Showing titles in Essays

Alone Together: Love, Grief, and Comfort During the Time of COVID-19 is a collection of essays, poems, and interviews to serve as a lifeline for negotiating how to connect and thrive during this stressful time of isolation as well as a historical perspective that will remain relevant for years to come.

What is it like to grow up Aboriginal in Australia? This anthology, compiled by award-winning author Anita Heiss, showcases many diverse voices, experiences and stories in order to answer that question. Accounts from well-known authors and high-profile identities sit alongside those from newly discovered writers of all ages. All of the contributors speak from the heart - sometimes calling for empathy, oftentimes challenging stereotypes, always demanding respect.

The fiction and reportage included in The Last Carousel, one of the final collections published during Nelson Algren’s lifetime, was written on ships and in ports of call around the world, and includes accounts of brothels in Vietnam and Mexico, stories of the boxing ring, and reminiscences of Algren’s beloved Chicago White Sox, among other subjects. In this collection, not just Algren’s intensity but his diversity are revealed and celebrated.

In the early years of its existence, the Times Literary Supplement published some of the finest writers in English: T. S. Eliot, Henry James and E. M. Forster among them. But one of the paper’s defining voices was Virginia Woolf, who produced a string of superb essays between the two World Wars. The weirdness of Elizabethan plays, the pleasure of revisiting favourite novels, the supreme examples of Charlotte Brontë, George Eliot and Henry James, Thomas Hardy and Joseph Conrad.

In August 2014 Jenny Diski was diagnosed with inoperable lung cancer and given 'two or three years' to live. She didn't know how to react. All responses felt scripted, laden with cliché. Being a writer, she decided to write about it (grappling with the unoriginality even of this) and to tell a story she had not yet told: that of being taken in, aged 15, by the author Doris Lessing and the subsequent 50 years of their complex relationship.

From organising the school summer fete - 'Because of our inability to recognise our climatic shortcomings from the outset, arrangements for outdoor jollities get completely out of hand' - to the sometimes rather odd passions of childhood - 'I collect stones with holes in them' - Miss Read captures the essence of rural life, and in particular of village schools, as only she can.

In The Possessed we watch Elif Batuman investigate a possible murder at Tolstoy's ancestral estate. We go with her to Stanford, Switzerland, and St. Petersburg; retrace Pushkin's wanderings in the Caucasus; learn why Old Uzbek has 100 different words for crying; and see an 18th-century ice palace reconstructed on the Neva. Love and the novel, the individual in history, the existential plight of the graduate student: all find their places in The Possessed.

Un relato agridulce y entretenidísimo escrito con mano maestra. Una obra mayor del ensayismo en castellano. Tras una investigación exhaustiva que comprende consultorios senti­mentales, revistas del corazón y discursos políticos, Carmen Martín Gaite reconstruye aquí la historia doméstica de los primeros años de postguerra, una etapa sombría donde la restricción y el racionamiento impuestos por Franco afectaron decisivamente a los usos amorosos de aquel tiempo. Educada para aparentar y no para vivir su vida, la mujer de la época, sirvienta del hogar, enfocó el matrimonio como objetivo excluyente.

Like Love is a momentous, raucous collection of essays drawn from twenty years of Maggie Nelson's brilliant work. These profiles, reviews, remembrances, tributes, and critical essays, as well as several conversations with friends and idols, bring to life Nelson's passion for dialogue and dissent. The range of subjects is wide—from Prince to Carolee Schneemann to Matthew Barney to Lhasa de Sela to Kara Walker—but certain themes recur.

Trente ans après sa disparition, le nom d'Ayrton Senna résonne toujours sur les circuits du monde entier. Comme pour les plus grandes dates de l'histoire récente, beaucoup d'anonymes et bien sûr tous les amateurs de Formule 1 se souviennent où ils étaient et ce qu'ils faisaient le 1er mai 1994 lorsqu'ils ont appris que le champion brésilien venait de se tuer sur le circuit d'Imola.

Este es el audiolibro más personal de Santiago Gamboa. Realizado durante casi tres años, contiene una serie de reflexiones honestas y cautivantes en las que el autor revela aspectos de su vida y su oficio, sus lecturas y su biblioteca, así como algunas de sus opiniones más lúcidas sobre arte, literatura y la realidad del país.

In these 12 deeply personal, connected essays, Bernard details the experience of growing up Black in the South with a family name inherited from a White man, surviving a random stabbing at a New Haven coffee shop, marrying a White man from the North and bringing him home to her family, adopting two children from Ethiopia, and living and teaching in a primarily White New England college town. Each of these essays sets out to discover a new way of talking about race and of telling the truth as the author has lived it.

Indiana champions shining examples of literary and artistic merit regardless of whether the individual artist or writer is famous; asserts a standard of care and tradition that has nothing to do with the ivory tower establishment; is unafraid to deliver the coup de grâce when someone needs to say the emperor has no clothes; speaks in the same breath—in the same discerning, insolent, eloquent way—about high art and pop culture. Few writers could get away with saying the things Gary Indiana does. And when the writing is this good, it's also political, plus it's a riot of fun.

Stephen King once said that books are “a uniquely portable magic.” Here, Emma Smith takes listeners on a literary adventure that spans centuries and circles the globe to uncover the reasons behind our obsession with this captivating object. From disrupting the Western myth that the Gutenberg Press was the original printing project, to the decorative gift books that radicalized women to join the anti-slavery movement, to paperbacks being weaponized during World War II, to a book made entirely of cheese, Portable Magic explores how, when, and why books became so iconic.

With this collection of more than 50 pieces on politics, photography, travel, history, and literature, Teju Cole solidifies his place as one of today’s most powerful and original voices. Moment after moment, deploying prose dense with beauty and ideas, he finds fresh and potent ways to interpret art, people, and historical moments, taking in subjects from Virginia Woolf, Shakespeare, and W. G. Sebald to Instagram, Barack Obama, and Boko Haram.

In 2020, Claire Luchette in O, The Oprah Magazine described the beloved Italian novelist Elena Ferrante as “an oracle among authors”. Here, in these four crisp essays, Ferrante offers a rare look at the origins of her literary powers.

"The Old Man and the Gun" is the incredible story of a bank robber and prison escape artist who modeled himself after figures like Pretty Boy Floyd and who, even in his 70s, refuses to retire. "True Crime" follows the twisting investigation of a Polish detective who suspects that a novelist planted clues in his fiction to an actual murder. And "The Chameleon" recounts how a French impostor assumes the identity of a missing boy from Texas and infiltrates the boy's family, only to soon wonder whether he is the one being conned.

It's a report tempered by hard times. In "Matricide", Daum unflinchingly describes a parent's death and the uncomfortable emotions it provokes; and in "Diary of a Coma" she relates her own journey to the twilight of the mind. But Daum also operates in a comic register. With perfect precision, she reveals the absurdities of the marriage-industrial complex, of the New Age dating market, and of the peculiar habits of the young and digital.

It is where Fidel Castro raised money to overthrow Batista and where two generations of Castro's enemies have raised armies to overthrow him, so far without success. It is where the bitter opera of Cuban exile intersects with the cynicism of U.S. foreign policy. It is a city whose skyrocketing murder rate is fueled by the cocaine trade, racial discontent, and an undeclared war on the island 90 miles to the south.

Iceland is home to only 330,000 people but more than 265 museums and public collections, ranging from the intensely physical, like the Icelandic Phallological Museum, which collects the penises of every mammal known to exist in Iceland, to the vaporously metaphysical, like the Museum of Icelandic Sorcery and Witchcraft, which poses a particularly Icelandic problem: how to display what can't be seen?