Ever wondered what it takes to put together a horror anthology? Well, the recent chat between Chris Jones and Kate, the masterminds behind Twisted50 Volume 3, gives us a fascinating peek behind the curtain. Kate, who edited this latest volume, brought her A-game to the table, wading through a whopping 170 horror stories to find the cream of the crop.

One of the coolest things they discussed was how they tackled the technical side of getting the book onto Amazon. Chris was pretty nervous about the whole thing, which is totally relatable if you've ever dealt with publishing platforms. It's like trying to solve a puzzle while wearing a blindfold - you know what you want to do, but the process can be super tricky.

Kate dropped some serious knowledge bombs about what makes a horror story work. She's big on keeping things tight and snappy - no meandering sentences that leave readers scratching their heads. As she put it, "Something that happens when you have a lot of really long sentences all put together is it gets jumbled and you don't really process anything." That's solid gold advice right there for any writer looking to keep readers hooked.

Here's something interesting - they're not just looking for great stories; they want engaged authors too. The Twisted50 team actually keeps tabs on how involved writers are with the community. So if you're thinking about submitting to future volumes, don't just fire off your story and ghost them. Get in there, mix it up with other writers, and show them you're serious about being part of the Twisted50 family.

When it comes to screenplays (yeah, they take those too!), Kate emphasized how different they are from regular stories. Every word has to earn its place on the page, and dialogue needs to sound natural when read aloud. It's like the difference between writing a letter and having a conversation - they might tell the same story, but they need different approaches.

The whole conversation wrapped up with some killer advice for aspiring Twisted50 contributors. My favorite bit was when they said, "Don't be afraid to get really, really weird." In a world of horror stories, being unique is your secret weapon. The Twisted50 community seems super supportive too, which is pretty rare in the publishing world.

For anyone thinking about diving into horror writing, this podcast basically laid out a roadmap. Keep it tight, stay engaged, don't be afraid to get weird, and remember - you're not just submitting a story, you're potentially joining a community of horror enthusiasts who are all about helping each other succeed. The door's open for Twisted50 Volume 4, and based on what we heard, it sounds like an awesome opportunity for writers ready to embrace their dark side.

• Podcast hosted by Chris Jones discussing Talent Campus from the London Screenwriters Festival.
• Guest Delanne shares her success stories after attending Talent Campus 7 in 2019.
• Delanne highlights her experience at Talent Campus as a whirlwind of activities and networking.
• Discusses her movie "Father Christmas is Back," which she wrote while recovering from flu, leading to her first paid writing job.
• Emphasizes the importance of being prepared for opportunities, even in unexpected situations.
• Talks about her book "The Box of Silver Stars," originally pitched at Talent Campus, which she self-published after challenges with traditional publishing.
• Plans to rally the community to support her book's launch for a potential bestseller status.
• Delanne's future projects include writing short films and features, focusing on storytelling rather than mainstream success.
• Encouraged by her daughter to attend Talent Campus, which she credits for her growth as a writer.
• ScreenSkills funded a project, which was welcomed news.
• Balancing a creative career with adult responsibilities (bills, children) is challenging.
• Persistence is key; keep pursuing creative dreams despite setbacks.
• Teaching can help focus on writing.
• Writing is essential for personal happiness and creativity.
• Ideas often come unexpectedly and need time to develop.
• It's important to finish projects to avoid psychological discomfort from open loops.
• Completing projects allows for closure and the opportunity to revisit them later.
• The conversation ended with a hopeful note about future connections and success.

In this episode, Chris Jones, founder of the London Screenwriters Festival and Talent Campus Guerrilla Filmmakers Handbook, interviews Mark Renshaw, a past Talent Campus attendee. Mark shares his experiences at Talent Campus and the incredible adventures he has had since then. Despite the challenges of the pandemic, Mark has found success as a writer and filmmaker. He discusses winning the Austin screenwriting competition, being invited to work on a prestigious anthology series, and publishing his short stories in various books. Mark also talks about the importance of taking risks, staying persistent, and embracing opportunities that come your way. He credits Talent Campus for giving him the confidence and support to pursue his creative dreams. If you're looking for inspiration and practical advice on navigating the industry, this episode is a must-listen.Untitled