The Relache Chronicles

Written by: The Relache Chronicles Team
  • Summary

  • THE RELACHE CHRONICLES is a podcast about musicians residing in what we call “the Margins of American Music.” In these 30-to-45-minute episodes, we’ll play recordings – primarily by The Relache Ensemble from Philadelphia - of complete musical works plus commentary by composers, performers, and others with insight to the music. Throughout the podcast, we’ll discuss the guest composers’ processes, how they utilized current and past technologies and how the acoustical properties of a given space informed the creation and performance of a musical work. Finally, we will discuss how the composers’ relationship with the musicians brought the music to life. Episodes feature music by John Cage, Robert Ashley, Joe Kasinskas, Pauline Oliveros, Guy Klucevsek, Eve Beglarian, Fred Ho, Phill Niblock, Romulus Franceschini, Bill Duckworth, Lois v Vierk, and an overview of the New Music America Festival 1987 - Philadelphia, and the expansive residency/performance project named Music in Motion. THE RELACHE CHRONICLES is produced, directed, and edited, by Arthur Stidfole with Joseph Franklin, Joe Kasinskas, and Arthur Sabatini. Throughout their careers, they have been performing musicians, composers, executive and artistic directors, university teachers, radio hosts and authors, dedicated to the music of the 20th and 21st centuries.

    © 2025 The Relache Chronicles
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Episodes
  • Episode Nineteen - Music in In Motion No. 3
    Jan 18 2025

    Episode Nineteen of the Relache Chronicles is the third of three dedicated to Music in Motion, a project created by the Relache Organization in partnership with the Atlantic Center for the Arts. Between 1995 and 2001 the Relache Ensemble and four other ensembles, each dedicated to the creation and performance of contemporary music, collaborated with five presenting organizations in five cities throughout the U.S. The intent was to collaborate with composers to create new works while interacting with a potential audience as the work was in development. An overarching goal was to enhance the audience for new musical works while expanding the repertoire of each ensemble. Phase One comprised the first three years. Phase Two comprised the second two years and introduced an interactive computer program named "The Virtual Concert," which was developed by composer-educator Mark Weber. In this episode Mark will discuss his role in the development of The Virtual Concert and the tools he created to compose a work for the Relache Ensemble while sharing those tools with the audience, both in person and virtually. Two works of Mark's will be played, "Disconnect IV," and "Asphalt Grooves."


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    36 mins
  • Episode Eighteen - Music in Motion No. 2
    Oct 8 2024

    Episode Eighteen is a continuation of Music in Motion, a project created by the Relache Organization in partnership with the Atlantic Center for the Arts. Between 1995 and 2001 the Relache Ensemble and four other ensembles, each dedicated to the creation and performance of contemporary music, collaborated with five presenting organizations in five cities throughout the U.S. The intent was to collaborate with composers to create new works while interacting with a potential audience as the work was in development. An overarching goal was to enhance the audience for new musical works while expanding the repertoire of each ensemble. Phase One comprised the first three years. Phase Two comprised the second two years and introduced an interactive computer program named The Virtual Concert. A total of thirty composers participated in the project. One of those was Mary Ellen Childs whose work “Parterre” was written for the Relache Ensemble. It is the featured work on Episode Eighteen. Episode Nineteen of the Relache Chronicles will feature music and commentary by Mark Weber.

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    34 mins
  • Episode Seventeen - Music in Motion No. 1
    Sep 13 2024

    Episode Seventeen – Music in Motion & Arturo Marquez

    Music in Motion was a project created by the Relache Organization in partnership with the Atlantic Center for the Arts. Between 1995 and 2001 the Relache Ensemble and four other ensembles, each dedicated to the creation and performance of contemporary music, collaborated with five presenting organizations in five cities throughout the U.S. The intent was to collaborate with composers to create new works while interacting with a potential audience as the work was in development. An overarching goal was to enhance the audience for new musical works while expanding the repertoire of each ensemble. Phase One comprised the first three years. Phase Two comprised the second two years and introduced an interactive computer program named The Virtual Concert. A total of thirty composers participated in the project. One of those was Mexican composer, Arturo Marquez. In collaboration with the Relache Ensemble while in residence at Arizona State University West in Phoenix he created a work titled “Octeto Malandro.” Episodes Eighteen and Nineteen will feature other musical works from Music in Motion.

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    28 mins

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