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A woman and her husband rent a summer house, but what should be a restful getaway turns into a suffocating psychological battle. This chilling account of postpartum depression and a husband's controlling behaviour in the guise of treatment will leave you breathless.

Instructed to abandon her intellectual life and avoid stimulating company, she sinks into a still-deeper depression invisible to her husband, who believes he knows what is best for her. Alone in the yellow-wallpapered nursery of a rented house, she descends into madness.

Herland takes the listener on a fascinating journey into a utopian society comprised entirely of women. A society with no men also means no conflict, resulting in a war-free existence. It is a perfect world, but only if you are female. Three men set out on a journey into uncharted territory to discover for themselves if the legend of an all-female society is a myth or actually a reality. Tracking down the mythical realm of women poses plenty of challenges, but what they ultimately find is both enchanting and frightening.

Diagnosed by her physician husband with a “temporary nervous depression - a slight hysterical tendency” after the birth of her child, a woman is urged to rest for the summer in an old colonial mansion. Forbidden from doing work of any kind, she spends her days in the house’s former nursery, with its barred windows, scratched floor, and peeling yellow wallpaper. In a private journal, the woman records her growing obsession with the “horrid” wallpaper. Its strange pattern mutates in the moonlight, revealing what appears to be a human figure in the design.

Step into the peeling corners of a sunlit nursery where shadows weave stories, and the wallpaper whispers secrets to the solitary occupant. The Yellow Wallpaper is a haunting exploration of the fine line between reality and madness, told through the intimate, unraveling voice of a woman confined by both a stifling room and the suffocating norms of her time. In this groundbreaking work, Gilman transforms the mundane into the menacing, using the seemingly innocent patterns of wallpaper to reveal a tapestry of despair, resilience, and suppressed creativity.

Best known for her short story The Yellow Wallpaper, Charlotte Perkins Gilman, an almost exact contemporary of Edith Wharton, is celebrated as one of America’s foremost feminist writers. This collection includes 28 of her short stories. In addition to The Yellow Wallpaper are The Unexpected (her first published work), The Great Wistaria, An Extinct Angel, The Unnatural Mother and Deserted. These stories range from the subversive to the humorous, and are often imbued with satire and social commentary.

First published serially in Gilman's magazine The Forerunner from 1909-1910, What Diantha Did is the story of Diantha Bell, a young woman who leaves her home and her fiancé to start a housecleaning business. A resourceful heroine, Diantha quickly expands her business into an enterprise that includes a maid service, cooked food delivery service, a restaurant, and a hotel.

The Crux is the story of group of women who move from New England to Colorado in order to run a boardinghouse for men. One of these women, the young Vivian Lane, falls in love with a man who has both gonorrhea and syphilis. It then falls to Vivian, when she learns of his illnesses, to decide whether she should marry and have children with this man. She is torn between her own heart and the “duty” of motherhood, as one doctor in the novel puts it, to have children with a healthy father.

Contents: - Washington Irving. The Legend of Sleepy Hollow - Edgar Allan Poe. The Gold Bug - Herman Melville. Bartleby, the Scrivener - Bret Harte. The Luck of Roaring Camp - Leo Tolstoy. The Death of Ivan Ilyich - Fyodor Dostoevsky. The Dream of a Ridiculous Man - Rudyard Kipling. Rikki-Tikki-Tavi - Charlotte Perkins Gilman. The Yellow Wallpaper - Anton Chekhov. The Lady with the Dog - D.H. Lawrence. The Prussian Officer - James Joyce. Araby - Ivan Turgenev. First Love.

First published in 1892, The Yellow Wallpaper is a classic short story by Charlotte Perkins Gilman. It's an early work of feminist literature focused on a female protagonist and her relationship with husband John. A great work for studying and casual listening. This version of The Yellow Wallpaper has excellent narration and the highest quality of audio. All audio is engineered with careful attention to detail for your enjoyment of the story.

It's just a hideously papered room. At least that's what everybody thought. But when a woman suffering from a nervous condition is housed in the room, things begin to surface from the wallpaper. Things that seem familiar but are best left quiet and undisturbed.

This collection brings together 12 of the finest short stories of prominent American feminist author Charlotte Perkins Gilman. "The Yellow Wallpaper", Gilman's best-known work, was first published in 1892 and represents an important examination of 19th-century attitudes toward women's physical and mental health.

Charlotte Perkins Gilman, (1860 - 1935), gained much of her fame with lectures on women's issues, ethics, labor, human rights, and social reform. She often referred to these themes in her fiction. She is best remembered for her 1892 short story "The Yellow Wallpaper", which was based on her own bout with severe depression and misguided medical treatment.

Charlotte Perkins Gilman's Herland, first published in 1915, is a feminist utopian novel that describes an isolated society composed entirely of women---a progressive, environmentally conscious land where peace and rationality reign and poverty is unknown.

A young woman and her husband, John, a respected physician, spend a summer at a colonial mansion. John imposes a 'rest cure' on his wife when she suffers a 'nervous depression' following the birth of their child. The woman is largely confined to the nursery upstairs where she gradually gets lost in the sickly yellow wallpaper.

Written with barely controlled fury after she was confined to her room for 'nerves' and forbidden to write, Gilman's pioneering feminist horror story scandalised 19th-century readers with its portrayal of a woman who loses her mind because she has literally nothing to do.

A young wife becomes obsessed with the wallpaper in the room of her holiday home in The Yellow Wallpaper. A man is tormented by the embalmed hand of his deceased uncle in The Beast with Five Fingers. For the protagonists of these three supernatural stories, ghostly terror lurks beneath the surface of ordinary life, and reality can all too easily fray at the seams.... Evocatively read by three of our finest actors, and with atmospheric music, these eerie, enthralling tales are perfect listening for dark winter nights.

Charlotte Perkins Gilman was born on the 3rd July 1860 in Hartford, Connecticut, to an unaffectionate mother and a father who abandoned her and her older brother to a life of poverty. In this volume we bring her extensive poetry writings to the fore. Her talents in the poetic arena are indisputable, bringing a brave and focused eye to a world of her words that is too often neglected.

Presented here are three of the most important feminist novels ever written: Mrs. Dalloway by Virginia Woolf, The Yellow Wallpaper by Charlotte Perkins Gilman, and The Awakening by Kate Chopin. Each of these works is an early groundbreaking piece of fiction from some of literature's finest female writers as they explore life, love, and the struggle of women to find their voices in a time where they were too often silenced and suppressed.

The story is a double play: is it the story of a woman going mad, or a woman possessed by something evil? We begin to suspect that the narrator’s apparently caring husband John may not be as caring as she thinks. Is he trying to control her? We know that Charlotte was much concerned with the emancipation of women and them achieving financial independence, so is the character of John an echo of this?