Showing results for "Lawrence Block" in Noir

Florida private eye Doak Miller agreed to help the local cops by posing as a hit man to catch a woman looking to get rid of her husband. But then he met the wife - and fell, hard. Now he's plotting with her to commit a murder that could net them millions of dollars and the chance to be together. But to pull it off under the watchful eyes of the police, it'll have to be the perfect crime....

So this girl walks into a bar…and when she walks out there’s a man with her. She goes to bed with him, and she likes that part. Then she kills him, and she likes that even better. On her way out, she cleans out his wallet. She keeps moving, and has a new name for each change of address. She’s been doing this for a while, and she’s good at it. And then a chance remark gets her thinking of the men who got away, the lucky ones who survived a night with her.

This is a city that seduces dreamers - then eats their dreams. Matthew Scudder understands the futility of his search for a longtime missing Midwestern innocent who wanted to be an actress in the vast meat-grinder called New York City. But her frantic father heard that Scudder is the best, and now the ex-cop turned private investigator is scouring the hell called Hell's Kitchen looking for anything that might resemble a lead. And in this neighborhood of the lost, he's finding love - and death - in the worst possible places.

Broadway Can Be Murder started out to be a novel based on Johnny Midnight, a TV series which everyone has long since forgotten. Except, of course, that nothing manages to be forgotten in the Internet Age. I, whose job it was to knock out 50,000 words of Johnny Midnightish prose and dialogue, had forgotten when it ran and who was in it, but Google took no time at all to remind me that the title role was played by Edmund O’Brien, and that the series ran during the first nine months of 1960. I was in New York, newly married, living at 110 West 69th Street.

You might as well know this going in: Lawrence Block's new novel is not for everyone. It's recounted in journal form by its protagonist, and begins when he walks into a roadhouse outside of Bakersfield, California, and walks out with a woman. And rapes and murders her. But, um, not in that order. Right. But it's what he does with the rest of his life that's really interesting....

Well past retirement age and feeling his years - but still staying sober one day at a time - Matthew Scudder learns that alcoholics aren't the only ones who count the days since their last slip. Matt's longtime partner, Elaine, tells him of a group of former sex workers who do something similar, helping each other stay out of the life. But when one young woman describes an abusive client who's refusing to let her quit, Elaine encourages her to get help of a different sort. The sort only Scudder can deliver.

Nine long years have passed since the killer last struck - nine years since eight helpless young women were brutally slaughtered by an icepick-wielding maniac. The trail grew cold and the book was unofficially closed on a serial killer who stopped killing. But now "The Icepick Prowler" has confessed - but only to seven of the killings. Not only does he deny the eighth, he has an airtight alibi. Barbara Ettinger's family had almost come to accept that the young woman was the victim of a random killing.

There's no glass slipper in this fairy tale - just a damsel in distress, a bag of cash, and a whole lot of dead bodies. Reporter Ted Lindsay is trying to forget his ex-wife, and New York City's tough streets are just what the doctor ordered. They're also filled with alluring women, but only one catches Ted's eye. Cinderella Sims is not only beautiful, she's on the run and she needs Ted's help. She's got a bag full of cash and some very angry people staking out her apartment.

Dave and Jill Wade come to Pennsylvania, the ink still wet on their marriage license, expecting three weeks of lakeside honeymooning bliss. All is lovely until gunshots shatter their first night together. Killers have come for the man in the next cabin, and afterward they decide to silence the happy couple, battering Dave and dragging his virgin bride into the dead man's bedroom. The Wades say nothing to the police, but afterward take a second set of vows: death for the men who ruined their honeymoon.

The crime fiction canopy's a broad one, with room to give shelter to writing of all sorts, as editor Lawrence Block shows with At Home in the Dark.

Sie ist ein einziger Traum - für einen Mann aber wird sie zum Albtraum. Johnny Hayden und Doug Rance wollen Immobilienunternehmer Wallace Gunderman um sein gesamtes Vermögen bringen...

From Ian Rankin to Joe Lansdale, Seanan McGuire to David Morrell, each author reveals the dark truths and buried secrets that make institutions of higher learning such a hotbed of controversy. You'll encounter plagiarism, sexual misconduct, and brutal competition - not to mention secret societies, cover-ups of murder, and one near-future course of study that makes The Handmaid's Tale look like Mother Goose. So: collect your supplies, plan your schedule, and prepare to pull an all-nighter, because The Darkling Halls of Ivy is required listening.

Keller ist ein Killer. Durch und durch Profi, cool, selbstsicher, kompetent, zuverlässig. Aber er ist auch eine vielschichtige Persönlichkeit: in sich gekehrt und zurückgezogen, eiskalt und gnadenlos effizient, aber zugleich anfällig für Selbstzweifel und Einsamkeit, Albträume und Zukunftssorgen. Seinem Therapeuten gegenüber gibt er sich als "Troubleshooter" eines großen Unternehmens aus, aber sein eigentliches Metier ist Mord.

Hard Case Crime, die außergewöhnliche Krimi-Reihe als exklusive und ungekürzte Hörbuchproduktionen: Willkommen in einer Welt, in der die Sonne nur scheint, um tiefe Schatten zu werfen und in den Augen verkaterter, übernächtigter Männer zu brennen. Einer düsteren, brutalen Welt der Ganoven und Huren, in der die scheinbar ehrbaren Bürger moralisch verkommen sind, die Polizisten sowieso.