Titres dans Surnaturel

Sometimes, it’s best to mind your own business. Felix Eastwood is your average guy, except for the fact that he can see the spirits of the dead. Lilith Lavelle is a fraudulent psychic, plying her trade on social media. When Felix stumbles across an advertisement for Lilith Lavelle’s Psychic Cleansing Services, he hires her under the pretense that his family is being haunted, hoping to expose her as a scam artist. By trying to play the hero, Felix puts his family in grave danger.

On the eve of World War Two, Nazi sorcerers come gunning for Cade but kill his family instead. His one path of vengeance is to become an apprentice of The Midnight Front—the Allies’ top-secret magickal warfare program—and become a sorcerer himself. Unsure who will kill him first—his allies, his enemies, or the demons he has to use to wield magick—Cade fights his way through occupied Europe and enemy lines.

In these stories, dear student, retribution visits a lothario lecturer; the sinister truth is revealed about a missing professor; a forsaken lover uses a séance for revenge; an obsession blooms about a possible illicit affair; two graduates exhume the secrets of a reclusive scholar; horrors are uncovered in an obscure academic department; five hopeful initiates must complete a murderous task and much more!

More than a decade ago, Mira fled her small, segregated hometown in the south to forget. With every mile she traveled, she distanced herself from her past: from her best friend Celine, mocked by their town as the only white girl with black friends; from her old neighborhood; from the eerie Woodsman plantation rumored to be haunted by the spirits of slaves; from the terrifying memory of a ghost she saw that terrible day when a dare-gone-wrong almost got Jesse—the boy she secretly loved—arrested for murder. But now Mira is back to attend Celine's wedding at the plantation.

In Herefordshire's hop-growing country, a converted kiln is the scene of a savage murder. When the local vicar refuses to help its new owners cope with the aftermath, Merrily Watkins is sent in by the Bishop of Hereford to defuse the situation. Merrily, however, is already contending with a woman's claim that her daughter is possessed by evil. In both cases, Merrily remains unconvinced, but nothing is ever quite what it seems

All Hallows Hall, a rambling Tudor mansion on the edge of the bleak, misty moor is not a place many would choose to live. Yet the former governor of Dartmoor Prison did just that. Now he's dead, and his estranged family is set to inherit his estate. But when the dead man's family comes to stay, the atmosphere of the moors seems to drift into every room. Floorboards creak, secret passageways echo and wind whistles in the house's famous priest hole. And then, on the morning the family decides to leave All Hallows Hall once and for all, their young son, Timmy, goes missing.

At four months old, Olivia Dahl was almost murdered. Driven by haunting visions, her mother became obsessed with the idea that Olivia was a changeling, and that the only way to get her real baby back was to make a trade with the dead women living at the bottom of the well. Now Olivia is ready to give birth to a daughter of her own...and for the first time, she hears the women whispering. Everyone tells Olivia she should be happy. She should be glowing, but the birth of her daughter only fills Olivia with dread.

My name is Jack Steen, and for those who arrive on my 'death' ward at the Asylum, I'm the last face many will see before they die. I am the night nurse at an Asylum for the Criminally Insane, and most of my patients know me as their Angel of Death. I know them as mass murderers, rapists, and serial killers—among other things. Here's what happens: they come on my floor, they give me their deathbed confession, and I help to make their death less painful. There's a catch, though: I want the real story, the one they haven't told anyone else.

There’s something wrong in Renfield County. It’s in the water, the soil, the wood. But worst of all, it’s in the minds of the residents, slowly driving them mad. When Lawrence Renfield massacred his family and drew The Giant in his farmhouse with their blood, no one imagined the repercussions. At the very least, the bloodstained wood should have been set aflame, not chopped down and repurposed as furniture, décor, and heirlooms across the county. But that’s exactly what happened.

In Lolly Willowes, Sylvia Townsend Warner tells of an aging spinster's struggle to break away from her controlling family - a classic story that she treats with cool feminist intelligence, while adding a dimension of the supernatural and strange. Warner is one of the outstanding and indispensable mavericks of 20th-century literature, a writer to set beside Djuna Barnes and Jane Bowles, with a subversive genius that anticipates the fantastic flights of such contemporaries as Angela Carter and Jeanette Winterson.

There are stories about the dilapidated stone circle at Chipping Amesbury, going back centuries. The villagers may tell the tales with relish to visiting tourists, but a careful observer will notice that there is no transport to the stone circles, no tours on offer, and the locals stay well away. Alistair Kincaid, the youngest-ever bishop of All Souls Hollow, is an expert in Britain’s ancient stone circles. That’s why, when landowner Sir Neville Chumley announces his plans to restore the circle to its ancient glory, he agrees to take part in a documentary about the project.

There's only one word to describe the devil's kiss. Violent. There's only one word to describe a hunter who locks lips with the most revered, most feared, and most despicable demon to have ever existed. Traitor. A hunter and the Devil. It's not just an unlikely pair. It's an impossible one. Add his two henchmen to the mix and there's only one word that spells. Disaster. I am Melody Black. Daughter of the New York Guild's leader. Daughter of the best hunter to have ever existed. But daddy dearest is about to lose his title.

A rogue agent has come in from the cold and wants to spill his secrets. The Organization wants Ishmael to find out if Frank Parker is who he says he is, what he really knows, and why he has emerged from the shadows after all this time. Ishmael heads to Ringstone Lodge in Yorkshire, where Parker is being held to find that an atmosphere of fear and suspicion prevails. As he and his fellow residents are menaced by a series of alarming and inexplicable incidents, Ishmael sets out to prove that it's human trickery rather than any supernatural being behind the seemingly ghostly goings-on.

Necroscope®: The Last of the Lost Years, Volume 2, the 20th volume in Brian Lumley's Necroscope® series, contains two short novels, one long novella, one short story, and a closing piece entitled Resurrection. Each of these, except the short story, (Old Man With A Blade where Harry is pursued by the Grim Reaper), feature the Necroscope, Harry Keogh, during this final (?) period of his life known as "The Lost Years".

Una novela terrorífica.Cuando cuatro viejos amigos de la universidad parten hacia el desierto escandinavo del Círculo Polar Ártico, su objetivo es escapar brevemente de los problemas de sus vidas y volver a conectarse entre sí. Pero cuando Luke, el único hombre soltero que vive una existencia precaria, descubre que tiene poco en común con sus amigos adinerados, las tensiones aumentan. Con experiencia limitada entre ellos, un atajo destinado a facilitar su caminata se convierte en un escenario de pesadilla que podría costarles la vida.

In an ancient tunnel underneath New York City, a charnel house is discovered. Inside are 36 bodies - all murdered and mutilated more than a century ago. While FBI agent Pendergast investigates the old crimes, identical killings start to terrorize the city.

Warrior angels, vampire hunters, and angels gone bad heat up this altogether sizzling paranormal alternate universe. This anthology of novellas features Angels' Wolf, Angels' Judgment, Angels' Pawn, and the never-before-published Angels' Dance.

In the 1990s, heavy metal band Durt Wurk was poised for breakout success - but then lead singer Terry Hunt embarked on a solo career and rocketed to stardom as Koffin, leaving his fellow bandmates to rot in obscurity. Two decades later, former guitarist Kris Pulaski works as the night manager of a Best Western - she's tired, broke, and unhappy. Everything changes when a shocking act of violence turns her life upside down, and she begins to suspect that Terry sabotaged more than just the band.

When Chris' son dies in a tragic car crash, her world is devastated. The walls of grief close in on Chris' life until, one day, a small cut on her finger changes everything. A drop of blood falls from Chris' hand onto her son's roadside memorial, and, later that night, Chris thinks she sees his ghost outside her window. Only, is it really her son's ghost, or is it something else - something evil? Soon Chris is playing a dangerous game with forces beyond her control in a bid to see her son, Trey, alive once again.

If it had another name, I never knew, but the locals called it the Loney - that strange nowhere between the Wyre and the Lune where Hanny and I went every Easter time with Mummer, Farther, Mr. and Mrs. Belderboss and Father Wilfred, the parish priest. It was impossible to truly know the place. It changed with each influx and retreat, and the neap tides would reveal the skeletons of those who thought they could escape its insidious currents. No one ever went near the water.