Showing results by author "N.P. James" in All Categories

In September 1972, three graduates rented two floors above a cash and carry warehouse at 65A Lisson Street, West London. After a couple of months, one emptied his studio, the first floor front room, and opened the space for exhibitions. There followed a spate of invented artists which made humorous comments on the high-flown conceptual arena. In 1974, the gallery strengthened its identity with the Gallery London Displays, a series developed with sculptor Vaughan Grylls.

This is a recorded conversation with Manchester-born artist Hughie O'Donoghue, first published in Cv Journal of the Arts v2/3 September 1989. He discusses his ideas about painting and evaluates key works such as Sleeper and recent landscape The Irish Sea.

This work talks about the visits to Paris in January 2003 and August 2005. Walks through the city absorb changing moods of its social occupation that suddenly transform from glittering vitality to silenced avenues, bearing witness to heightened security in its boundaries.

Interview with John Murdoch, director of the Courtauld Gallery, Somerset House, London, recorded in 1993, describes the formation of key Impressionist works by Sam Courtauld in the early twentieth century.

Interview recorded with Jan-Luc Olivie, keeper of the collection of glass at Centre du Verre, Musee des Arts Decoratifs Paris in December 1989. Explores the artefacts of Art Nouvau and Bohemian glass by renowned makers, Galle, Brocard, Drahonovsky.

Over 100 reviews cover the London art scene from 1994 to 2011. Exhibitions in the city's private and public galleries are explored in detailed and informative texts. The reviews were first published in a variety of weekly arts magazines and sites and now appear in a professionally narrated audiobook.

A visit to the Palace of Knossos in Crete in 2005 leads to the story of the fabled Ring of Minos, lost for 2,000 years but rediscovered in the 1930s, now in the local museum of Herakleon. The author joins the tour of the ancient Minoan palace and adds historical reference to this detailed study of a great and vanished culture.

This essay considers the major Cézanne exhibition at the Tate Gallery London, staged from 8th February until 28th April 1995. Rather than focusing exclusively on the artist's work, the piece attempts to place the exhibition in context, exploring the institutional arena of presentation and the social and economic strata to which the retrospective is mainly addressed.

Episodes and encounters in social and internal scenes build a document of fiction entwined with the real. Daily life is transformed by message of promise and desolation.

This essay takes as its focus two paintings by Johannes Vermeer (1632-75): The Milkmaid c.1661-62 and Woman Holding a Balance c.1662-65, and considers critical approaches to the artist by four historians, Edward A. Snow, Lawrence Gowing, John Michael Montias, and Martin Pops. Its aim is not solely to describe Vermeer's art, but by a process of comparative analysis to discern the various standpoints of his biographers, and to clarify their methodologies in research.

The growth of careers and career pathways within medicine and health care can be confusing, yet it reflects the evolution of modern medicine which relies upon a myriad of different specialists each able to contribute their own particular skills to the care and wellbeing of the patient or client. Careers within the NHS are many and varied, with opportunities to train not only as nurses and doctors but also as dieticians, occupational therapists, physiotherapists, and speech and language therapists.

Published as a Cv audiobook, Cv/VAR series 94 reviews "'Beyond Belief", a major exhibition at White Cube of the prominent British artist Damien Hirst (born 1965, Bristol UK, upbringing in Leeds Yorkshire). The author experiences the Biopsy and Fact paintings, votive pieces, and installations including the imposing "Saint Sebastian, Exquisite Pain" and views "For the Love of God", the iconic GBP50 million diamond skull.

Part one of the continuing series entitled Painted Histories indexes leading figures in two significant phases of poetic expression in English literature: the Elizabethans, including William Shakespeare, John Webster and Sir Philip Sidney to the Romantic movement of the early 19th century: Lord Byron, John Keats, Percy Bysshe Shelley and Samuel Taylor Coleridge.

Cv/VAR no.103 publishes an interview recorded 2010 with American artist John Dugger (b.California 1948) in which he gives an account of his art and development. He recounts 1960s America and arriving in London 1967: pioneering The Exploding Galaxy with David Medalla; 1970-2, their travels in the Philippines, Sri Lanka, India, then the China Journey of 1972 into Mao's Republic. The monograph documents the artists work for Banner Arts and other projects to date.

This edition combines texts of English County Guides, published by Cv Publications between 1999 and 2011. In Volume One, the title includes Cornwall and the Isles of Scilly, Norfolk, Cumbria, and Wiltshire. Volume Two in February 2020 publishes Oxfordshire, Gloucestershire, and Buckinghamshire. The guide documents towns and villages, properties, natural settings, with additional notes of local activities and communication links.

Survey documents three leading artists—Lubaina Himid, Yinka Shonibare CBE and Hew Locke—exploring their work and ideas in development, in reviews, and recorded conversations, drawn from the Cv/Visual Arts Research Archive.