Showing results by author "Hollywood 360" in All Categories

Some might remember My Friend Irma as the movie that served as the launching pad for Dean Martin and Jerry Lewis. Others recall a television show of the same name. But My Friend Irma actually originated as a radio sitcom that aired on CBS from 1947 to 1954. The show chronicled the daily highjinks of an extremely dim-witted blond stenographer named Irma Peterson and her screwball friends.

Among several newspaper-based dramas during radio's golden age, Night Beat was a cut above the others. It was the story of Randy Stone, a hard-nosed Chicago Star newsman, and his quest for the human-interest story behind the headlines. Frank Lovejoy starred as Randy Stone, who came to vivid life thanks to expert scripts by Russell Hughes, Larry Marcus, E. Jack Neuman, and John Michael Hayes. Lovejoy's distinctive voice and approach to the role, combined with top performances by veteran radio actors, gave Night Beat a noir style that listeners loved.

Damon Runyon was a newspaperman and writer. He was best known for his short stories celebrating the world of New York City's Broadway that grew out of the Prohibition era. He created a little world of characters that live on even today in such classic movies as Little Miss Marker and Guys and Dolls, both based on Runyon's stories. Actor Alan Ladd's Mayfair Productions brought Runyon's short stories to radio in the early 1950s.

Created by Irving Brecher, The Life of Riley starred William Bendix as Brooklyn-born Chester A. Riley, a family man who worked as a wing riveter at the fictional Cunningham Aircraft plant in California. The stories were usually set at home, where Riley would cheerfully disrupt life with his malapropisms and ill-timed intervention into minor problems. His stock answer to every turn of fate became a popular catchphrase: "What a revoltin' development this is!"

Jack Webb (1920 - 1982) was a popular American actor, television producer, director, and screenwriter. He started out in the entertainment industry in comedy, but achieved his first success playing the title character in the radio show Pat Novak, for Hire. His greater success came from his role as Los Angeles Police Department sergeant Joe Friday in the show Dragnet, which he created based on actual LAPD criminal case files and which ran for many years on both radio and television.

Here are 12 episodes of the horror and mystery series written and produced by radio announcers beginning in 1946. There were several series under the Hall of Fantasy banner, all produced by Richard Thorne. The first originated from radio station KALL in Salt Lake City. Richard Thorne and Carl Greyson were announcers for the station and coproduced the bare-bones horror series beginning in 1946. Written or adapted by Robert Olson and directed by Thorne, the stories were mostly murder mysteries with traditional endings.

A hilarious collection of episodes from the beloved radio show Fibber McGee & Molly Excitable and loose-lipped Fibber means well enough, but it's not always easy for even-tempered Molly to keep him in check and out of trouble. Of course, the long suffering Mrs. McGee's penchant for patience makes it all the funnier when she's finally pushed to the point of exasperation. What both McGees have in common is that they're fabulously friendly, opening their door at 79 Wistful Vista to welcome all sorts of interesting guests, including Mayor LaTrivia, Doc Gamble, and neighborly nemesis Throckmorton P. Gildersleeve.

The Falcon radio series aired from 1943 until 1954. "The Falcon" was an alternate identity for detective Michael Waring. Like the Falcon movies, the radio plots mixed danger, romance, and comedy in equal parts. Each show began with a telephone ringing and Michael Waring, the Falcon, answering the phone. Speaking with a woman whose voice was never heard, Waring would explain that he had an urgent situation he had to deal with.

Produced in New York, Murder at Midnight came to ABC Radio in September of 1946 and featured horror stories with supernatural twists. Raymond Morgan, a former Long Island minister who had left the cloth for the excitement of radio, was the foreboding host who each week uttered the lines, "Midnight, the witching hour, when the night is darkest, our fears the strongest, and our strength at its lowest ebb. Midnight, when the graves gape open and death strikes."

Reminiscent of Humphrey Bogart's character Rick Blaine from the classic movie Casablanca, Rocky Jordan relocated to Cairo after being ousted from St. Louis by his enemies. Now living in North Africa, Rocky Jordan owns and operates a gin joint, the Café Tambourine, and finds himself involved in an assortment of mystery and intrigue endeavors while unwillingly moonlighting as a crime fighter.

Like its predecessor, Dragnet, Tales of the Texas Rangers adapted actual police cases for its broadcasts. Leading each week's investigation was Texas Ranger Jayce Pearson, portrayed by movie star Joel McCrea. Because the stories were set in the present, Pearson used the latest scientific techniques to identify criminals. Unlike Joe Friday, Pearson didn't have a regular partner, typically working with the local sheriff instead.

The Cisco Kid was a popular film, radio, television, and comic-book series based on the fictional Western character created by O. Henry in his short story, "The Caballero's Way," published in 1907 in the collection Heart of the West. Films and television depicted the Cisco Kid as a heroic Mexican caballero, a more honorable character than in O. Henry's original story.

Created by author Jack Boyle, Boston Blackie was a master safecracker and hardened criminal who served time in a California prison. Rehabilitated, he decided to use his knowledge of the underworld to fight crime as an amateur detective. Known as "an enemy to those who make him an enemy, friend to those who have no friend", Boston Blackie's exploits were adapted to film, radio, and television.

The Lineup was a hard-boiled drama. Like Dragnet, it realistically showed police doing their jobs. The show always began with a police sergeant ordering suspects to stand at attention so that the victim, behind one-way glass, could try to identify the criminal. While the lineup was rarely the key to solving the case, it did give the show a rhythm and also allowed for humor in the interrogation of the suspects by the sergeant. The series began as a summer replacement for The FBI in Peace and War in 1950, but soon got its own time slot.

Rogue's Gallery was an old-time radio program starring Dick Powell as Richard Rogue, a private detective who trailed luscious blondes, protected witnesses, and did whatever else detectives do to make a living. What set this show apart from others in the genre was that midway through every episode, Rogue would invariably end up getting knocked out and spending his dream time in acerbic conversation on Cloud 8 with his subconscious self named Eugor - Rogue spelled backward.

The detective series Let George Do It came to radio in 1946. It starred Bob Bailey as George Valentine, ex-GI and detective for hire. Clients came to Valentine's office after reading a newspaper carrying his classified ad: "Personal notice: Danger's my stock-in-trade. If the job's too tough for you to handle, you've got a job for me, George Valentine. Write full details."

This collection contains 12 of the greatest radio shows ever broadcast during the golden age of radio. You'll hear Freeman Gosden and Charles Correll in Amos 'n' Andy; Bob Bailey in Yours Truly, Johnny Dollar; Jim and Marian Jordan in Fibber McGee and Molly; William Bendix as Chester A. Riley in The Life of Riley; Eve Arden as Connie Brooks in Our Miss Brooks; William Conrad as Marshal Matt Dillon in Gunsmoke; and many more.

In the March 1934 issue of the legendary pulp magazine Black Mask, Jack "Flashgun" Casey, crime photographer, made his debut. His creator was former newspaper and advertising executive George Harmon Coxe Jr., who wrote more than 60 crime fiction novels in his lifetime. Casey's keen eye for detail served him well on the job, helping him to solve the crimes he was assigned to photograph for the newspapers.

Lyon, portrayed by Wilms Herbert, ran the International Detective Bureau, a small private investigations firm in downtown Los Angeles, with often oversized ambitions. Regan handled rough assignments from Lyon, with whom he was not always on good terms. Actor Jack Webb played Regan as tough and tenacious, with a dry sense of humor. The series ended when Webb left the show in December 1948, but was resurrected in October 1949 with a new cast.

Here are 12 adventure-packed episodes of the radio drama Rocky Fortune. This 1953 radio adventure series stars Frank Sinatra as Rocco Fortunato, aka Rocky Fortune, a footloose and fancy-free young man of several talents. In constant need of employment, Rocky accepts odd jobs from the Gridley Employment Agency - jobs that typically lead him into situations where he tracks down criminals and ends up rescuing people in trouble - especially women. The job done, Rocky ultimately needs to find more work.