Showing results by narrator "Denise Kahn" in All Categories

Interview with John Murdoch, director of the Courtauld Gallery, Somerset House, London, recorded in 1993, describes the formation of key Impressionist works by Sam Courtauld in the early twentieth century.

Pamela Roberts, curator of the Royal Photographic Society, Bath, gives an interview to Cv/VAR in 1994, which charts the development of photography from its primary innovation in the 1840s by Hill & Adamson, Fox Talbot, through Roger Fenton in the Crimea War, leading to Royal Patronage of Prince Albert and development of the society into the 20th century.

After a night of epic sex, he left a thank-you note on my night-side table! Imagine my surprise on moving day when I discover my one-night stand is now my new neighbor, Nate.

Ashley Easton rescues a badly abused horse, deciding to return to show jumping, the passion of her youth. The animal gives unquestioned love, something lacking from her husband, Keith. But when Ashley begins to compete, she is terrified as the show course seemingly changes into an old forest and the jumps appear as real walls, fences and trees. Her thoughts spill through her head in elegant French. As she attacks the fences with an unfamiliar, fearless abandon, she begins winning every competition.

When Major VanBuren approached me with a very special and highly classified assignment, I felt honored. I'd been waiting for a chance at a covert mission. Imagine my surprise when he hit me with the details - he wanted me to befriend his 18-year-old daughter, newly arrived in town and harboring a broken heart. My new "assignment" entailed becoming a glorified babysitter and her new BFF; I thought it was as honorable as being in charge of the cafeteria - complete bullsh*t if you ask me.

Marina Vaizey and Anne Blood consider the historical impact of photography on the fine and interpretive arts, from pioneers such as Hill and Adamson, Fox Talbot and Louis Daguerre to Edward Steichen and Man Ray. The documentary power and graphic clarity of the medium challenged and persuaded artists such as Degas, Sickert, Warhol, and innumerable creative voices. In their essays Marina and Anne explore the conjunctions and variations where document and dream intermingle.

An in-depth study by Marina Vaizey explores the lives and art of David Hockney and Vanessa Bell, drawing on exhibitions at the Tate and Dulwich Picture Gallery.

When Madame Reynaud is tricked into inviting every one of her elderly friends to come to the house for a surprise party, she learns that Monique has a surprise of her own. All Madame Reynaud's problems come crashing down at the annual Fete of the Three Kings, when she finds herself in a compromising situation with the baker, Monsieur Boffard. In the end, the Gypsy Queen from the laundry sets the situation straight, for she sees the future and tells Madame Reynaud what she must do - the solution she really knew all along.

A collection of reviews and studies of photographers published since 2001. Includes David Bailey, Horst, Cecil Beaton, Don McCullin, Lee Miller, Francesca Woofman, E.O.Hoppe, and others.

A collection of recordings made between 1988 and 1996 with emerging and established artists, from Anthony Caro and Arman to James Turrell and Rachel Whiteread. In considering their work, often in the context of a current exhibition, they discuss their ideas in formation and factors which informed their development.

A study of three leading German artists presently exhibited in London at Tate Modern, the British Museum and the Royal Academy. In 2014, a resonant series of anniversaries and commemorations prompted an enhanced awareness in London of the history of the Teutonic world in general, and - specifically - a sense of post-war Germany in terms of three of its most symbolic and emblematic visual artists.

Considered to be one of the most financially successful people in the world when he was alive, Howard Hughes attracts attention even 40 years after his death. From being a business tycoon to an aerospace engineer and inventor to being a maverick filmmaker, Hughes seemed to have tried it all.

Alexis Hightower considers trust a four-letter word, and she has no intention of getting serious with anyone. After all, her day job as a nurse is plenty serious enough. On one of her nights off, she attends a concert for her favorite band and ends up on stage. She never expected to meet the legendary singer in person, or that he would be the one to make her question her way of life. But how do you learn to trust again when the one you want is desired by thousands?

Lisa and Matt Collins spend a weekend at the small town of Quiet River, where their son, Evan, meets a woman who says he looks like her son, and gives him cookies. The next morning a hotel clerk gives them another bag of cookies and explains that somebody brought it from the kitchen for Evan. Lisa sees something change in the clerk's eyes but ignores it.

Over 100 reviews cover the London art scene from 1994 to 2011. Exhibitions in the city's private and public galleries are explored in detailed and informative texts. The reviews were first published in a variety of weekly arts magazines and sites and now appear in a professionally narrated audiobook.

A visit to the Palace of Knossos in Crete in 2005 leads to the story of the fabled Ring of Minos, lost for 2,000 years but rediscovered in the 1930s, now in the local museum of Herakleon. The author joins the tour of the ancient Minoan palace and adds historical reference to this detailed study of a great and vanished culture.

The work of the photographer, theatrical designer, narcissist, snob, careerist, and exceptionally talented Cecil Beaton (1904-1980), including 18,000 vintage prints, negatives and transparencies, contact sheets and 45 books of cuttings are at the Victoria & Albert Museum. They have all been brilliantly culled for the alluring and significant exhibition of some of Beaton's royal portraits, billed as A Diamond Jubilee Celebration.

This essay considers the major Cézanne exhibition at the Tate Gallery London, staged from 8th February until 28th April 1995. Rather than focusing exclusively on the artist's work, the piece attempts to place the exhibition in context, exploring the institutional arena of presentation and the social and economic strata to which the retrospective is mainly addressed.

This book contains an interview by Sarah Batiste recorded in 1989 with Jill Dunkerton, senior conservator of Italian Painting at the National Gallery London. In it she considers works by Duccio, Jacopo Di Cione and other early Trecento painters from 1270 to 1370 exhibited in Art in the Making at The National Gallery 1989-90.

Since the beginning of time, food is what brought us all together. But as the human race evolved over time, our desire for unique culinary experiences grew to an insatiable intrigue to be transported to exotic places and enjoy a rich tapestry of taste. A taste sparked by the leaders of the culinary renaissance of their times, a taste that has been maintained through history, a taste that emerged into a tradition and was perfected from generation to generation.