Showing results by narrator "Janina Edward" in All Categories

Since its publication in 1982, The Color Purple has resonated with generations of readers across the globe. The novel catapulted author Alice Walker to international fame, brought Oprah Winfrey and Whoopi Goldberg acting acclaim in the 1985 film adaptation, and inspired theatrical productions around the world, including the Tony Award–winning Broadway musical. This cultural touchstone—which so profoundly touches on race, family, survival, spirituality, sisterhood, and love in all forms—continues to beget new iterations, most recently a feature film.

The death of George Floyd on May 25, 2020, and the ensuing trial of Derek Chauvin for murder a year later has rubbed raw the bloodiest stain on the United States’ history and its world reputation. The nine minutes and 29 seconds during which Chauvin’s knee crushed the spark of life out of Floyd was not unusual in the history of the United States. In roughly two centuries, Blacks have achieved nominal freedom. But, as this book’s opening chapter and expert essays that follow indicate, freedom has been conditional based on inequity of wealth, social, and legal discrimination.

Spice Isle Bakery owner Lyndsay Murray is always looking for new ways to grow her family’s business. But she already regrets agreeing to host the retirement dinner for local high-school principal Emily Smith. The tyrant used to be her mother's boss, and they did not get along. Six guests arrive for the celebration, but only five survive. Emily starts convulsing—right after eating the curry chicken—and dies soon after. It’s not long before the police are knocking on Spice Isle’s door, bringing the Murray family back into the heart of another murder investigation.

In his first work for the theater, James Baldwin brought all the fervor and majestic rhetoric of the storefront churches of his childhood along with an unwavering awareness of the price those churches exacted from their worshipers. For years Sister Margaret Alexander has moved her Harlem congregation with a mixture of personal charisma and ferocious piety. But when Margaret's estranged husband, a scapegrace jazz musician, comes home to die, she is in danger of losing both her standing in the church and the son she has tried to keep on the godly path.

This spare poetic story follows a group of kids as they move through all the different phases of the water cycle. From rain to fog to snow to mist, talented author Miranda Paul and the always remarkable Jason Chin (Redwoods, Coral Reefs, Island, Gravity) combine to create a beautiful and informative journey in this innovative nonfiction tale that will leave you thirsty for more.

Flora and her brother, Julian, don't believe they were born. They've lived in so many foster homes, they can't remember where they came from. And even now that they've been adopted, Flora still struggles to believe that they've found their forever home. Though Flora is trying her best to trust two new people, when she finds out that there will be a new baby, she's worried that there won't be enough love for everyone. So along with their new mother, Flora and Julian begin a journey to go back and discover their past—for only then can they really begin to build their future.

Brooklyn’s annual Caribbean American Heritage Festival is finally here, and Spice Isle Bakery is thrilled to be one of the event’s food vendors. After all, the Murrays have been attending the festival for years. Co-owner Lyndsay Murray hopes their West Indian pastries and finger foods draw people back to the bakery in Little Caribbean. She’s looking forward to having fun, connecting with customers, and celebrating with her family. But the day's festivities are cut short when Camille, lead singer of an up-and-coming reggae band, dies.

The practices and values in the United States educational system position linguistically, culturally, and socioeconomically diverse children and families at a disadvantage. BIPOC dropout rates and levels of stress and anxiety have linked with non-inclusive school environments. In this collection, three educators draw on their experiences as immigrants and educators to address racial inequity in the classroom and provide a thorough analysis of different strategies that create an inclusive classroom.

In this new collection, Patrick Barb explores themes of family found and lost, media consumption and the dangers of runaway nostalgia, the supernatural in our lives, and the impact of violence in both the long- and short-term. From rural backwoods to Park Slope brownstones, Barb's characters face impossible, awful situations, testing their inner strength and understanding of reality. Covering quiet horror, weird fiction, supernatural horror, slasher horror, topical dark fiction, and more, these stories spotlight supposedly familiar terrors and fears in new and unexpected ways.

On a bus moving across a rural landscape, from town to dusty town, two young people are escaping with their lives. She has committed a crime for which there will be retribution. He is staggering from a sudden loss. These two will find each other and attempt a new way forward. But the talons of the past have dug deep, and the wounds have not yet healed. Moving back and forth in time, from the fragile bonds of this new relationship to the lives they lived before, The Ones We Loved tenderly weaves both myth and memory.

After years of avoiding his family, cryptobiologist Ryan Nolan returns to New Haven to investigate rumors of a dragon sighting. Yet instead of a giant mythological lizard, he stumbles upon a dead body. Connecting the murder to missing Mexican artifacts leads him on a path straight back to his long-lost love, Charlotte.

Presented as a literary mixtape, Only Stars Know the Meaning of Space is a work of literature that provides you with a modern listening experience. The A-Side, read as one narrative, tells the story of a soon-to-be thirty-year-old aspiring writer navigating a complicated world. The B-Side, taken as a separate experience, features (seemingly) independent and unrelated short stories.

Before Augusta Braxton Baker became a storyteller, she was an excellent story listener. Her grandmother brought stories like Br’er Rabbit and Arthur and Excalibur to life, teaching young Augusta that when there’s a will, there’s always a way. When she grew up, Mrs. Baker began telling her own fantastical stories to children at the 135th Street branch of the New York Public Library in Harlem. But she noticed that there were hardly any books at the library featuring Black people in respectful, uplifting ways.