Showing results by publisher "Tantor Audio" in World Literature

At the time of her death in 2004, Lucia Berlin was known as a brilliant writer of short stories, beloved by other writers but never achieving wide readership or acclaim. That changed in 2015 with the publication of A Manual for Cleaning Women, a collection of some of her best work. Almost overnight, Lucia Berlin became an international bestseller. Love, Loosha is the extraordinary collection of letters between Lucia Berlin and her dear friend, the poet and Broadway lyricist Kenward Elmslie.

Alone on a wilderness trek in the New Mexico mountains, Lakota PI Howard Moon Deer meets a barefoot, half-crazed astrophysicist who claims he's been abducted by a flying saucer and has just returned from the planet Klizmor in possession of an illusive equation from their advanced civilization: the Theory of Everything.

Jack Wilder and Howard Moon Deer are back with a baffling new case. A lonely woman, recently arrived in New Mexico, has vanished mysteriously from her house on a snowy winter day, leaving her front door open and her emotional support dog, Gurdjieff, dead on the dining table.

In the middle of summer, omnipresent heat radiates as a group of elderly people are remembering their youth. The story focuses on two sisters, Leokadia and Helena, who live together in a retirement home not far from Warsaw. These are not ordinary stories they are sharing, because both of them were imprisoned as children in Auschwitz during World War II.

An ancient, disabled girl holds the key to unlock two modern day murders on the Dine Bikeyah. Archeology and murder entwine in Chappell's latest Canyon Lands thriller.

Mired in self-doubt and blind loyalty, Allegra Gil suspects her charmed life may be a gilded cage. She has a devoted husband, Benito, two loving children, a thriving therapy practice, and lifelong friends. But when a surprising discovery in a piano bench reveals a shocking family secret, Allegra questions everything she thought she knew about the two people who raised her. Was it true? Did her father, a respected pediatric neurosurgeon, harm instead of heal? And Allegra's mother—how much did she know?

Serving as the first relational study of antiracism in France, Natives against Nativism observes how claims to indigeneity have been deployed in multiple directions, both in the ongoing struggle for migrant rights and racial justice, and in white nativist claims in France today.

Returning to the fictional Ojibwe reservation in northern Minnesota she deftly mapped in her award-winning books, Linda LeGarde Grover reveals traumas old and new as Margie Robineau, in the midst of a fight to keep her family's land, uncovers events connected to a long-ago escape plan across the Canadian border, and the burial of not one crime but two. While Margie is piecing the facts together, Dale Ann is confronted by her own secrets and the truth that the long ago and the now, the vital and the departed are all indelibly linked.

David Sterling Brown offers nothing less here than a wholesale deconstruction of whiteness in Shakespeare's plays, arguing that the 'white other' was a racialized category already in formation during the Elizabethan era—and also one to which Shakespeare was himself a crucial contributor.

Kate is a German immigrant newly arrived in America with only her brother as family. When she and her brother split, she eventually finds her way back to him, but with a secret. Van revisits the town and the farm of her ancestors to discover calamitous events in probate records, farm auction lists, asylum records and lurid obituaries, hinting at a history far more complex and tumultuous than she had expected. But the mystery remains, until she changes upon a small book—sized for a pocket—that holds Tante Kate's secret and provides the missing piece.

In early February of 1885, the robbery of the Pensacola and Atlantic train could not have come at a worse time for Florida panhandle railroad magnate William Chipley. He had put time, money, and both his personal and business reputation on the line to host the first Gulf Chautauqua in DeFuniak Springs. Now, with the murder of two guards, and the theft of both a payroll and a shipment of new US Army rifles, the success of the Chautauqua was at risk.

Lu's worry dolls are at-capacity as she tries to outrun the ghosts from her past—including loved ones stolen on 9/11—by traveling through her mother's homeland of Guatemala, to discover the painful reasons behind her own dysfunctional childhood, and why she must trust in the magic of the legend.

Bike cop Ellie Rush dreams of becoming a homicide detective, but it's still a shock when the first dead body she encounters on the job is that of a former college classmate. At the behest of her Aunt Cheryl, the highest-ranking Asian-American officer in the LAPD (a source of pride for Ellie's grandmother, but annoyance to her mom), Ellie becomes tangled in the investigation of the coed's murder—with equal parts help and hindrance from her nosy best friend, her over-involved ex-boyfriend, a smoldering detective, and seemingly everyone else in her extended family.

As war overtakes the frontier, Emma's family farmstead is attacked by Dakota-Sioux warriors; on that same prairie, Oenikika desperately tries to hold on to her calling as a healer and follow the orders of her father, Chief Little Crow. When the war is over and revenge-fueled war trials begin, each young woman is faced with an impossible choice. In a swiftly changing world, both Emma and Oenikika must look deep within and fight for the truth of their convictions-even as horror and injustice unfolds all around them.

Graham Greene's first published novel tells the story of Andrews, a young man who has betrayed his fellow smugglers and fears their vengeance. Fleeing from them, with no hope of pity or salvation, he takes refuge in the house of a young woman, also alone in the world. Elizabeth persuades him to give evidence against his accomplices in court, but neither she nor Andrews is aware that to both criminals and authority, treachery is as great a crime as smuggling.

Over the past fifty years, fiction in English has never looked more various. Books bulkier than Victorian three-deckers appear alongside works of minimalist brevity, and experiments with form have produced everything from verse novels to Twitter-thread narratives. This is truly a golden age. But what unites this kaleidoscopic array of genres and styles? Celebrated writer and critic Peter Kemp shows how modern writers are obsessed with the past.

When Loretta surrenders her young girls to the county and then disappears, she becomes one more missing Native woman in Indian Country's long devastating history of loss. But she is also a daughter of the Mozhay Point Reservation in northern Minnesota, and the mother of Azure and Rain, ages three and four, and her absence haunts all the lives she has touched—and all the stories they tell in this novel.

Philbert Bono and Buddy Red Bird are about to prove that the spirit of the great warriors is still alive and kicking. Their "war pony," a burned-out, rusty 1964 Buick LeSabre, has left a trail of dust from Montana's Lame Deer Reservation halfway down Interstate 25 as they take off to bail Buddy's sister out of jail. The basis for the great movie of the same name, this quiet debut novel, first published in 1979, has become a classic of Native American literature.

Benjamin Alire Sáenz's stories reveal how all borders—real, imagined, sexual, human, the line between dark and light, addict and straight—entangle those who live on either side. Take, for instance, the Kentucky Club on Avenida Juárez two blocks south of the Rio Grande. It's a touchstone for each of Sáenz's stories. His characters walk by, they might go in for a drink or to score, or they might just stay there for a while and let their story be told. Sáenz knows that the Kentucky Club, like special watering holes in all cities, is the contrary to borders.

In Unguessed Kinships, Steven Frye illuminates all these dimensions of McCarthy's work. In his novels and plays, McCarthy engages both explicitly and obliquely with the project of manifest destiny, in the western drama Blood Meridian, the Tennessee Valley Authority-era Tennessee novels, and the atomic frontier of Alamogordo in Cities of the Plain.