Showing results by author "Robert B Parker" in All Categories

Heidi Bradshaw is wealthy, beautiful, and well-connected - and she needs Spenser's help. In a most unlikely request, Heidi, a notorious golddigger recently separated from her latest husband, recruits the Boston P.I. to accompany her to her private island, Tashtego, for her daughter's wedding. Spenser is unsure of what his role as personal bodyguard will entail, but he consents when it's decided that he can bring his beloved Susan Silverman along.

Spenser's girlfriend Susan goes away with another man, Jerry Costigan, the son of a very rich and dangerous criminal. Spenser and his friend, Hawk, go to find Susan. Soon they are in the world of the CIA, guns and murder.

"Law enforcement in Appaloosa had once been Virgil Cole and me. Now there was a chief of police and 12 policemen." The new chief is Amos Callico, a tall, fat man in a derby hat, wearing a star on his vest and a big pearl-handled Colt inside his coat. An ambitious man with his eye on the governorship - and perhaps the presidency - he wants Cole and Hitch on his side. But they can't be bought, which upsets him mightily.

Hired by Loudon Tripp, an aggrieved Boston aristocrat who believes his late wife Olivia's brutal street slaying to be something other than random violence, Spencer immediately senses that his client's picture-perfect portrayal of his family life is false. For starters, the victim's reputation is too saintly, her house is as lived-in as a stage set, and her troubled children don't appear to be the product of a happy home.

Buddy Bollen is a C-list movie mogul who made his fortune producing films of questionable artistic merit. When Buddy hires Sunny Randall to protect his rising star and girlfriend, Erin Flint, Sunny knows from the start that the prickly, spoiled beauty won't make her job easy. And when Erin's sister, Misty, is found dead in the lavish home they share with sugar daddy Bollen, there doesn't seem to be a single lead worth pursuing.

When we last saw Virgil Cole and Everett Hitch, they had just put things to right in the rough-and-tumble Old West town of Resolution. It's now a year later, and Virgil has only one thing on his mind: Allie French, the woman who stole his heart from their days in Appaloosa. Even though Allie ran off with another man, Virgil is determined to find her, his deputy and partner Everett Hitch at his side.

Brad Sterling - former Harvard football player, ne¿er-do-well, and Susan Silverman's long out-of touch ex-husband, is by all appearances a successful businessman. But when, in the course of running a vast fundraiser called Galapalooza, he is charged with sexual harassment, he turns to Susan for help.

Marlowe is back...and he's married to a rich, beautiful society lady who wants him to settle down in the posh desert community of Poodle Springs. Marlowe may have married rich, but old habits die hard: he's hired to recover a gambling debt and soon finds himself in a case involving bigamy, pornography and murder. The first four chapters of this final Marlowe mystery were written by noir master Raymond Chandler at the end of his life. Robert B. Parker was chosen by Chandler's estate to complete his last work.

When Marlene Cowley hires Spenser to see if her husband Trent is cheating on her, he encounters more than he bargained for: not only does he find a two-timing husband, but a second investigator as well, hired by the husband to look after his wife. As a result of their joint efforts, Spenser soon finds himself investigating both individual depravity and corporate corruption.

Called upon by The Hammond Museum and renowned art scholar Dr. Ashton Prince, Spenser accepts his latest case: to provide protection during a ransom exchange-money for a stolen painting. The case becomes personal when Spenser fails to protect his client and the valuable painting remains stolen. Convinced that Ashton Prince played a bigger role than just ransom delivery boy, Spenser enters into a daring game of cat-and-mouse with the thieves....

When the body of controversial talk-show host Walton Weeks is discovered hanging from a tree on the outskirts of Paradise, police chief Jesse Stone finds himself at the center of a highly public case. When another dead body, that of a young woman, is discovered just a few days later, the pressure to solve the crimes becomes almost unbearable.

Ten years ago, Paul Giacomin's corrupt father and loose mother used the boys as a pawn in their violent race: Only Spenser could call them off and straighten out the misled teen—almost getting killed in the process. Paul is now 24 and reconciled to his mother's wanton ways. But when Patty Giacomin vanishes, Paul begs Spenser to help him rescue her from the clutches of her boyfriend, a shady character he's sure coerced his mother into running.

A serial killer is on the loose in Beantown and the cops can't catch him. But when the killer leaves his red rose calling card for Spenser's own Susan Silverman, he gets all the attention that Spenser and Hawk can give. Spenser plays against time while he tracks the Red Rose killer from Boston's Combat Zone to the suburbs. His trap is both daring and brave, and gives the story a satisfying climax.

A bitter divorce is only the beginning. First the father hires thugs to kidnap his son. Then the mother hires Spenser to get the boy back. But as soon as Spenser senses the lay of the land, he decides to do some kidnapping of his own.

Burt Reynolds reads three of Robert B. Parker's finest Spenser novels. Includes Chance, Hush Money, and Small Vices.

Spenser's out to make war, not love, as he goes after Boston's entire X-rated industry. Pretty teenager April Kyle has disappeared into the city's darkest underworld, and to rescue her, Spencer pits muscle and wit against bullets and bullies.

When Spenser accepts a job as a "bodyguard" for a beautiful young woman, he gets in way over his head.

Caught in a snowstorm of drugs, passion, and hate, Spenser investigates a cocaine-related murder.

When a Hollywood-based TV series schedules filming in Boston, Spenser smells trouble. When he signs up to protect the show's star, Jill Joyce, he knows it's on its way. First, there's Jill herself. She's spoiled, arrogant, drugged out -- made worse by fear. Someone is out to get her -- does she imagine it, or is it real?

Robert B. Parker takes listeners into the murky big-city underground. Spenser undertakes an intense search for a beautiful, missing prostitute, and finds himself traveling amidst the sleaze of Times Square, where sex is a commodity, and young girls are the currency.