Showing results for "Lord Byron" in World Literature

Byron's exuberant masterpiece tells of the adventures of Don Juan, a handsome and charming young man naturally gifted with the ladies. After his first illicit love affair at the age of 16 in his native Spain, he is exiled to Italy. Following a dramatic shipwreck, his exploits take him to Greece, where he is sold as a slave, and to Russia, where he becomes a favorite of the Empress Catherine, who sends him on to England.

Conrad, the Corsair, is the chieftain of a pirate band, and plans to attack the Pacha, Seyd, and seize his possessions. Conrad's wife, Medora, prevails upon her husband to abandon his plan and remain at home. Confident in his plan and assured of his safe return, Conrad and his pirate crew set sail for the Pacha's island.

A collection of the greatest poetry from the Romantic period, read by some of the 20th century’s most renowned actors. Love, romance and portrayals of nature are played out in these timeless readings of poetry written during the Romantic period. Performed by Richard Burton, Peter Orr, William Squire, Richard Marquand, Peggy Ashcroft, Margaretta Scott, Tony Church, Derek Godfrey, Patrick Garland, Gary Watson and Janette Richer. This collection includes poems from: William Wordsworth, Samuel Taylor Coleridge, William Blake, Lord Byron, Percy Bysshe Shelley, John Keats.

The story is of a female slave, Leila, who loves the Giaour, an infidel, and is in consequence bound, thrown in a sack, and drowned in the sea by her Turkish lord, Hassan. In revenge the Giaour kills Hassan, then in grief and remorse banishes himself to a monastery.

A narrative poem of 14 stanzas, written by Lord Byron following a visit to the Château of Chillon on Lake Geneva in 1816. It was inspired by the story of 16th-century Swiss monk and patriot François Bonivard, held captive in the dungeons of Chillon between 1532 and 1536.

El corsario es, ante todo, un poema autobiográfico que narra las aventuras de un tal Conrad, un corsario rechazado por la sociedad -no así por las mujeres- debido a su comportamiento escandaloso. El poema inmediatamente atrajo la atención del público debido a la personalidad arrasadora de Byron, incluso algunos adeptos a la estadística afirman que se llegaron a vender diez mil copias durante su primer día en la calle.

Count Lara returns home after a long absence abroad. He is accompanied by a single page, the faithful Kaled. In his youth, prior to his travels, Lara had led a dissolute life. On his return he is much changed - haughty, reserved, and world-weary. Nothing is known of his life in the interim. During an evening function given by the Count Otho, a local magnate, the host's cousin, Sir Ezzelin, angrily confronts Lara with accusations of unnamed crimes abroad. Otho intervenes and an appointment is made for the following day for the local nobles to hear and judge the accusations.

In this narrative poem, the Pacha, Giaffir, has decreed that his beautiful daughter, Zuleika, is to be married to the rich and elderly Bey of Carasman. She confesses her grief to Selim, her beloved half-brother. Selim entreats Zuleika to meet him in a grotto later that night, where he appears in pirate garb. He declares that they are not brother and sister, but cousins and reveals that Giaffir murdered his father, Abdallah.

Parisina was first published in 1816. The tragic narrative poem is the sixth, and shortest, in the series of Byron's "Oriental Romances" or "Heroic Tales". Prince Azo, overhearing his wife, Parisina, muttering in her sleep, discovers that she is having an affair with his illegitimate son, Hugo. Parisina and Hugo were engaged to be married before Azo claimed her for his own bride. Hugo is sentenced to death, and Parisina is forced to watch the execution as her punishment.

"The Siege of Corinth" is a tragic narrative poem first published in 1816. It was inspired by the Ottoman siege of the Venetian-held Acrocorinth in 1715.

Poetry is often cited as our greatest use of words. The English language has well over a million of them and poets down the ages seem, at times, to make use of every single one. But often they use them in simple ways to describe anything and everything from landscapes to all aspects of the human condition. Poems can evoke within us an individual response that takes us by surprise, or that opens our ears and eyes to very personal feelings.

Bitter Lips, Sweet Heart is a unique collection of romantic poetry first assembled by a group of young male college students who got together to read poetry and drink tea every week, thinking themselves spurned romantics and talented poets. Most of the original selections have been forgotten, and the collection has been updated for this simple release with a sense of irony and sheepishness in mature adulthood. May its angst, irony, lust, and innocent affection amuse and entertain you today, just as it did the four nerdy boys who assembled it to communicate.

A collection of the funny, curious verse written during the 19th and 20th centuries, read by some of Britain's most renowned actors. Humorous and whimsical verse are collated together in these timeless readings of poetry from our funniest writers. Performed by Sir John Gielgud; Imogen Stubbs; Tim Pigott-Smith; Peter Orr; Wendy Hillier.