Titres dans Essais

Every memoir is a battle between reality and invention - but in her follow up to Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys., Viv Albertine has reinvented the genre with her unflinching honesty. To Throw Away Unopened is a fearless dissection of one woman's obsession with the truth - the truth about family, power and her identity as a rebel and outsider. It is a gaping wound of a book, both an exercise in bloodletting and psychological archaeology, excavating what lies beneath: the fear, the loneliness, the anger.

The man who won the Pulitzer Prize for GLENGARRY GLEN ROSS, who wrote the classic films THE VERDICT and WAG THE DOG sounds his alarm about the Visigoths at our gates. In RECESSIONAL he calls out, skewers, mocks, and, most importantly, dissects the virus of conformity which is now an existential threat to the West. A broad-ranging journey through history, the Bible, and literature, RECESSIONAL examines how politics and cultural attitudes about rebellion have shifted in the United States in the last generation.

Shocked and distressed by a male writer's vilification of women, Christine de Pizan has a powerful dreamlike vision in which she is visited by three personified Virtues: Reason, Rectitude and Justice. They tell her she has been chosen to write a book which will be like a city, housing virtuous women and protecting them from feminist attack. Partly myth, partly fact, The Book of the City of Ladies is an extraordinary, pioneering and impassioned defense of women that set out to shatter misogynist cliches and serve to instill self-worth in its female listeners of the time.

Ostensibly about death and its attendant rituals, The Undertaking is in the end about life. In each case, he writes, it is the one that gives meaning to the other. A funeral director in Milford, Michigan, Lynch is that strangest of hyphenates, a poet-undertaker, but according to Lynch, all poets share his occupation, "looking for meaning and voices in life and love and death." Looking for meaning takes him to all sorts of unexpected places, both real and imagined. He embalms the body of his own father, celebrates the rebuilt bridge to his town's old cemetery, and more.

Filled with his usual obsessions - sex, booze, gambling - More features Bukowski's offbeat insights into politics and literature, his tortured, violent relationships with women, and his lurid escapades on the poetry reading circuit. Highlighting his versatility, the book ranges from thinly-veiled autobiography to purely fictional tales of dysfunctional suburbanites, disgraced politicians, and down-and-out sports promoters - climaxing with a long, hilarious adventure among French filmmakers.

Chuck Klosterman IV consists of three parts:

THINGS THAT ARE TRUE
Profiles and trend stories: Britney Spears, Val Kilmer, McDonalds, '70s rock band nostalgia cruises. With new introductions and asides.

J'irai de l'Aral à la Caspienne. Je gagnerai l'Azerbaïdjan à bord d'un ferry. De Bakou, je cheminerai vers la Turquie par la Géorgie. À pied, à vélo, je ne le sais pas encore, mais loyalement, sans propulsion motorisée. Au bout de ma route, j'aurai relié trois mers, abattant le même trajet que celui d'une larme d'or noir de la haute Asie convoyée à travers steppes et monts pour que le monde poursuive sa marche folle.

No matter what was happening in Jennifer Weiner's life - whether good, bad, or very, very ugly - her mother, Fran, would say the same thing: It's all material. Now the number-one New York Times best-selling author and "one of the biggest names in popular fiction" ( USA Today), beloved on Twitter and hailed as "an unlikely feminist enforcer" ( The New Yorker), takes the raw stuff of her personal life and spins it into a collection of personal essays as uproariously funny and heartfelt as the best of Tina Fey and Nora Ephron.

What If This Were Enough? is a mantra and a clarion call. In its chapters--many of them original to the book, others expanded from their initial publication--Havrilesky takes on those cultural forces that shape us. We've convinced ourselves, she says, that salvation can be delivered only in the form of new products, new technologies, new lifestyles.

Autumn begins with a letter Karl Ove Knausgaard writes to his unborn daughter, showing her what to expect of the world. He writes one short piece per day, describing the material and natural world with the precision and mesmerizing intensity that have become his trademark.

A striking and nuanced collection, bringing to life awkward college students, disgraced public figures, raunchy grandparents, and mystical godmothers. To listen to these stories is to experience the transporting joys of discovery and affirmation, and to realize that story writing in America continues to flourish.

Paesaggi, umori, incontri, riflessioni, racconti di un viaggiatore sterniano che scende con pietas e con humour lungo il vecchio fiume, dalle sorgenti al Mar Nero, ripercorrendo insieme la propria vita e le stagioni della cultura contemporanea, le sue fedi e le sue inquietudini. Un itinerario fra romanzo e saggio che racconta la cultura come esperienza esistenziale e ricostruisce a mosaico, attraverso i luoghi visitati e interrogati, le civiltà dell'Europa centrale - in tutta la complessa varietà dei suoi popoli e delle sue culture.

Good Dog offers memorable, beautifully written stories of dog ownership, companionship, friendship, and kinship. From the troublemakers who can't be fenced in to the lifelong companions who won't leave our sides, this poignant anthology showcases man's best friend through all of his most endearing--and sometimes maddening--attributes.

In this autobiography, woven from personal pieces composed over the course of a celebrated writing life of more than 50 years, you'll meet William Buckley the boy, growing up in a family of 10 children; Buckley the daring young political enfant terrible, whose debut book, God and Man at Yale, was a shocking New York Times best seller; Buckley the editor of National Review, widely hailed as the founder of the modern conservative movement; and Buckley the husband and father.

The place is El Salvador in 1982, at the ghastly height of its civil war. The writer is Joan Didion, who delivers an anatomy of that country's particular brand of terror - its mechanisms, rationales, and intimate relation to United States foreign policy. As ash travels from battlefields to body dumps, interviews a puppet president, and considers the distinctly Salvadoran grammar of the verb "to disappear," Didion gives us a book that is germane to any country in which bloodshed has become a standard tool of politics.

A Modest Proposal for Preventing the Children of Poor People in Ireland From Being a Burden to Their Parents or Country, and for Making Them Beneficial to the Public, commonly referred to as A Modest Proposal, is a Juvenalian satirical essay written and published anonymously by Jonathan Swift in 1729. Swift suggests in his essay that the impoverished Irish might ease their economic troubles by selling children as food. By doing this he mocks the authority of the British officials.

Funny, thought provoking, and always entertaining, personal essayist Marion Winik is known for decades of storytelling on NPR and the stunning memoir First Comes Love. Memory and identity are the focus of this new collection, Guesswork, drawn from a column that has won "Best of Baltimore" from Baltimore magazine several years running.

Michel de Montaigne, one of the foremost writers of the French Renaissance and the originator of the genre of the essay, wrote on subjects ranging from friendship to imagination, from language to conscience. This collection includes 22 of Montaigne's essays, including "Of Prognostications," "Of the Custom of Wearing Clothes," "Of Pedantry," and "Of Friendship."

Too personal for an almanac, too sophisticated for a domestic history, and too funny and self-doubting for a literary journal, One Man's Meat can best be described as a primer of a countryman's lessons and a timeless recounting of experience that will never go out of style.

Tomando como punto de partida algunos recuerdos de su madre, que en la pantalla de un escáner cerebral "evocan un paisaje astral", Nona Fernández construye lo que ella misma ha llamado una "constelación de materiales". Lo hace a través de la memoria personal, familiar y colectiva, la memoria de un país, y también echando mano del documento, de aquello que consigue iluminar el olvido. Acaso del mismo modo en que, al cabo de tantos años, nos alcanza la luz de las estrellas. Como a menudo ocurre con la justicia.