In 1994, Linda Fiorentino gave us the femme fatale to rule them all. Kelly J. Ford, author of Cottonmouths and Real Bad Things, talked with us about how Bridget Gregory became the template for the empowered, kinda evil female neo-noir characters to come. There'd be no Amy Dunne if there hadn't been The Last Seduction. http://kellyjford.com (Connect with Kelly J. Ford). https://www.rogerebert.com/reviews/the-last-seduction-1994 (Roger Ebert's Review - 4 stars - November, 1994) https://www.bbc.com/culture/article/20200806-the-last-seduction-the-greatest-femme-fatale-ever (Anna Smith, BBC, August, 2020 - The Greatest Femme Fatale Ever?) https://crimereads.com/counting-down-the-greatest-crime-films-of-all-time-92/ (Otto Penzler, Crimereads, The Greatest Crime Films of All Time, #91) TLS on the web https://twitter.com/LongShadowPod (TLS on Twitter) TLS on Instagram https://www.facebook.com/longshadowpod/ (TLS on Facebook) https://ginnyrobbins.square.site (Ginny Robbins (original artwork)) https://ryanculwell.com/home (Ryan Culwell (theme music))