Showing results for "Dionne Brand" in Genre Fiction

Tuyen is an aspiring artist and the daughter of Vietnamese parents who've never recovered from losing one of their children while in the rush to flee Vietnam in the 1970s. She rejects her immigrant family's hard-won lifestyle, and instead lives in a rundown apartment with friends—each of whom is grappling with their own familial complexities and heartache. By turns thrilling and heartbreaking, Tuyen's lost brother—who has since become a criminal in the Thai underworld—journeys to Toronto to find his long-lost family.

In 1824, on the island of Trinidad, Marie Ursule, queen of a secret society of militant slaves, plots a mass suicide—a quiet, passionate act of revolt. But she cannot bring herself to kill her small daughter, Bola, whom she smuggles away in the early dawn light. As Bola's children, grandchildren, and great-grandchildren spill out across the world to America, Canada and Europe, they find their lives both haunted and vindicated by the dreams and passions of their defiant ancestor.

By effortlessly telling this short, intense tale in the voice of an unnamed, ungendered (and brilliantly unreliable) narrator, Dionne Brand makes a bold statement not only about love and personhood, but about race and gender—and what can and cannot be articulated in prose when the forces that inhabit the space between words are greater than words themselves. A gorgeous, profoundly moving, word—and note—perfect novel of ideas that only a great artist at the height of her powers could write.

Beautiful and meticulously wrought, set in both Toronto and the Caribbean, this astonishing novel gives voice to the power of love and belonging in a story of two women, profoundly different, each in her own spiritual exile.

In Love Enough, the sharp beauty of Brand's writing draws us effortlessly into the intersecting stories of her characters caught in the middle of choices, apprehensions, fears. Each of the tales here—June's, Bedri's, Da'uud's, Lia's opens a different window on the city they all live in, mostly in parallel, but occasionally, delicately, touching and crossing one another. Each story radiates other stories. In this book, the urban landscape cannot be untangled from the emotional one; they mingle, shift and cleave to one another.

Canisia Lubrin's debut fiction is that rare work of art—a brilliant, startlingly original book that combines immense literary and political force. Its structure is deceptively simple: it departs from the infamous real-life “Code Noir,” a set of historical decrees originally passed in 1685 by King Louis XIV of France defining the conditions of slavery in the French colonial empire. The original Code had fifty-nine articles; Code Noir has fifty-nine linked fictions—vivid, unforgettable, multi-layered fragments filled with globe-wise characters who desire to live beyond the ruins of the past.