Showing results by author "William Makepeace Thackeray" in All Categories

Victoria’s reign was long and presided over the restless expansion of the British Empire and reams of creative genius. Within these volumes we can bring only a glimpse of the richness, beauty and words of the poets and their musings on this remarkable age. Many are world-renowned - Tennyson, Browning, Arnold, Kipling, Austin, Hopkins, Hardy and Swinburne. Some are almost forgotten - Patmore, Newbolt, Synge. And some are barely noted - Lyall, Meynell and Merdeith. But together they encompass a great poetical age.

Theatre Royal. The very name summons up something of grandeur and eloquence. And it was. Hosted by Ralph Richardson and Laurence Olivier, these big-name productions also included the creme de la creme of acting talents from John Gielgud, Robert Morley and Orson Welles to Trevor Howard, Michael Redgrave and Olivier himself. They were based on works by the world's leading authors, among them Charles Dickens, Henry James, Oscar Wilde and Anton Chekhov. These are but a few of whose company we shall be keeping as we raise the curtain on our first instalment of theatrical history.

Ranked second only to Charles Dickens in Victorian era popularity, William Makepeace Thackeray may be a novelist worth rediscoving. This is a great introductory story of the key figure in the brilliant novel Henry Esmond. Classic literature - classic writer - classic story. Narrated by Glenn Hascall.

Qual è davvero il significato della parola snob, che viene introdotta e illustrata da Thackeray nel 1846? Lui stesso sostiene che il significato non è preciso, ma che di fatto gli snobs sono dappertutto, e sono il veleno della “terra della libertà”, l’Inghilterra.Il “Punch”, giornale satirico dell’epoca, pubblicò 17 articoli di Thackeray sul tema, e la loro raccolta formò poi questo libro divertente, acuto, e appassionato.

La magistral pelicula de Kubrick volvio a dar vigencia a una de las novelas mas cínicas de la literatura inglesa del siglo XIX, "Las memorias de Barry Lindon" de Thackeray, obra que fue una critica a la cantidad de aventureros que habian ocupado posiciones importantes en la Inglaterra de sus tiempos y donde trato de mostrar como las riquezas hacian que la sociedad perdonara cualquier medio de lograrlas.

This is an essay from the Favorite Essays collection.

Thackeray veröffentlichte diesen Gesellschaftsroman 1847/1848 in der Satirezeitschrift Punch. Der Autor durchleuchtet sarkastisch...

Die Figuren, die diesen Jahrmarkt bevölkern, sind die Mitglieder jener Gesellschaft, die im viktorianischen Zeitalter noch ein festumrissener Begriff war. Der Autor leuchtete hinter die Fassade des sich so edel gebärdenden Jahrmarkts und zeigt, dass auch hier "wahre Gentlemen" vielleicht seltener zu finden sind, als mancher denkt. Das Hörspiel, das auf dem Roman "Vanity Fair" (deutscher Titel: "Jahrmarkt der Eitelkeiten") beruht, enthält die fünf Hörspielfolgen.

Vanity Fair features two heroines: the faithful, loyal Amelia Sedley, and the beautiful and scheming social climber Becky Sharp. It also engages a huge cast of wonderful supporting characters as the novel spins from Miss Pinkerton's academy for young ladies to affairs of love and war on the Continent to liaisons in the dazzling ballrooms of London.

Penguin Classics presents William Makepeace Thackeray adapted for audio and available as a digital download as part of the Penguin English Library series. Read by Robert Hardy’s Vanitas Vanitatum! Which of us is happy in this world? Which of us has his desire? Or, having it, is satisfied? No one is better equipped in the struggle for wealth and worldly success than the alluring and ruthless Becky Sharp, who defies her impoverished background to clamber up the class ladder.

Un libro satirico dell'umorista Thackeray scritto nel 1838. È una satira della colonizzazione britannica dell'India, narrata come il resoconto delle avventure del maggiore Gahagan, un fanfarone, "alfiere irlandese", che combatte "gloriosamente" con l'armata inglese in India.

Barry Lyndon, first serialized in 1844, is a swashbuckling romp through the aristocratic Europe of the 18th century. The central character, a roguish Irishman, narrates most of the story in the first person, relating his adventures as a soldier in both the British and Prussian armies; as a gambler and confidence man under the guidance of his uncle, a practiced fraud; and as a fortune hunting gigolo in search of wealthy widows and heiresses.

Thackeray, à travers son personnage domestique, fustige avec ironie la société britannique de son temps, et en particulier l'aristocratie de naissance, classe supérieure souvent trop désargentée pour tenir son rang par des moyens honnêtes, mais toujours adulée par l'homme du peuple. Vanité, cupidité et snobisme sont les causes principales des maux qui s'abattent sur les personnages, lesquels, dans leur dégénérescente confusion, perdent toute conscience des valeurs morales.

Glavnye geroini, miss Emilija Sedli i miss Rebekka (Bekki) Sharp, uchatsja vmeste v chastnom pansione miss Pinkerton. Bekki - sirota, doch' spivshegosja hudozhnika i francuzskoj tancovshhicy. Ona energichna, polna ambicij i uverena v svoem uspehe. Emili - doch' uspeshnogo kommersanta, krotka, mila i dobrodetel'na. Sud'by dvuh sovershenno raznyh devushek otrazhajut nravy togo vremeni. Pokazana zhizn' razlichnyh sloev obshhestva.

Series of five comic tales by William Makepeace Thackeray, adapted by Stephen Wyatt, recounting the rise and fall of early-19th century footman Charles Yellowplush.

In this volume we examine some of the short stories of William Makepeace Thackeray. The great author of Vanity Fair and The Luck of Barry Lyndon was born in India in 1811. At age five his father died, and his mother sent him back to England. His education was of the best, but he himself seemed unable to apply his talents to a rigorous work ethic. After a few years of marriage his wife began to suffer from depression and over the years became detached from reality.

Set in Regency England, Vanity Fair follows the lives of two young women from drastically different backgrounds. Becky Sharp is the daughter of a lowly art teacher while Amelia Sedley is the daughter of a wealthy investor. Although the two women are worlds apart in personality and background, Becky and Amelia become friends while in finishing school. When Amelia invites Becky to her family home, events are set in motion that result in both tragedy and fortune.

Barry Lyndon is a picaresque novel by William Makepeace Thackeray, first published as a serial in Fraser's Magazine in 1844, about a member of the Irish gentry trying to become a member of the English aristocracy. Thackeray, who based the novel on the life and exploits of the Anglo-Irish rake and fortune-hunter Andrew Robinson Stoney, later reissued it under the title The Memoirs of Barry Lyndon, Esq. The novel is narrated by Lyndon himself, who functions as a quintessentially unreliable narrator.

In Pendennis, William Makepeace Thackeray skillfully shows the coming of age of Arthur Pendennis, a young gentleman trying to make his way in the world. Pen's difficulties in finding his place in the difficult maze of social obstacles are created to some extent by his being raised in the country and being from an ancient though impoverished family. We follow his course from the village in which he was raised via Oxbridge to London, meeting the most memorable characters, falling in and out of love, navigating the difficulties of society, and hopefully finally arriving at a happy end.