Showing titles in Essays

Styles of Radical Will, Susan Sontag's second collection of essays, extends the investigations she undertook in Against Interpretation with essays on film, literature, politics, and a groundbreaking study of pornography.

"The Old Man and the Gun" is the incredible story of a bank robber and prison escape artist who modeled himself after figures like Pretty Boy Floyd and who, even in his 70s, refuses to retire. "True Crime" follows the twisting investigation of a Polish detective who suspects that a novelist planted clues in his fiction to an actual murder. And "The Chameleon" recounts how a French impostor assumes the identity of a missing boy from Texas and infiltrates the boy's family, only to soon wonder whether he is the one being conned.

It's a report tempered by hard times. In "Matricide", Daum unflinchingly describes a parent's death and the uncomfortable emotions it provokes; and in "Diary of a Coma" she relates her own journey to the twilight of the mind. But Daum also operates in a comic register. With perfect precision, she reveals the absurdities of the marriage-industrial complex, of the New Age dating market, and of the peculiar habits of the young and digital.

It is where Fidel Castro raised money to overthrow Batista and where two generations of Castro's enemies have raised armies to overthrow him, so far without success. It is where the bitter opera of Cuban exile intersects with the cynicism of U.S. foreign policy. It is a city whose skyrocketing murder rate is fueled by the cocaine trade, racial discontent, and an undeclared war on the island 90 miles to the south.

Iceland is home to only 330,000 people but more than 265 museums and public collections, ranging from the intensely physical, like the Icelandic Phallological Museum, which collects the penises of every mammal known to exist in Iceland, to the vaporously metaphysical, like the Museum of Icelandic Sorcery and Witchcraft, which poses a particularly Icelandic problem: how to display what can't be seen?

In Sightlines, Kathleen Jamie reports from the field - from her native Scottish "byways and hills" to the frigid Arctic in 14 enthralling essays. She dissects whatever her gaze falls upon - vistas of cells beneath a hospital microscope, orcas rounding a headland, the aurora borealis lighting up the frozen sea. In so doing, she questions what, exactly, constitutes "nature", and upends the idea that it is always picturesque. Written with precision, subtlety, and wry humor, Sightlines urges the listener: "Keep looking, even when there's nothing much to see."

A fresh and fascinating reappraisal of the first half of the 20th century from one of our foremost historians. 'War, comrades,' declared Trotsky, 'is a great locomotive of history.' He was thought to be acknowledging the opportunity the First World War had offered the Bolsheviks to seize power in Russia in 1917. Peter Clarke explores the crucial ways in which war can be seen as a prime mover of history in the 20th century through the eyes of five major figures.

A fine collection of essays representing C. S. Lewis at his best and most brilliant. As ever, Lewis' clear and eloquent mind give plenty of food for thought, especially as he aims his intellectual ammunition at the modern myths still so prevalent in our postmodern culture and encourages a robust defence of the Christian Gospel.

America’s greatest living essayist writes about life and aging and being all too nicely out of it. In these personal pieces, he takes on topics as varied as grieving for a dead son, learning Latin late in life, and the pleasures of living with cats. Epstein gives us a “bonfire of his own vanities,” his thoughts about why watching sports is so impossibly seductive, what it is like to be short, and why he misses smoking even decades as a health-obsessed non-smoker.

William Gibson is known primarily as a novelist, with his work ranging from his groundbreaking first novel, Neuromancer, to his more recent contemporary best sellers Pattern Recognition, Spook Country, and Zero History. During those nearly 30 years, though, Gibson has been sought out by widely varying publications for his insights into contemporary culture.

Mark Kurlansky, winner of the James Beard Award for Excellence in Food Writing, leads us on a mouthwatering culinary tour around the world and through history and culture from the fifth century B.C. to the present day. This wonderful collection contains essays by Plato on the art of cooking, Pablo Neruda on french fries, and many other writers on the passions of cuisine.

走ることについて語りつつ、小説家としてのありよう、創作の秘密、そして「彼自身」を初めて説き明かした画期的なメモワール。

“Food and travel are natural companions,” writes guest editor Padma Lakshmi. From this pairing comes “the possibility of seeing anew, of examining how we make and assign meaning.” The essays in this year’s Best American Food and Travel Writing circle the world—from Dakar in Senegal, to Michoacán in south-central Mexico, to the Camino de Santiago in Spain—and deepen our understanding of our place in it.

For Jenn Shapland, the barrier between herself and the world is porous; she was even diagnosed with extreme dermatologic sensitivity—thin skin.

Author and essayist Kiese Laymon is one of the most unique, stirring, and powerful new voices in American social and cultural commentary. How to Slowly Kill Yourself and Others in America is a collection of Laymon's essays, touching on subjects ranging from family, race, violence, and celebrity to music, writing, and coming of age in the rural Mississippi Gulf Coast. Laymon's writing is unflinchingly honest, while also being smart, lacerating, and unexpectedly funny.

For over six decades, Gay Talese has told New York stories. They are the stories of daring bridge builders, disappearing gangsters, intrepid Vogue editors, unassuming doormen who’ve seen too much. They are set in the star-studded salons of George Plimpton’s apartment, in the tense newsroom of a still burgeoning New York Times, in an electric studio session with Tony Bennett and Lady Gaga recording their debut. With the wit, elegance, and depth of insight that has long characterized his work, Talese’s New York reporting showcases a master of the form at his finest.

Alongside their personal stories, the writers -decorated novelists, poets, and essayists - address the history of the C-section as well as its risks, social inequities, impact on the body, and psychological aftermath. My Caesarean is a heartfelt meditation, offering much-needed comfort through shared experience.

In addition to her celebrated career as a novelist, Hilary Mantel contributed for years to newspapers and journals, unspooling stories from her own life and illuminating the world as she found it. “Ink is a generative fluid,” she explains. “If you don’t mean your words to breed consequences, don’t write at all.” A Memoir of My Former Self collects the finest of this writing over four decades.

Teeming with life and compulsively listenable, the pieces gathered together in The Tribe aggregate into an extraordinary mosaic of Cuba today. Carlos Manuel Álvarez, one of the most exciting young writers in Latin America, employs the cronica form—a genre unique to Latin American writing that blends reportage, narrative nonfiction, and novelistic forms—to illuminate a particularly turbulent period in Cuban history, from the reestablishment of diplomatic relations with the US, to the death of Fidel Castro, to the convulsions of the San Isidro Movement.

Kelly McMasters found herself in her mid-thirties living her fantasy: she'd moved with her husband, a painter, from New York City to rural Pennsylvania. The pastoral landscape and the bookshop they opened were restorative at first, for her and her marriage. But soon, she was quietly plotting her escape. In The Leaving Season, McMasters chronicles the heady rush of falling in love and carving out a life in the city, the slow dissolution of her relationship in an isolated farmhouse, and the complexities of making a new home for herself and her children as a single parent.