Showing results by author "Susan Minot" in Literature & Fiction

Ivy Cooper is 52 years old when Ansel Fleming first walks into her life. Twenty years her junior, a musician newly released from prison on a minor drug charge, Ansel’s beguiling good looks and quiet intensity instantly seduce her. Despite the gulf between their ages and experience the physical chemistry between them is overpowering, and over the heady weeks and months that follow Ivy finds her life bifurcated by his presence.

After three marriages and five children, Ann Lord lies dying in an upstairs bedroom of a house in Cambridge, Massachusetts. What comes to her, eclipsing a stream of doctor's visits and friends stopping by and grown children overheard whispering from the next room, is a rush of memories from a weekend 40 years ago in Maine, when she fell in love with a passion that even now throws a shadow onto the rest of her life.

Using a single interlude—a brief encounter of old lovers, two bodies entwined on a bed at midday—Minot defines the distance that erupts at what seems to be the height of connection, as well as the extent to which the senses deceive, and the intensely private eroticism of fantasy and the imagination. Minot’s lovers are mesmerizing in their individual journeys—one moving toward a kind of holy consummation, the other toward abnegation and blank despair.

Esther is a Ugandan teenager abducted by the Lord's Resistance Army and forced to witness and commit unspeakable atrocities. She is struggling to survive, to escape, and to find a way to live with what she has seen and done. Jane is an American journalist who has traveled to Africa, hoping to give a voice to children like Esther and to find her center after aseries of failed relationships. In unflinching prose, Minot interweaves their stories, giving us razor-sharp portraits of two extraordinary young women.

The author of Monkeys and Evening focuses her observant eye and lyrical voice on the delicate emotional negotiations of young New Yorkers. As in a series of deceptively simple watercolors, these stories uncover small moments that yield larger truths—about the ways in which women and men come together and come apart again, about the disappointments and hopes of lovers who know what they want but don’t always know how to keep.

Monkeys is the remarkable story of a decade in the life of the Vincents, a colorful Irish Catholic family from the Boston suburbs. On the surface, they seem happy with their vivacious mother Rosie at the helm. But underneath, the Vincents struggle to maintain the appearance of wealth and stability while dealing with the effects of their father’s alcoholism. When a sudden accident strikes, their love for one another is tested like never before.

A writer dryly catalogs the myriad reasons she cannot write; an artist bicycles through a protest encampment in lower Manhattan and ruminates on an elusive lover; an old woman on her deathbed calls out for a man other than her husband; a hapless fifteen-year-old boy finds himself in sexual peril; two young people in the 1990s fall helplessly in love, then bicker just as helplessly, tortured by jealousy and mistrust.