Showing results for "aeschylus" in Anthologies & Short Stories

When a jealous Zeus discovers that the compassionate Titan, Prometheus, has introduced the gift of fire to liberate mere mortals from oppression and servitude, he has Prometheus bound to a rocky prison in the Scythian desert, where the god discloses the reason for his punishment.

This Greek tragedy is based on the myth of Prometheus, a Titan who, in defiance of the gods, gives fire to mankind, an act for which he is subjected to perpetual punishment.The play consists almost entirely of speeches since the protagonist is chained throughout.

Blood, gore, thrills, chills, and romance abound in these plays by three of the great Greek authors. Included are "Medea" by Euripides; "Antigone" by Sophocles; and "Agamemnon" by Aeschylus.

The earliest surviving works of ancient Greek literature, dating back to the early Archaic period, are the two epic poems the Iliad and the Odyssey. These two epics, along with the Homeric Hymns and the two poems of Hesiod, Theogony and Works and Days, comprised the major foundations of the Greek literary tradition that would continue into the Classical, Hellenistic, and Roman periods. This carefully selected collection contains: The Odyssey ; The Works and Days ; Theogony ; The Complete Poems of Sappho ; Medea ; Antigone ; Agamemnon ; The Choephori ; Eumenides.

This collection presents the works of the three fathers of ancient Greek tragedies: Aeschylus, Sophocles, and Euripides. The reader of this collection will be able to comprehend how the plots and conflicts populating classical tragedy developed. The principle theme of Aeschylus' tragedies is the idea of fate being omnipotent and the futility in struggling against it. The tragedies of Sophocles reflect the era of the Greeks' victorious war against the Persians, which opened up commercial prosperity through trade.

Aeschylus’ historical tragedy Persians, with its dire warnings against the hubris of imperialist overreach, is as relevant today as it was when first presented to an Athenian audience in 472 BC. This new edition of the classic drama features a literal translation by Mark Will (translator of Fernando Pessoa’s Message) which reconstructs in contemporary English verse the epic cadences of the original Greek.

In The Oresteia, Aeschylus dramatizes the myth of the curse on the royal house of Argos. The action begins when King Agamemnon returns victorious from the Trojan War, only to be treacherously slain by his own wife. It ends with the trial of their son, Orestes, who slew his mother to avenge her treachery - a trial with the goddess Athena as judge, the god Apollo as defense attorney, and, as prosecutors, relentless avenging demons called The Furies.

Greek tragedy was a dramatic form that flourished for less than a full century. And yet it remains vibrant, alive, and productive today. And the form's masterpieces help us-as perhaps they helped their original audiences-grasp a fuller sense of the terror and wonder of life. Professor Vandiver has designed these 24 rich and rewarding lectures to give you a full overview of Greek tragedy, both in its original setting and as a lasting contribution to the artistic exploration of the human condition.

The fifty daughters of Danaos have with their father fled by ship from Egypt, escaping compulsatory marriage with their fifty cousins, the sons of Aegyptos. They arrive in Argos, where, by supplication to the king and people, they seek refuge from their cousins, who sailed in pursuit. Their devout abhorrence of the marriage is the weightiest theme of the play.

We live in an era rife with cultural conflict. The 21st century is by no means free of wars, terrorism, riots, famine, nor epidemics. We may attempt to solve the challenges of our times by uniting the humanistic disciplines of philosophy, science, and technology. Our modern reality requires a fundamental understanding of the problems beleaguering our existence. Science and literature are key tools for gaining this insight. The wisdom accumulated throughout the centuries by scientists, philosophers, and writers is a solid foundation on which modern man can build the future.

Considered the greatest surviving work by the "father of tragedy" is the classic tale of King Agamemnon as he returns from Troy victorious in battle but with a wife whose reaction to her son's sacrifice has led her to harbor a burning and hidden resentment toward him.

Choephori, or The Libation Bearers, is the second in the Oresteian trilogy on the House of Atreus, written by Aeschylus. It deals with the reunion of Agamemnon‘s children, Electra and Orestes, and their revenge upon their mother Clytemnestra for the murder of Agamemnon, which takes place in the first play, Agamemnon. The title refers to the chorus of libation bearers who supports and encourages Electra and Orestes in their quest for justice. The Oresteia is the only extant example of an ancient Greek theatre trilogy.

The Persians: A Translation from Aeschylus There is no drama where the total multiplicity of horror in defeat is more cogently presented than in the Persians by Aeschylus, who fought in the Athenian triumph at Salamis, where the Persian fleet was rammed and wrecked.