Showing titles in Canadian

Things aren't going Milo's way. His acting career is floundering, he got dumped, his miserable father vanished, and people keep moving into his house. He finally decides to take action - to help the only person he really likes, the autistic boy next door who's being bullied. But, well, that doesn't really go his way either.

Junior et Henrietta vivent dans une ferme isolée, semblant fuir leurs congénères. Lorsqu'un homme en costume-cravate frappe à leur porte, ils sont loin d'imaginer ce qu'il vient leur annoncer : Junior a été sélectionné par la société OuterMore pour un séjour expérimental dans une station spatiale. En son absence, un avatar biomécanique prendra sa place au sein du foyer.

Interdependent Magic: Disability Performance in Canada is a collection of plays and interviews by, for, and about Disabled theatre artists that invites listeners into the magical worlds of Disability arts culture. The book features four plays as well as an interview with artist Niall McNeil. In Smudge by Alex Bulmer, a woman details her journey toward Blindness, mourning what she loses and discovering what her other senses provide. Access Me by Boys in Chairs Collective is a celebration of sex and Disability, providing an all-access safe space to spin around.

There are poems about a sparkle, about how to say light, about a scarecrow, a dung beetle, a fish without eyes. Known for her precision and elegance, for her small clear voice, for distilling meaning from details, for not wasting words, Thammavongsa confirms her gifts with these new poems. Light is a work that shines with rigour, humour, courage, and grit.

In The Day-Breakers, poet Michael Fraser imagines the selflessness of Black soldiers who fought for the Union during the American Civil War, of whom hundreds were African Canadian, fighting for the freedom of their brethren and the dawning of a new day.

Membering Austin Clarke reflects on the life and writing of Austin Clarke, whose depictions of Black life in Canada enlarged our understanding of what Canadian literature looks like. Despite being one of Canada's most widely published, and most richly awarded writers, Austin Clarke (1934-2016) is not a household name. This collection addresses Clarke's marginalization in Canadian literature by demonstrating that his writing on Black diasporic life and the immigrant experience is a foundational, if untold, part of the story of CanLit.

New Brunswick, 1934: Pearly Everlasting ist fünfzehn und in einem Holzfällercamp mitten im Wald aufgewachsen – zusammen mit dem Bären Bruno, der seit ihrer Geburt ein Teil der Familie ist. Doch dann beschuldigt man Bruno, einen Mann getötet zu haben. Er wird weggebracht, niemand weiß, wohin. Verzweifelt und entschlossen macht Pearly sich zu Fuß auf den Weg durch die tief verschneite kanadische Landschaft, um Bruno zu suchen.

Katherin Edwards examines the fine line between what we remember and forget; how the memories we retain become cloudy and altered by the passage of time. This book of poems is also a compilation of the wonder and surprise we discover when we manage to endure in the midst of grief and loss.

With awe and wonder leading the way, Leedahl’s poems chronicle a journey that speaks of resilience, of joy experienced in simple things, and of the solace in discovering—finally, and late in life—exactly where one belongs. Leedahl’s fifth poetry collection lyrically documents major life transitions and reveals how loneliness—the other contemporary epidemic—compels one to keep moving.

A microscopic and intense view of the sometimes invisible and ignored parts of the world we inhabit. Peering into cities and our place within them, the poet searches for meaning after the death of his father, and observes the flora and fauna, which provide beauty and nourish us. This book delights the senses and poses the question, are we contributing to, or ultimately destroying our planet?

In 2004, boldly original poet Lisa Robertson published a chapbook, Rousseau’s Boat, poems culled from years of notebooks that are, nevertheless, by no means autobiographical. In 2010, she expanded the work into a full-length book, R’s Boat. During the pandemic, she was drawn back into decades of journals to shape Boat. These poems bring fresh vehemence to Robertson’s ongoing examination of the changing shape of feminism, the male-dominated philosophical tradition, the daily forms of discourse, and the possibilities of language itself.

Truth spoken plainly and powerfully is difficult to dismiss and impossible to ignore. Edited with purpose by A. Gregory Frankson, AfriCANthology: Perspectives of Black Canadian Poets brings together some of Canada's most influential dub, page, and spoken word poetic voices and gives them space to speak freely about their personal journeys in piercing verse and unapologetic prose. Just as individual experiences of Blackness are diverse across Canada, each contributor recounts aspects of navigating their unique personal, professional, and artistic paths in Black skin.

Pain and trauma are what makes us human, arguably unifying us as a species. Finding our way out can be traumatic itself at the best of times, always confusing and so often riddled with false starts and mistakes. Through poetry, this collection will make you cry, laugh, empathize, question, and eventually help you find your way through and out of that dark place. From someone who has experienced the journey, and put in the years of study and work required to build a tool set to make the needed progress toward better mental health—the time is right to share this work with the world.

Life is full of poetry. Diary of a Life takes its listeners on the poetic journey of author Kimella Louise Gosse, leading us through her childhood and adolescence, her adult years of freedom and travel, motherhood and matrimony, and everything she discovered when her marriage ended and she learned to embrace herself and the world around her. With narrative storytelling and thoughtful poetic offerings, she clearly illustrates the ebb and flow of life, from slow-moving stream to rushing white water, and invites her listeners to join her on the ride

This is a collection of stray thoughts and daydreams, poetry and prose, fueled by caffeine and punctuated by the papercuts we get when we try to turn the pages of our life without being careful enough. Speaking up can change the world...but even when it doesn't, what we have to say is still worth saying. Even if the difference is only to one person. Enjoy the efforts within, let them make you smile and laugh, or think carefully about experiences shared. After, consider writing your own. Whether it's intellectual or idiotic, make a brew, pick up a pen, and enjoy what happens next.

The poems in Hail, the Invisible Watchman are as tidy as a picket-fence—and as suggestive. Behind the charms of iambs lurks a dark exploration of domestic and social alienation. Metered rhyme sets the tone like a chilling piano score as insidiousness creeps into the neighborhood. A spectral narrator surveils social gatherings in the town of Sherbet Lake; community members chime in, each revealing their various troubles and hypocrisies; an eerie reimagining of an Ethel Wilson novel follows a young woman into a taboo friendship with an enigmatic divorcée.

Débris du sillage: Libre mais inquiète, la poésie de Gilles Latour révèle une appréhension devant la dégradation de l'environnement physique, social et politique. À la merci de l'étoile: Au coeur de l'explosion cosmique qui constitue « l'univers connu », notre existence paraît d'autant plus insignifiante que l'étoile à la merci de laquelle nous existons dépend elle-même de forces qui échappent à notre entendement. Pourtant, nous continuons de nous agiter dans l'illusion de notre propre importance, comme si nous étions le cœur même de l'univers, son Étoile.

The Fabric Of a Heart is a reflection of everyone's love story, and will resonate with all ages through its powerful verses. In part a love letter, The Fabric of a Heart enchants listeners, by both celebrating and admonishing love, through exploring the joy, wonder, and struggles of love, and delving into the agony of heartbreak. The poetry is provocative, solicitous, and exquisitely curated to keep every listener engaged.

Reverse engineering the word, meme splicing, morpheme replacement therapy, phonetic modifications: These are some of the techniques in play throughout Reading the Bible Backwards, the lyrical thought experiments that make up this eagerly anticipated new collection of poems by Robert Priest. By throwing the Bible and other cultural narratives on the turntable and spinning them backwards, Priest unleashes surprisingly new but strangely familiar music and meaning. Whether the movements are sideways, inverted, or omni-directional, his satire has never been sharper—or darker.

Earth-Cool, and Dirty is a timely debut collection by Jacob Lee Bachinger, full of wisdom and beautiful reflections on the state of humanity. It is a call to pay careful attention to the Earth, to nurture it in the same way that we attend to the people we love.