Showing results by narrator "Moira Quirk" in All Categories

London, 1851—When Pierette, a daring acrobat performing at the Great Exhibition, rescues the mathematician Ada Lovelace from a gang of thugs, she becomes immersed in an ancient feud between Assassins and Templars. But Lovelace is gravely ill, and shares her secrets with Pierette, sending the acrobat in search of a terrible weapon–the Engine of History–which she’d been developing for a shadowy figure known as “the Magus”. Pierette’s only ally is Simeon Price, Lovelace’s childhood friend who belongs to a Brotherhood devoted to freedom.

Life’s no bowl of cherries for Anthony Farr, the Duke of Radcliffe. Duty demands he remarry to provide a spare to go along with the heir—and eligible ladies keep trying to finagle him into a proposal. All he wants is to be a good father to his 8-year-old son, see the Duchess (his truly terrific pig) win first prize at the harvest fête, and stay single. Even if that makes him a Bad Duke. Maybe the Worst Duke in the World. Then Miss Jane Kent, a long-lost relation of the illustrious Penhallow family, arrives and is promptly befriended by the Duke’s son.

Set in New York during the Jazz Age, this new adaptation tells the tragic tale of self-made millionaire Jay Gatsby. Consumed with desire for his former lover, Daisy Buchanan, Gatsby draws new neighbor Nick Carraway into his desperate pursuit to win her back—and into their world of lavish wealth, wild parties, and free-flowing liquor.

Molière wrote some of the most durable and penetrating comedies of all time. The Imaginary Cuckold and The School for Husbands are two of his grand farces of marriage and misunderstanding, one set in Paris and the other in the provinces. In The School for Husbands, a tyrannical husband-to-be seeks to isolate his ward, while unwittingly carrying her messages of devotion to her lover. In The Imaginary Cuckold, an enraged husband imagines his wife is unfaithful, but is reluctant to defend his honor.

Before Twilight and True Blood, only one vampire commanded “the children of the night". In this bloodthirsty tale of unholy terror, Count Dracula slips into Victorian London with a cargo of his native Transylvanian soil - so he can rest between victims. The city seems helpless against his frightful power, and only one man, Dr. Van Helsing, can stop the carnage. But to do this, he must uncover the vampire’s lair and pierce his heart with a wooden stake.

Fished from the river as an infant and raised by a roving band of street urchins who call themselves the Crowns, eight-year-old Duck keeps her head down and her mouth shut. It’s a rollicking life, always thieving, always on the run—until the ragtag Crowns infiltrate an abandoned cathedral in the city of Odierne and decide to set down roots.

Six years ago, sisters Evelyn and Philippa Hapwell were swept away to a strange and beautiful kingdom called the Woodlands, where they lived for years. But they have struggled to adjust ever since they returned to their lives in post-WWII England. Ev desperately wants to return to the Woodlands, and Philippa just wants to move on. When Ev goes missing, Philippa must confront the depth of her sister’s despair and the painful truths from which they’ve been running. As the weeks unfold, Philippa wonders if Ev truly did find a way home or if the weight of their worlds pulled her under.

Meet Caltro Basalt. He's a master locksmith, a selfish bastard, and as of his first night in Araxes, stone-cold dead. They call it the City of Countless Souls, the colossal jewel of the Arctian Empire, and all it takes to be its ruler is to own more ghosts than any other. For in Araxes, the dead do not rest in peace in the afterlife, but live on as slaves for the rich. While Caltro struggles to survive, those around him strive for the emperor's throne in Araxes' cutthroat game of power.

Coming of age, the impact of class, and familial and romantic love are the prevalent motifs, along with the instinct toward escape and subsequent nostalgia for home. Some of the stories are linked, and some carry O'Brien's distinct sense of the comical. In "A Rose in the Heart of New York", the single-mindedness of love dramatically derails the relationship between a girl and her mother while in "Sister Imelda" and "The Creature", the strong ties between teacher and student and mother and son are ultimately broken.

When a dastardly Pickleman plot comes to fruition, only Sophronia can save her friends, her school, and all of London...but at what cost? Our proper young heroine puts her training and skills to the test in this highly anticipated conclusion of the rousing, intriguing, and always polished New York Times best-selling Finishing School series!

When Stella North is chosen to represent Britain in Europe’s first air race for young people, she knows all too well how high the stakes are. As the only participating female pilot, it’ll be a constant challenge to prove she’s a worthy competitor. But promoting peace in Europe, the goal of the race, feels empty to Stella when civil war is raging in Spain and the Nazis are gaining power—and when, right from the start, someone resorts to cutthroat sabotage to get ahead of the competition.

Warlock Anna Atticus Stone is on her final year at the academy. As head of student council, academic prodigy, and champion arena dueler, she seems the perfect pupil. In reality, Anna is grieving, overwhelmed, and so lonely she talks to herself. Above all, she fears assassination if people find out her father’s dying gift to her was a scion. Only seven of these powerful artifacts exist, one in each kingdom—a precarious balance that maintains peace.

Fourteen-year-old Sophronia is a great trial to her poor mother. Sophronia is more interested in dismantling clocks and climbing trees than proper manners - and the family can only hope that company never sees her atrocious curtsy. Mrs. Temminnick is desperate for her daughter to become a proper lady. So she enrolls Sophronia in Mademoiselle Geraldine's Finishing Academy for Young Ladies of Quality. But Sophronia soon realizes the school is not quite what her mother might have hoped.

High on the slopes of mighty Mount Olympus, among the sun-splashed meadows and sparkling waters, glide the winged horses of the ancient gods. Here up high is normally no place for a lost, parentless girl like Pippa. But once every hundred years, the gods and goddesses descend to the mortal realm to choose jockeys for their winged horse race - and Pippa is one of the lucky children chosen to ride.

Sophronia continues her second year at finishing school in style - with a steel-bladed fan secreted in the folds of her ball gown, of course. Such a fashionable choice of weapon comes in handy when Sophronia, her best friend Dimity, sweet sootie Soap, and the charming Lord Felix Mersey stowaway on a train to return their classmate Sidheag to her werewolf pack in Scotland. No one suspected what - or who - they would find aboard that suspiciously empty train.

Aileana Kameron, the Falconer, disappeared through the portal that she was trying to close forever. Now she wakes up in the fae world, trapped and tortured by the evil Lonnrach. With the help of an unexpected ally, Aileana re-enters the human world, only to find everything irrevocably changed. Edinburgh has been destroyed, and the few human survivors are living in an uneasy truce with the fae, while both worlds are in danger of disappearing altogether. Aileana holds the key to saving both worlds, but in order to do so she must awaken her latent Falconer powers.

Sophronia's first year at Mademoiselle Geraldine's Finishing Academy for Young Ladies of Quality has certainly been rousing! For one thing, finishing school is training her to be a spy. Furthermore, Sophronia got mixed up in an intrigue over a stolen device and had a cheese pie thrown at her in a most horrid display of poor manners. Now, as she sneaks around the dirigible school, eavesdropping on the teachers' quarters, she learns that there may be more to a school trip to London than is apparent at first.

The youngest of four daughters, Primrose Ainsworth is used to getting lost in the shuffle. But when her parents decide to delay her debut into English society, Prim hatches a plan to go rogue on the night of her 16th birthday. Donning a mask, Prim escapes to the infamous Vauxhall Gardens for one wild night. When her cover is nearly blown, a mysterious stranger intercedes, and Prim finds an unexpected partner in mischief...and romance. But when it's revealed her new ally isn't who he says he is, her one night of fun may last past dawn.

How big is the universe? How many numbers are there? And is infinity + 1 is the same as 1 + infinity? Such questions occur to young children and our greatest minds. And they are all the same question: What is infinity? In Beyond Infinity, Eugenia Cheng takes us on a staggering journey from elemental math to its loftiest abstractions. Along the way, she considers how to use a chessboard to plan a worldwide dinner party, how to make a chicken-sandwich sandwich, and how to create infinite cookies from a finite ball of dough.

The acclaimed Scottish playwright Rona Munro has created a remarkable story about a man who wakes up from a car crash with brain damage. Now, he sees the world as the person he was three years ago, when his life and loves were in a very different place. This play is part of L.A. Theatre Works’ Relativity Series featuring science-themed plays.