Showing results for "Guy De Maupassant" in Literature & Fiction

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

A stagecoach containing a microcosm of French society seek to escape to Le Havre during the Prussian war. Stopping at an inn along the way, they soon realize they have blundered into Prussian occupied territory. The travelers are not allowed to leave until one woman, a prostitute known as Boule de Suif, (literally suet dumpling, or ball of fat), sleeps with the commanding officer. This turn of events is met with universal indignation by the travelers. But as the days stretch out, everyone’s true colors are revealed.

Depuis quarante jours, il marchait, cherchant partout du travail. Il avait quitté son pays, Ville-Avaray, dans la Manche, parce que l'ouvrage manquait. Compagnon charpentier, âgé de vingt-sept ans, bon sujet, vaillant, il était resté pendant deux mois à la charge de sa famille, lui, fils aîné, n'ayant plus qu'à croiser ses bras vigoureux, dans le chômage général. Le pain devint rare dans la maison ; les deux sœurs allaient en journée, mais gagnaient peu.

In questo racconto lungo Guy De Maupassant, alternando serietà e sarcasmo, propone uno spaccato di borghesi francesi che , vuoti di valori e permeati di ipocrisia, vengono a patti con tutto pur di accaparrarsi una eredità milionaria. Amico di Flaubert. Emile Zola, da cui fu profondamente influenzato, Maupassant spesso ritrae nelle sue opere la stupidità, la cupidigia, la crudeltà e soprattutto la meschinità, e il riso è più amaro che dolce. Cornice musicale di Paul Dukas.

¿Es amor el querer poseer de forma absoluta al ser amado?LA BELLEZA INÚTIL - ¡ Quien va a creer que es amujer ha tenido siete hijos !- Pues los ha tenido, sí señor, en once años. Cuando llegó a los treinta, cerró su período de producción, para entrar en el de exhibición, cuyo final no se adivina todavía. -¡Pobres mujeres!-¿Por qué las compadeces?-¿Por qué? Ponte a pensar un poco, amigo mío. ¡Once años de preñez para una mujer como ésa! ¡Qué infierno!