Showing results for "robert louis stevenson" in History

"We are all travelers in the 'wilderness of the world' - travelers with a donkey." So Robert Louis Stevenson wrote to a friend on completing this enchanting account of a journey in rural France in 1878. Alone with his pack-donkey Modestine, and showing total disregard for discomfort, Stevenson relishes to the full his walking tour of the Cevennes.

William G. Stevenson was a Kentuckian, loyal to the Union, who endured 13 months of enforced service in the Confederate army.

In this personal account of the Civil War, William G. Stevenson was impressed into the Confederate Army, serving in Kentucky, Tennessee, and Alabama in the hospital service from mid-1861 until June 1862, when he escaped to the North. This is a "narrative of personal adventures in the infantry, ordnance, cavalry, courier, and hospital services, with an exhibition of the power, purposes, earnestness, military despotism, and demoralization of the South". First published in 1862.

In 1866, 12 men and women and one small child were forced aboard a leaky schooner and cast away to a natural prison on the Hawaiian island of Molokai. Two weeks later, a dozen others were exiled, and then 40 more, and then 100 more. Tracked by bounty hunters and torn screaming from their families, the luckless were loaded into shipboard cattle stalls and abandoned in a lawless place where brutality held sway. Many did not have leprosy, and most of those who did were not contagious.

Robert Louis Stevenson was a Scottish novelist, essayist, poet and travel writer. Born and educated in Edinburgh, Stevenson suffered from serious bronchial trouble for much of his life, but continued to write prolifically and travel widely in defiance of his poor health. As a young man, he mixed in London literary circles, receiving encouragement from Andrew Lang, Edmund Gosse, Leslie Stephen and W. E. Henley, the last of whom may have provided the model for Long John Silver in Treasure Island.

Eine Erzählung, die in den 1880er Jahren geschrieben, auf überraschend neuartige Weise die Frage nach der Identität stellt. Es geht um einen Mörder und dessen Gewissen. Regie: Nestor Xaidis