Showing titles in Rome

Lionel Casson paints a vivid portrait of life in ancient Rome - for slaves and emperors, soldiers and commanders alike - during the empire's greatest period, the first and second centuries AD.

On 8 June 218 AD, a fourteen-year-old Syrian boy, egged on by his grandmother, led an army to battle in a Roman civil war. Against all expectations, he was victorious. Varius Avitus Bassianus, known to the modern world as Heliogabalus, was proclaimed emperor. The next four years were to be the strangest in the history of the empire.

A vibrant portrait of a lost world, A History of Ancient Rome in 100 Lives reveals the mightiest civilization of antiquity through the eyes of one hundred of its citizens. The book gives a voice not just to Rome's most famous generals and rulers, such as Caesar and Caligula, but also to its builders, sculptors, poets, historians, gladiators, shepherds, enslaved people, and courtesans.

The Twelve Caesars was written based on the information of eyewitnesses and public records. It conveys a very accurate picture of court life in Rome and contains some of the raciest and most salacious material to be found in all of ancient literature. The writing is clear, simple and easy to understand, and the numerous anecdotes of juicy scandal, bitter court intrigue, and murderous brigandage easily hold their own against the most spirited content of today's tabloids.

The rise of Rome is one of the great stories of world history and fortunately we have a reliable and at times an eyewitness account, from the Greek historian Polybius of Megalopolis. Polybius reports on the main confrontations with the authority of a man who was present at many events and also visited historic sites of importance to ensure his accounts of the past were accurate.

Of all the peoples of the ancient Near East, the Phoenicians are among the most recognizable but also perhaps the least understood. The Phoenicians never built an empire like the Egyptians and Assyrians; in fact, the Phoenicians never created a unified Phoenician state. Instead, they existed as independent city-state kingdoms scattered throughout the Mediterranean region.

The Aeneid stands as a towering work of Classical Roman literature and a gripping dramatization of the best and worst of human nature. In the process of creating this epic poem, Vergil (70–19 BCE) became the world’s first media celebrity, a living legend. But the real Vergil is a shadowy figure. Sarah Ruden, widely praised for her translation of the Aeneid, uses evidence from Roman life and history alongside Vergil’s own writings to make careful deductions to reconstruct the life of Rome’s greatest poet.

Marc Aurèle restera dans l'histoire comme un homme aux multiples facettes : l'empereur, le philosophe et le guerrier. Un homme d'exception qui gouverna l'Empire romain à son apogée, au IIe siècle de notre ère, et qui cultiva la philosophie depuis son plus jeune âge. Peut-on devenir empereur tout en étant stoïcien ?

According to history books, the Roman Empire ended in 476 CE with the fall of Rome. But if you asked most people alive at that time, they would have pointed you to what they considered the continuation of the Roman Empire - the civilization we now call the Byzantine Empire. The Byzantines, however, were more than just a remnant of Roman glory. At its geographical peak, the Byzantine Empire stretched out across the Mediterranean world.

In Uncommon Wrath, historian Josiah Osgood tells the story of how the political rivalry between Julius Caesar and Marcus Cato precipitated the end of the Roman Republic. As the champions of two dominant but distinct visions for Rome, Caesar and Cato each represented qualities that had made the Republic strong, but their ideological differences entrenched into enmity and mutual fear. The intensity of their collective factions became a tribal divide, hampering their ability to make good decisions and undermining democratic government.

The classical civilizations of Greece and Rome once dominated the world, and they continue to fascinate and inspire us. Classical art and architecture, drama and epic, philosophy and politics - these are the foundations of Western civilization. In The Classical World, eminent classicist Robin Lane Fox brilliantly chronicles this vast sweep of history from Homer to the reign of Augustus.

If recent history has taught us anything, it's that sometimes the best guide to leadership is the negative example. But that insight is hardly new. Nearly 2,000 years ago, Suetonius wrote Lives of the Caesars, perhaps the greatest negative leadership book of all time. In How to Be a Bad Emperor, Josiah Osgood provides crisp new translations of Suetonius's briskly paced, darkly comic biographies of the Roman emperors Julius Caesar, Tiberius, Caligula, and Nero. Entertaining and shocking, these ancient anti-role models show how power inflames leaders' worst tendencies.

Livy continues his magnificent epic, with Rome in complete ruin after the Gallic invasion and sack of the city in 310 B.C. Led by Camillus, one of Rome's great heroic patricians, the city regains her self-confidence and once more becomes the leader of the Latin people. Painstakingly rebuilding alliances, forging friendships, cementing relations among her own people, and fighting endless wars, Rome soon becomes the dominant power among the fractious Italic tribes on the Latin plain.

Tacitus, who condemns the depravity of these rulers, which he saw as proof of the corrupting force of absolute power, writes caustically of the brutal and lecherous Tiberius, the weak and cuckolded Claudius, and "the artist" Nero. In particular, his account of the bloody reigns of Tiberius and Nero brims with plots, murder, poisoning, suicide, uprisings, death, and destruction. The Annals also provides a vivid account of the violent suppression of the revolt led by Boudicca in Britain, the great fire of Rome under Nero, and the subsequent bloody persecution of the Christians.

Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it.

How did we get here, to this time and place in history? Are we repeating history's mistakes because we did not learn about the pivotal events that shaped the modern world? This three-book history course helps you quickly understand the nuances and the impact of three crucial periods portrayed in countless films: the Crusades and of the rise and fall of two great empires, the Roman and British.

A Storytellers' reworking of Caesar's Commentaries as a new version. This follows the original line-by-line to create a modern voice that is faithful to Caesar's exacting text.

Roman Hispania: The History of Ancient Rome’s Conquest of Spain and the Iberian Peninsula looks at the history of relations between the two ancient empires. You will learn about Roman Hispania like never before.  

It's hard for modern listeners to truly grasp the spectacle that was arena sports in ancient Rome, which pitted man against man and man against beast in mortal combat. Our modern games of football and hockey, or even boxing and MMA, truly pale in comparison. The Gladiators is a comprehensive survey of these ancient sports, focusing on gladiatorial combat and the beast hunts (venationes).

Procopius appeared to be a loyal part of the Byzantine establishment, his official writing glorifying the deeds of the Emperor Justinian (d. AD 565). However, he also produced a work that he knew could never be published within the Emperor’s lifetime: The Secret History, a vitriolic indictment of the rule of Justinian and his wife Theodora. In The Secret History, the general Belisarius is presented as an idiot who is manipulated by his conniving wife Antonina, while the Emperor is depicted as a demon king, a dishonest and autocratic destroyer of established institutions.