art. She currently works in Portland Maine, teaching at the Maine College of Art and the University of Southern Maine.

Jake Benzinger (he/him) is a photographer, book artist, and writer based in Rockland, Maine; he received his BFA in photography from Lesley University, College of Art and Design in Cambridge, MA. His work has been shown nationally and internationally in solo and group exhibitions at the Griffin Museum of Photography, Haute Photographie Rotterdam, Center for Fine Art Photography, Glasgow Gallery of Photography, 82Parris, Panopticon Gallery, RIT City Space Gallery, and more. He has been featured by numerous platforms including GUP Magazine, Lensculture, Float Magazine, Lenscratch, Transference Magazine, and Fraction Magazine. His publications are held in collections at the National Gallery of Art, School of Visual Arts, SMFA at Tufts, and Griffin Museum of Photography, and his monograph, Like Dust Settling in a Dim-Lit Room (Or Starless Forest), was shortlisted for the 2023 Lucie Photobook Prize.