Showing titles in Hinduism

"கண்ணன் கதைகள்" என்ற இந்நூல், கண்ணன் தொடர்பான 26 கதைகளைத் தன்னகத்தே தாங்கியுள்ளது. கிருஷ்ண பக்தி என்பது ஒரு பெரிய கடல். இந்நூலைப் படிப்பவர்கள் அந்தக் கடலின் சில நீர்த்திவலைகள் தங்கள் மேல் பட்டதாக உணர்ந்தால் அதுவே இந்நூலின் வெற்றி.

The Vinay Hari Podcast is your go-to destination for success and inspiration. It’s designed for those who dream of studying, building a career, and living a better life abroad. What Makes This Podcast Special: Unheard stories about studying abroad and visa processes. Answers to students' and parents' most pressing questions. Inspirational experiences and insights to motivate you to move forward. Exclusive conversations with industry experts and successful students. What You'll Learn in Every Episode: Insights into education programs in different countries. Secrets to success and career tips.

శ్రీమద్రామాయణము This show is about Ramayanam, as I read. I'm not a proficient in Hindu Mythology, None of the content is my own. I'm only reading out the Telugu translated version of Srimadrayanam authored by Sri Valmiki maharshi. Please excuse me if you notice any mistakes in the way I read. It is my attempt to read Hindu Mythology Books in Telugu and record while I do this.

In Dwapar Katha: The Stories of the Mahabharata, Sudipta Bhawmik delves deep into the intricacies of human nature as he explores the psyches of an eclectic cast of characters, unearthing their motivations and desires. He immerses us in their ceaseless inner struggles on a battlefield more profound than Kurukshetra. Feel the seething anger of Bheem as he rages against the silent Yudhishtir during Draupadi's disrobing and grieve with Duroyadhan when he loses his dear friend Karna in the war.

In Dwapar Katha: Mahabharat kii Gathayen, Sudipta Bhawmik delves deep into the intricacies of human nature as he explores the psyches of an eclectic cast of characters, unearthing their motivations and desires. He immerses us in their ceaseless inner struggles on a battlefield more profound than Kurukshetra. Feel the seething anger of Bheem as he rages against the silent Yudhishtir during Draupadi's disrobing and grieve with Duroyadhan when he loses his dear friend Karna in the war.

Question and Answer session lead by Swami Sarvapriyananda as part of a spiritual retreat at the Vedanta Society of New York.

Swami Sarvapriyananda reads and discusses the Gospel of Sri Ramakrishna. The Gospel of Sri Ramakrishna is an English translation of the Bengali spiritual text Sri Sri Ramakrishna Kathamrita by Swami Nikhilananda. The text records conversations of Ramakrishna with his disciples, devotees and visitors, recorded by Mahendranath Gupta, who wrote the book under the pseudonym of "M."Vedanta Society of New YorkApple PodcastSpotify PodcastDonations to support Vedanta Society of New York gratefully accepted via PaypalAll Original Content © Vedanta Society of New York

The Panchadasi, written by Swami Vidyaranya, is a foundational text of Advaita Vedanta that systematically explains the nature of ultimate reality (Brahman), the individual self (Atman), and the illusory world (Maya). Divided into 15 chapters, it explores the discrimination of reality, the illumination of truth through meditation, and the bliss that arises from Self-realization. Combining philosophy, logic, and spiritual practice, the text serves as a guide for seekers to understand and experience the unity of the self with the infinite Brahman, leading to liberation (moksha).

Lectures on the Mandukya Upanishad and Karika by Swami Sarvapriyananda at the Vedanta Society of New York.

Swami Sarvapriyananda teaches the Mundaka Upanishad which one of the major Upanishads belonging to the Atharva Veda. Mundaka means ''shaved'' like a shaved head. The teachings revealed in this Upanishad are meant to leave the student clean, or shaved of the veil of ignorance. Indeed, the study of this Upanishad has been traditionally confined to the shaven-heads, or the sannyasins, who have renounced everything and devoted themselves exclusively to contemplation.

Dṛg-Dṛśya-Viveka is a text in Advaita Vedanta philosophy that explores the distinction between the “seer” (Dṛg) and the “seen” (Dṛśya). It is attributed to Bharatī Tīrtha or Vidyaranya Swami, who lived around 1350. The text contains 46 slokas and also provides an overview of samadhi, centering on savikalpa and nirvikalpa, and the identity of Atman and Brahman.

Swami Sarvapriyananda teaches Kena Upanishad in this series. The Kena Upanishad (Sanskrit: केनोपनिषद्) (also alternatively known as Talavakara Upanishad) is a Vedic Sanskrit text classified as one of the primary or Mukhya Upanishads that is embedded inside the last section of the Talavakara Brahmana of the Samaveda. It is listed as number 2 in the Muktikā, the canon of the 108 Upanishads of Hinduism. Kena Upanishad has three parts: 13 verses in the first part, 15 paragraphs in the second part, and 6 paragraphs in the epilogue. These are distributed in four khaṇḍas (...

Vedantasara is a 15th-century Advaita Vedanta text written by Sadananda Yogendra Saraswati. It is an important prakarana-grantha (topical introductory text) that provides a methodical understanding of the essence of Vedanta.

The Ten Principal Upanishads is a version of the Upanishads translated by Irish-poet W. B. Yeats and the Indian-born mendicant-teacher Shri Purohit Swami. The translation process occurred between the two authors throughout the 1930s, where the book was published in 1938. It is one of the final works of W. B. Yeats.

In this canto, we hear the fascinating tale of Gajendra, king of elephants in the celestial realm, who was a saintly king in his previous life. Assailed by a mighty crocodile, he recalls his former devotion to Krishna and invokes his presence with heartfelt prayers.

God is love. God is everything. God is guru. The guru is not of this world, even though he created it, and we won’t be able to leave this world of limitation without him. To succeed, we need his grace. We will obtain it by knowing him intimately in the depth of our own being. And there is no greater way to achieve that than to hear the divine Sri Guru Gita and the profound wisdom imparted by the Satguru himself: Paramahamsa Sri Swami Vishwananda.

Celestial Dynasties refers to those of the sun and moon gods, in which both Lord Rama and Lord Krishna respectively appeared. The ninth canto traces both lines up to their appearances, giving details of their significant ancestors.

This volume is one of the first that presented the words of wisdom spoken by the influential Indian Hindu monk Swami Vivekananda within the intimacy of his inner circle. He was already revered as a lecturer, but his flashes of pure brilliance were more often only heard in familiar conversation.

The sheer volume of commentaries on the Mahabharata is awe-inspiring. So, what is it in the Mahabharata that gives it its timeless magic? Is it the mythical characters with which it is replete that makes the epic so enchanting? Or is it the great wealth of philosophical and metaphysical ideas in it that dazzles its audiences? Or could it be a combination of all these that makes it ever-fascinating to scholars and audiences around the world? And, most of all, what accounts for its incredible effect on the subconscious of millions of Indians through several generations?

Surprisingly, one of the more lucid insights on the philosophy of the Tibetan Book of the Dead comes from a Hindu mystic, named Baba Faqir Chand, who apparently was not familiar with the original Tibetan text or its English translation. Although Faqir was not conversant with the Bardo Thotrol, he was nevertheless steeped in its philosophy as taught to him by his guru, Shiv Brat Lal of Gopiganj. Faqir Chand, like his lama counterparts, spent much of his life in meditation, attempting to consciously go through the dying process in order to prepare himself for his final exit.