Showing results for "Lord Alfred Tennyson" in Poetry

Alfred Lord Tennyson is one of Britain’s greatest and most popular poets. Even during his lifetime, he was considered a national institution: Queen Victoria appointed him Poet Laureate in 1850, a position he held for 42 years, and in 1884 he became the first writer to be granted a baronetcy. In a long and fruitful career, he penned numerous classic works, and this BBC Radio collection showcases some of the very best. We begin with two of his masterpieces, dramatised by award-winning poet Michael Symmons Roberts.

The 200th anniversary of the birth of Alfred, Lord Tennyson (1809 - 1892), one of the most popular of poets, is celebrated in 2009. Works such as The Charge of the Light Brigade, Crossing the Bar and Tears, Idle Tears have made him an internationally famous figure, and the second most quoted writer of all time (after Shakespeare).

Hero and Leander is a Greek myth concerning the tragic story of two lovers. One was a priestess of Aphrodite who lived in a tower in Sestos, and the other a young man from Abydos on the opposite side of the strait. Leander fell in love with Hero and would swim every night across the Hellespont to spend time with her, with Hero's lamp at the top of her tower as his guiding light, and they shared a warm summer of love.

Arguably the most famous poem from Arthurian legend. Lords, ladies, anticipation, and isolation are all interwoven in this tale of longing and resignation. How will the Lady of Shallot be remembered? Classic literature narrated by Glenn Hascall.

A collection of the greatest poetry from the Romantic period, the battlefield and the Victorian era, read by some of the 20th century’s most renowned actors. Themes of war, love, nature, sexuality and much more are played out in these timeless readings of poetry from the 19th and 20th century.

Would you face a foe knowing you would fail? There are times when the odds are so overwhelmingly against someone that is seems giving up is the best solution. This classic poem story tells of 600 who faced death - and most met it. Yet it is their courage in the face of dire circumstances that may embolden the weakest heart. Narrated by Glenn Hascall

This poet of Victorian times was held in awe for his magnificent works, including "In Memoriam", "Morte D'Arthur", and "Charge of the Light Brigade". His language and command of vocabulary seem particularly in keeping with the grand sweep of Victorian ambition. Many selections are asembled here and read with great character by Dame Sybil Thorndike, Sir Edward Casson, and Robert Speaight.

This collection contains several of Tennyson’s best-known poems and shows his mastery of both lyricism and epic narrative.

This collection of sixteen poems features several notable examples of his early work, including “Oenone” and “The May Queen”, as well as two of his most iconic works, “The Lady of Shalott” and “The Lotus Eaters."

Continuing a collaboration started years ago, Benjamin Luxon and Frederick Moyer now turn to the little-explored genre of music for piano and narrator. Enoch Arden first came to international attention with a recording by Claude Raines and Glenn Gould but has since drifted back to obscurity. This is a work that both Luxon and Moyer have loved for many years. The poem is immediately accessible to any audience and tells a heart-wrenching story of friendship, love, separation, and sacrifice.

In the 28 poems of which Maud: A Monodrama consists, a somewhat mentally fragile young man narrates step by step (almost in stream-of-consciousness) the progress and aftermath of his feelings for Maud, whose father, the owner of the neighboring estate and Hall, he blames for his own father's death and his family's ruin. Many of the themes of the work are related to Tennyson's own experiences and those of his close family.

The lyrical ballad The Lady of Shalott is one of Tennyson's best-known and best-loved poems. It is based on the story of Elaine of Astolat, a figure from Arthurian legend, who dies from her unrequited love for Sir Lancelot. The subject matter provided inspiration for many of the Pre-Raphaelite painters. Tennyson published two versions of the poem, both of which are included in this recording. The first was written in 1832, and the second—the better-known of the two versions—in 1842.

The selection of eighteen poems is taken from Tennyson's first collection, published in 1830. The most famous poem in the collection is Mariana, a dramatic narrative, which, like The Lady of Shalott, describes the tragic fate of an abandoned woman. All the poems feature the elegant euphony for which Tennyson's verse has become famous.

This lyrical ballad is one of Tennyson's most famous poems. The subject, the tragic passing of a reclusive noblewoman, was suggested by a 13th-century Italian romance, the Donna di Scalotta.

This evocative poem was first published in 1832 but republished in 1842 with extensive alterations.

"Enoch Arden" is a long narrative poem that is built on a theme that has been widely explored in literature and on film. A man is separated from his family due to shipwreck and marooned on an island. After several years of absence from his home, it is assumed that he has died, and his wife remarries and starts a new family. After 10 years, the man finally makes his way home and has to deal with the trauma of discovering his wife and family happily established in a new relationship.

Read by award-winning narrator Mike Vendetti. "Tis better to have loved and lost, than never to have loved at all." Comes from this poem.

"Theirs not to make reply, Theirs not to reason why, Theirs but to do and die". A lament of airman, soldier, sailor, and marine throughout history from Lord Tennyson's 1854 poem based upon a charge of British light cavalry led by Lord Cardigan against Russian forces during the Battle of Balaclava on 25 October 1854 in the Crimean War.

Phillip J. Mather's masterful rendition of this timeless classic is a must-listen for any with an interest in and respect for the past.

"Locksley Hall" is a dramatic monologue written in 1835 and published in 1842. Tennyson explained that the poem was not autobiographical but purely imaginary, "representing young life, its good side, its deficiences and its yearnings".