Showing titles in Canadian

A sorrow has taken root in my heart, and although it hurts every day I know there is a place where we laugh together under an open sky. To that sanctuary, I am travelling. This is that story. Stanley Park is a collection of 35 poems from parables author Sapphira Olson charting the story of two lovers through history as they are separated and then reunited all within the island of Stanley Park in Vancouver. Olson weaves a beautiful and poignant narrative through a progression of emotional poetry taking the listener on a journey of hope driven by love.

Why I Was Late fuses text with performance, bringing a transmasculine wisdom, humor, and experience to bear upon tailgates, spaceships, and wrestling rings. Fierce, tender, convention re-inventing—Petch works hard. And whether it’s as a film union lighting technician, a hospital bed allocator, a Toronto hot dog vendor, or a performer/player of the musical saw, the work is survival. Heroes are found in unexpected places, elevated by both large and small gestures of kindness, accountability and acceptance.

This debut poetry collection from acclaimed novelist Farzana Doctor is both an intimate deep dive and a humorous glance at the tumultuous decade of her forties. Through crisp and vivid language, Doctor explores mid-life breakups and dating, female genital cutting, imprints of racism and misogyny, and the oddness of sex and love, and urges us to take a second look at the ways in which human relationships are never what we expect them to be.

In Living in the Tall Grass: Poems of Reconciliation, Chief Stacey Laforme gives a history of his people through stories and poetry to allow us to see through the eyes of indigenous people. In it, he hits hard on matters of residential schools, the environment, suicide among indigenous youth, domestic abuse, and so on, but also writes poems of love and hope. Chief Laforme’s universal message is, “We should not have to change to fit into society, the world should adapt to embrace our uniqueness.”

Following in the footsteps of such category killers as Milk and Honey and Whiskey Words & a Shovel I, Fariha Róisín's poetry book is a collection of her thoughts as a young, queer, Muslim femme navigating the difficulties of her intersectionality. Simultaneously, this compilation unpacks the contentious relationship that exists between Róisín and her mother, her platonic and romantic heartbreaks, and the cognitive dissonance felt as a result of being so divided among her broad spectrum of identities.

Once an amusing extrovert with a reputation as a prankster, Mr. Rosen is entering his senior years as a stoic, thirty-year converted introvert who hates change, has little to no interest in people and is more than content to have his wife sit in the navigator's seat of his life. Since becoming a practising introvert, there have been almost no changes in his life, and for the few that there were, his wife had walked him through them, including the recent move to a much smaller home in a lower/middle-class neighbourhood.

Innermost is a collection of both free-verse and fixed-verse poetry written over a period of half a decade about every emotion felt inside the human heart. These poems will transport you to a whole other world within the innermost depths of the human soul.

Like a series of Penthouse letters penned by Kathy Acker, Lie with Me recounts a woman's sexual escapades, picking up random men in bars for a series of increasingly extreme encounters, hoping to understand love from the far side of sluttiness. In The Way of the Whore, Mira, an introverted Jewish girl obsessed with Jean Genet, allows herself to be seduced by the sex industry, determined to find meaning in her tormented relationships with cruel men.

Kate Braddock, a sexually ambiguous ex-Spacer, isolates herself on Luna. After detecting a faster-than-light ship en route to Earth several years ago, she now conducts geophysical surveys for a mineral resources consortium. One day, she and a young intern, Mary Atteberry, discover an anomaly in the dust near the Mare Marginis that is clearly unnatural, and clearly alien.

In the early 1980s, serial killer Clifford Olson rampaged through the lower mainland of British Columbia, raping and murdering 11 victims. His heinous cash-for-bodies deal foreshortened his trial, and resulted in the law currently on Canadian books that forbids criminals from benefiting financially from their crimes. Olson was just the pimple on the hide of a misogynist culture, as this long poem sequence attests.

This new and revised edition of poems about the men and women of the North features the most loved ballads by Robert Service, and is narrated by Michael Puttonen. While living in Whitehorse, Robert Service wrote The Cremation of Sam McGee, and other well-known poems. He wrote and published into his mid-eighties. He was quoted as saying, "I just go for a walk and come back with a poem in my pocket."

March 6, 1934. Hundreds gather outside City Hall to celebrate the Toronto Centenary. In the crowd, pickpocket Mona Kantor and her partner, Chesler, are "in the tip", finding easy pickings among the jostling masses. Eli Morenz, city man for the Daily Star, is covering the festivities and uncovering the pickpocket racket working the scene. A surreptitious photo and some keen research lead him to an underworld dive in Kensington Market where Toronto’s pickpockets converge - and to Mona.

Stella's world was one of misery and despair, wandering the streets of Victoria, BC, cold, wet and hungry. She had adapted to street-life, but on most days, she would rather be dead. Living amongst the nameless, faceless and placeless tribe of the homeless, Stella's very existence depended on the generosity of strangers. She never spoke of her past, determined to keep her life-story a secret. Faced with constant hunger, Stella begged and pushed her trolley filled with junk, trying to remain invisible as she moved from alcove to park bench and back again, clinging to anonymity.

Ellesmere... L'île la plus au nord de l'Arctique. Le théâtre d'une tragédie humaine. Au cours des années 1950, le gouvernement canadien y a sauvagement déporté une centaine d'Inuits pour assurer la souveraineté territoriale du pays. Bien plus tard, mon frère Jess sombre héros de mon histoire et de celle de ma sœur s'y est réfugié pour échapper aux conséquences de ses crimes. Le malheur des uns fait parfois le bonheur des autres... Je suis artiste. Peindre l'horreur d'Ellesmere, l'hostile terre des sacrifiés, m'a propulsé sur la scène du monde...

In this song-like collection of 50 short poems inspired by rural Prince Edward Island, Canada, Roderick MacDonald elevates the commonplace and simple in entertaining and thoughtful verse. Through his poetry, MacDonald invites the listener to accompany him on a gentle walk through the changing seasons on his beloved island. His words evoke the beach: sand under foot, lapping waves, and spectacular sunsets anointing abandoned old lighthouses.

The mystics who coined the phrase "the way of affirmation" understood the apocalyptic nature of the word yes, the way it can lead out of one life and into another. Moving among the languages of Christian conversion, Classical metamorphosis, seasonal transformation, and gender transition, Luke Hathaway tells the story of the love that rewired his being, asking each of us to experience the transfiguration that can follow upon saying yes—with all one’s heart, with all one’s soul, with all one’s mind, with all one’s strength ... and with all one’s body, too.

Fluctuating Life is an audiobook of poems by Joshua Spencer, depicting, symbolically, the struggles, triumphs, and jubilation of the author. Joshua Spencer eloquently and touchingly entraps, captivates, and motivates his audience's thought processes, to share in his challenges of love, perceived discrimination, economic deprivation, and his will in overcoming a serious illness experienced.

Tamara Thompson is a children’s author and poet residing in Simcoe, ON Canada, north of Toronto, ON. She was raised in the suburbs of Toronto, Canada. This writer’s friends meant a lot to her, you would always find her telling and sharing stories, a true writer - who always had something to say. Talking about the fun and light times they all shared and speaking of years that had gone past. Growing up in the 1980’s and 1990’s, were her fondest memories were made with her friends.

A body is found on the side of a highway. Naked, throat slashed, no identification. It disappears from the back of a police van and begins a strange odyssey, making its way, over the course of one early winter night, all around the northern town of Sudbury and through the lives and dreams of eleven very different people.

Many authors have been accused of betraying their loved ones by turning them into fictional characters. In The Treacherous Imagination, Robert McGill examines the ethics of writing such stories. He argues that while fiction has long appealed to audiences with its narratives of private life, contemporary autobiographical fiction channels a widespread ambivalence about the value of telling all in a confessional age - an age in which fiction has an unprecedented power to leave people feeling libeled or exposed when they recognize themselves in it.