Showing results by author "G.K. Chesterton" in All Categories

Get ready for an adventure of epic proportions with The Sign of the Broken Sword by G.K. Chesterton! In this thrilling tale, a young man is drawn into a world of espionage and danger as he tries to solve a mystery and clear his father's name. With its fast-paced plot, memorable characters, and themes of loyalty and honor, The Sign of the Broken Sword is a must-listen for anyone who loves a good mystery or adventure. So why wait? Start listening to The Sign of the Broken Sword today and let Chesterton's storytelling skills keep you on the edge of your seat.https://www.solgood.org - Check out ...

Der schlaue Pater aus Essex ist berufsbedingt in der Toskana. Instinktiv schließt er sich einer kleinen Reisegruppe an, die ins "Paradies der Diebe" aufbricht. Ein Ort, der, einer alten Legende nach, vom Räuberhauptmann Montano beherrscht wird. Alles Aberglaube? Keineswegs. Denn schon bald stürzt ihre Kutsche einen Abhang hinunter und sie stehen den Räubern Auge in Auge gegenüber.

Father Brown - das ist jener englische Geistliche, der äußerst bescheiden daherkommt, vor dessen Kombinationsgabe und Scharfsinn aber der größte Bandit und der berühmteste Kriminalist den Hut ziehen müssen! Hier mit seinem ersten Fall: Das blaue Kreuz. In diesem bringt er gleich seinen späteren Freund und Helfer, den Verbrecher Flambeau, zur Strecke.

"Heretics," a series of essays by Gilbert Keith Chesterton. First published in 1905. Read by David "Grizzly" Smith. Chesterton had a sense of humor, had a sense of drama, and had sense. He was a man of strong opinions, and quite willing to argue vehemently for his own opinions, even with his friends -- and they remained his friends -- like George Bernard Shaw and Rudyard Kipling. Seems to me that's hard to find anymore. He wrote prolifically. He wrote humor. He wrote mystery novels, the Father Brown mysteries in particular. But he also wrote his opinions, his religious opinions and his ...

"Orthodoxy," a series of essays by Gilbert Keith Chesterton. First published in 1908. Read by David "Grizzly" Smith. "The only possible excuse for this book is that it is an answer to a challenge. Even a bad shot is dignified when he accepts a duel." This is how Chesterton explains "Orthodoxy," the sequel to Heretics. "I have attempted in a vague and personal way, in a set of mental pictures rather than in a series of deductions, to state the philosophy in which I have come to believe. I will not call it my philosophy; for I did not make it. God and humanity made it; and it made me." This is a...

G. K. Chesterton's surreal masterpiece is a psychological thriller that centers on seven anarchists in turn-of-the-century London who call themselves by the names of the days of the week. Chesterton explores the meanings of their disguised identities in what is a fascinating mystery and, ultimately, a spellbinding allegory.

This book is meant to be a companion to "Heretics," and to put the positive side in addition to the negative. Many critics complained of the book because it merely criticised current philosophies without offering any alternative philosophy. This book is an attempt to answer the challenge. It is the purpose of the writer to attempt an explanation, not of whether the Christian Faith can be believed, but of how he personally has come to believe it. The book is therefore arranged upon the positive principle of a riddle and its answer.

En el Londres surrealista de cambio de siglo, el poeta Gabriel Syme es reclutado por un destacamento antianarquista en Scotland Yard. A partir de este momento empezará su bizarra y trepidante misión en la que tendrá un objetivo como detective encubierto. Según Chesterton, se trataba de un nuevo tipo de novela, una historia en la que se tipifican pensamientos modernos, pero no con argumentos, sino con incidentes simbólicos: una comedia alegórica.

Ortodoxia es un ensayo de G. K. Chesterton, publicado en 1908, que se ha convertido en un clásico sobre apologética cristiana. En él presenta una visión original de la religión cristiana, que Chesterton ve como una respuesta a las necesidades naturales de los seres humanos, la «respuesta a un acertijo», y no como una verdad arbitraria recibida de alguna parte extraña a la experiencia humana.

A short story from the British Library Crime Classic collection The Edinburgh Mystery. Father Brown joins his friend, amateur detective Flambeau, at Glengyle Castle in Scotland to investigate the mysterious death of the earl, and the mysterious behaviour of his servant, Israel Gow.

Thirteen classic tales of mystery and suspense dating from the early years of crime fiction, 1890-1925. Sleuths including Max Carrados, Loveday Brooke, Dr. Thorndyke, Father Brown, and the original Great Detective himself, Sherlock Holmes, investigate a range of baffling crimes including murders, country house burglaries, jewel thefts, stolen government secrets, the sensational disappearance of a popular West End actress, and an entire train which has vanished into thin air.

The Man Who Was Thursday–described as a metaphysical thriller–is an stunning work of detective fiction by the great G.K. Chesterton that follows the adventures of Gabriel Syme, an undercover detective who infiltrates a secret anarchist organization known as "The Council of the Seven Days".

In this galloping collection of twenty pointed essays, G. K. Chesterton (1874-1936) nimbly punctures the philosophical pretensions of modern non-Christian thinkers and artists—heretics, as he calls them. Chesterton good-naturedly takes on contemporaries Rudyard Kipling, H. G. Wells, James McNeill Whistler, and even his good friend George Bernard Shaw, exposing the muddled logic of their popular ideas with his characteristic wisdom and razor-sharp wit. He also begins to lay the groundwork for Orthodoxy, his subsequent account of a rational and coherent Christian faith.