Showing results by narrator "Fawad Khan" in All Categories

About the author: Krishan Chander (1914-1977) was an Urdu/Hindi writer of short stories and novels. He was a prolific writer, penning over 20 novels, 30 collections of short stories and scores of radio plays in Urdu and later, after partition of the country, took to writing mainly in Hindi. He also wrote screen-plays for Bollywood movies to supplement his meagre income as an author of satirical stories. Krishan Chander's novels have been translated into over 16 Indian languages and some foreign languages, including English.

Aab-e-Gum is one of the most fascinting books in Urdu on human behaviors, humor and satire with a tinge of sadness. The story follows Basharat and his adventures in Pakistan. Throughout the book Basharat and his family learn to deal with Pakisitan, their new home while missing India. The book consists of a series of stories that help the listener understand what the author was experiencing as that transition is made.

Saadat Hasan Manto was a Pakistani playwright and author considered among the greatest writers of short stories in South Asian history. Presented here is a selection from his writings.

Ibn-e-Insha, real name Sher Muhammad Khan, born on June 15, 1927, died on January 11, 1978, was a Leftist Urdu poet, humorist, travelogue writer, and columnist. He is regarded as one of the best humorists in Urdu. His writing has a distinctive diction laced with language reminiscent of Amir Khusro in its use of words and construction. He was associated with several governmental services including Radio Pakistan, Ministry of Culture, and National Book Centre of Paksitan.

Ibn e Insha, real name Sher Muhammad Khan, born June 15, 1927, died on January 11, 1978, was a Leftist Urdu poet, humorist, travelogue writer, and columnist. He is regarded as one of the best humorists in Urdu. His writing has a distinctive diction laced with language reminiscent of Amir Khusro in its use of words and construction. He was associated with several governmental services including Radio Pakistan, Ministry of Culture, and National Book Centre of Pakistan.

Titles include: "Amar Bail"; "Chiri ki Dukki"; "Ghoonghat"; "Roshan".

Sawar aur doosray Afsanay is the first collection of short stories by Shamsur Rahman Faruqui. The theme of this collection of stories is the Indian culture of that time, narrated through 18th-century Delhi. The 18th century has probably been the most controversial in India's history of the last thousand years. According to the historiography that makes up the consciousness of modern India, it was an age of decadence and arrogance. In contrast, Shamsur Rahman Faruqi depicts in detail that Indian society was presenting the most developed view of a mixed Hindu-Muslim tradition.

This collection features: "Dilli kay Chatkhaaray", an essay by Shahid Ahmed Dehlvi; Umrao Jaan Ada (excerpt) by Mirza Ruswa; and "Hyderabad Ka Jo Zikr Kiya" by Mujtaba Husain.

"Kuttay" as narrated by Mustaq Ahmed Yusufi, Ptaras Bukhari, and Saadat Hasan Manto.

In Urdu: An autobiographical masterpiece by Intizar Hussain, reminiscing on his early life in India and then the post-partition Pakistan, transitioning into a vivid history of the formative years of the young country and its people.

Urdu ki Aakhri Kitab (The Last Book of Urdu) comprises of stories, poems, and prose and covers area from nature, geography, history, science, mathematics, etc. The stories, poems, and prose display the unparalleled wisdom and wit of Ibn e Insha shrouded in a healthy criticism.

A small Karachi neighbourhood, Chakiwara is humdrum and unspectacular to all appearances. But inside its shops and at the street corners, there is curious business afoot. Chronicling the drama that unfolds daily is Iqbal Hussain Changezi, bakery owner and collector of writers and geniuses. He has his eyes on out-of-work comedian Chakori, apprentice to a Chinese dentist, even as the town's mostly unsuccessful healer of physical and spiritual maladies prepares to unleash his top-secret invention, the love meter.

This collection features "Ghalib kay Khutoot" by Mirza Asadullah Khan Ghalib, "Woh aur Mein" by Intizar Hussain, "Cheeni Ashtray ki Yaad Mein" by Mujtaba Husain, an excerpt of Mir Baqir Ali by Ashraf Suboohi Dehlvi, and more.

This collection in Urdu includes: "Manto Fasadaat Par", in which the literary critic Muhammad Hasan Askari invites the listener to contemplate Manto’s approach towards writing on Partition; "Baray Aadmi", a short story in which we meet the innocent and vibrant Zakiya Begum; and "Hamid ka Bacha", Saadat Hasan Manto’s short story addressing hypocrisy.

Intizar Hussain is recognized as the greatest contemporary Pakistani Urdu fiction writer. Among his numerous awards is a nomination for the Man Booker International Prize in 2013. The Seventh Door and Leaves are among his books translated into English. His writings include "Basti", "Hindustan Se Aakhri Khat", "Agay Samander hai", "Shehr-e-Afsos", "Jataka Tales", "Janam Kahanian", and "Wo Jo Kho Gaye". Presented here is a collection of folk tales from his book Nai Purani Kahanian.

A biographical collection of short children's Urdu stories about personalities who made major contributions in different fields for Pakistan.

This collection includes: 1) Eik Raat, 2) Khuab Mahal, and 3) Saadhna. About the author: Rabindranath Tagore (7 May 1861 - 7 August 1941) was a Bengali polymath who reshaped Bengali literature and music.

Ghulam Abbas was a short story writer. He was born in Amritsar, India, and died in 1982 in Karachi, Sindh, Pakistan.This collection includes the following short stories: "Aanandi", "Burda-Faroosh", "Over Coat".

'All minors stand to one side and hold your ears!' The hall was filled with excitement, this phrase was strange to all of us, it had been a long time since we had crossed the walls of puberty so we looked at Dishekre standing in front of us in amazement. Dishakre laughed devilishly and said, "He who has recited 'Jhootay Roop Ke Darshan' is an adult and he who is still deprived of it is a minor, so quickly decide which of you is the minor and the adult."

Intizar Hussain Saheb never got over the nostalgia of leaving Dehli. He was always deeply engrossed in the memories of Delhi, its culture, its wonderful people and its magical beauty. He vividly displays all of these emotions of his in the biography he has penned down on Masih ul Mulk Hakeem Ajmal Khan Saheb, who was born and raised in a family known as Khandan e Shareefi.