Showing results by author "Jonathan Lethem" in All Categories

Based on thousands of pages of typed and handwritten notes, journal entries, letters, and story sketches, The Exegesis of Philip K. Dick is the magnificent and imaginative final work of an author who dedicated his life to questioning the nature of reality and perception, the malleability of space and time, and the relationship between the human and the divine. Edited and introduced by Pamela Jackson and Jonathan Lethem, this is the definitive presentation of Dick’s brilliant, and epic, work.

From America's most inventive novelist, Jonathan Lethem, comes this compelling and compulsive riff on the classic detective novel. Lionel Essrog is Brooklyn's very own Human Freakshow, an orphan whose Tourettic impulses drive him to bark, count, and rip apart language in startling and original ways. Together with three veterans of the St. Vincent's Home for Boys, he works for small-time mobster Frank Minna's limo service cum detective agency. Life without Frank, the charismatic King of Brooklyn, would be unimaginable.

Before the Arrest, Sandy Duplessis had a reasonably good life as a screenwriter in L.A. An old college friend, the charismatic and malicious Peter Todbaum, had become one of the most powerful men in Hollywood. Now, post-Arrest, nothing is what it was. Sandy, who calls himself Journeyman, has landed in rural Maine. There he assists the butcher and delivers the food grown by his sister, Maddy, at her farm. But then Todbaum shows up in an extraordinary vehicle: a retrofitted tunnel-digger powered by a nuclear reactor. Can it be that Todbaum wants to produce one more extravaganza?

On the streets of 1970s Brooklyn, a daily ritual goes down: the dance. Money is exchanged, belongings surrendered, power asserted. The promise of violence lies everywhere, a currency itself. For these children, Black, brown, and white, the street is a stage in shadow. And in the wings hide the other players: parents; cops; renovators; landlords; those who write the headlines, the histories, and laws; those who award this neighborhood its name. The rules appear obvious at first. But in memory’s prism, criminals and victims may seem to trade places.

This is the story of two boys, Dylan Ebdus and Mingus Rude. They are friends and neighbors, but because Dylan is white and Mingus is black, their friendship is not simple. This is the story of their Brooklyn neighborhood, which is almost exclusively black despite the first whispers of something that will become known as "gentrification."

Gumshoe Conrad Metcalf has problems - not the least of which are the rabbit in his waiting room and the trigger-happy kangaroo on his tail. Near-future Oakland is an ominous place where evolved animals function as members of society, the police monitor citizens by their karma levels, and mind-numbing drugs such as Forgettol and Acceptol are all the rage. In this brave new world, Metcalf has been shadowing the wife of an affluent doctor, perhaps falling a little in love with her at the same time.

Chase Insteadman, a handsome, inoffensive fixture on Manhattan's social scene, lives off residuals earned as a child star on a beloved sitcom called Martyr & Pesty. Chase owes his current social cachet to an ongoing tragedy much covered in the tabloids: His teenage sweetheart and fiancée, Janice Trumbull, is trapped by a layer of low-orbit mines on the International Space Station, from which she sends him rapturous and heartbreaking love letters. Like Janice, Chase is adrift, she in Earth's stratosphere, he in a vague routine punctuated by Upper East Side dinner parties.

Handsome, impeccably tuxedoed Bruno Alexander travels the world winning large sums of money from amateur "whales" who think they can challenge his peerless acumen at backgammon. Fronted by his pasty, vampiric manager, Edgar Falk, Bruno arrives in Berlin after a troubling run of bad luck in Singapore. Perhaps it was the chance encounter with his crass childhood acquaintance Keith Stolarsky and his smoldering girlfriend, Tira Harpaz. Or perhaps it was the emergence of a blot that distorts his vision so he has to look at the board sideways.

A constellation of previously published pieces and new essays as provocative and idiosyncratic as any he’s written, this volume sheds light on an array of topics from sex in cinema to drugs, graffiti, Bob Dylan, cyberculture, 9/11, book touring, and Marlon Brando, as well as on a shelf’s worth of his literary models and contemporaries: Norman Mailer, Paula Fox, Bret Easton Ellis, James Wood, and oth­ers.

And in "Forever, Said the Duck," stored computer personalities scheme to break free of their owners. In these and other stories in this striking collection, Jonathan Lethem, author of The Fortress of Solitude and Motherless Brooklyn, draws the reader ever more deeply into his strange, unforgettable world - a trip from which there may be no easy return.

Phoebe Siegler first meets Charles Heist in a shabby trailer on the eastern edge of Los Angeles. She’s looking for her friend’s missing daughter, Arabella, and hires Heist to help. A laconic loner who keeps his pet opossum in a desk drawer, Heist intrigues the sarcastic and garrulous Phoebe. Reluctantly, he agrees to help. The unlikely pair navigates the enclaves of desert-dwelling vagabonds and finds Arabella is in serious trouble - caught in the middle of a violent standoff that only Heist, mysteriously, can end.

Chandler's dark first novel is full of endlessly inventive wordplay, with the wry, cynical, private detective Philip Marlowe. Join the investigation with Jonathan Lethem ( Gun, With Occasional Music and Fortress of Solitude), Judith Freeman ( The Long Embrace: Raymond Chandler and The Woman He Loved), and Rich Cohen ( Sweet and Low: A Family Story) as they compare notes on Chandler's grand style, its place in the mystery canon, and its influence on their work.

From silly chuckles to rueful ironic glee to deep cosmic laughter, this new volume of humorous tales samples the best of recent seasons of the popular public radio series Selected Shorts.

At the age of 13, Pella Marsh emigrates with her family to the Planet of the Archbuilders. These enigmatic aborigines have names like Lonely Dumptruck and Hiding Kneel, and a civilization that baffles and frightens their human visitors. As the spikily independent Pella becomes an uneasy envoy between two species, Girl in Landscape deftly interweaves themes of exploration and otherness, loss, and sexual awakening.

The Arrest isn't post-apocalypse. It isn't a dystopia. It isn't a utopia. It's just what happens when much of what we take for granted - cars, guns, computers and airplanes, for starters - stops working.... Before the Arrest, Sandy Duplessis had a reasonably good life as a screenwriter in LA. An old college friend and writing partner, the charismatic and malicious Peter Todbaum, had become one of the most powerful men in Hollywood. That didn't hurt.

Where were you when you first heard President Kennedy had been shot? This is a question most people can answer, even if the answer is "I wasn't born yet." In this epic novel, David Bowman makes the strong case that the shooting on November 22nd, 1963 was the defining turning point that catapulted the world into an entirely new stratosphere. It was the second big bang. Written with an almost documentary film like intensity, Big Bang is a posthumous work from the award-winning author of Let the Dog Drive. A riotous account of a country, perhaps, at the beginning of the end.

Lucinda Hoekke spends eight hours a day at the Complaint Line, listening to anonymous callers air their random grievances. One frequent caller, who insists on speaking only to Lucinda, captivates her with his off-color ruminations and opaque self-reflections. In blatant defiance of the rules, Lucinda and the Complainer arrange a face-to-face meeting - and fall desperately in love.

Jonathan Lethem's new collection of stories is a feast for his fans and the perfect introduction for new listeners: a smorgasbord of fantastic, amusing, poignant tales written in a dizzying variety of styles. Lethem is a trailblazer of a new kind of literary fiction, sampling high and low culture to create fictional worlds that are utterly original.

In Jonathan Lethem's wryly funny second novel, we meet a young man named Chaos, who's living in a movie theater in post-apocalyptic Wyoming, drinking alcohol, and eating food out of cans. It's an unusual and at times unbearable existence, but Chaos soon discovers that his post-nuclear reality may have no connection to the truth. So he takes to the road with a girl named Melinda in order to find answers.

In a volume he describes as "a series of covert and not-so-covert autobiographical pieces", Jonathan Lethem explores the nature of cultural obsession, in his case, with examples as diverse as western films, comic books, the music of Talking Heads and Pink Floyd, and the New York City subway. Along the way, he shows how each of these "voyages out from himself" have led him home, home to his father's life as a painter, and to the source of his beginnings as a writer.