The Dr Ruth Galloway Mysteries

Forensic archeologist Ruth Galloway is in her late thirties. She lives happily alone with her cats in a remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine is harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Ruth for help, believing the bones to be the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor taunts him with bizarre letters referencing ritual sacrifice, Shakespeare, and the Bible.

When a child’s remains are found at a demolition site—a former children’s home in Norwich—forensic archaeologist Ruth Galloway is called in to examine the bones. She quickly notes that the skull is missing. Is this a Roman-era ritual sacrifice, or is the killer closer at hand? Ruth and DCI Nelson seek out the priest who served as the home’s operator. Father Hennessey reports that two children had gone missing there, about forty years earlier. They were never found. Is this one of them, finally unearthed?

Just back from maternity leave, forensic archeologist Ruth is finding it hard to juggle motherhood and work when she is called in to investigate human bones that have surfaced on a remote Norfolk beach. The presence of DCI Harry Nelson, the married father of her daughter, does not help. The bones, six men with their arms bound, turn out to date back to World War II, a desperate time on this stretch of coastland. As Ruth and Nelson investigate, Home Guard veteran Archie Whitcliffe reveals the existence of a secret the old soldiers have vowed to protect with their lives.

When Ruth Galloway arrives to supervise the opening of a coffin containing the bones of a medieval bishop, she finds the museum’s curator lying dead on the floor. Soon after, the museum’s wealthy owner is also found dead, in his stables. DCI Harry Nelson is called in to investigate, thrusting him into Ruth’s path once more. When threatening letters come to light, events take an even more sinister turn. But as Ruth’s friends become involved, where will her loyalties lie? A

Shortlisted for the CWA Dagger in the Library. Ruth Galloway receives a phone call that bears shocking news. A friend of hers from college, Dan Golding, has been killed in a fire at his Lancashire home. Her shock turns to alarm when she gets a letter from Dan. He has made a discovery that will change archaeology forever but he needs Ruth's advice. Even more alarming, he sounds vulnerable and frightened. DCI Harry Nelson is also rediscovering his past. Up north for a holiday, he meets his former colleague Sandy MacLeod, now at Blackpool CID.

Forensic archaeologist Ruth Galloway has excavated a body from the grounds of Norwich Castle, a forbidding edifice that was once a prison. She believes the body may be that of infamous Victorian murderess Jemima Green. Called Mother Hook for her claw-like hand, Jemima was hanged in 1867 for the murder of five children in her care. DCI Harry Nelson has no time for long-dead killers.

Norfolk is experiencing a July heat wave when a construction crew unearths a macabre discovery - a buried World War II plane with the pilot still inside. Forensic archaeologist Ruth Galloway quickly realizes that the skeleton couldn't possibly be the pilot, and DNA tests identify the man as Fred Blackstock, a local aristocrat who had been reported dead at sea. When the remaining members of the Blackstock family learn about the discovery, they seem strangely frightened by the news.

The murder of women priests in the shrine town of Walsingham sucks Dr. Ruth Galloway into an unholy investigation. Ruth's friend, Cathbad, is housesitting in Walsingham, a Norfolk village famous as a centre for pilgrimages to the Virgin Mary. One night, Cathbad sees a strange vision in the graveyard beside the cottage: a young woman dressed in blue.

Ruth and Nelson investigate a string of murders and disappearances deep within the abandoned tunnels hidden far beneath the streets of Norwich. Norwich is riddled with old chalk-mining tunnels, but no one's sure exactly how many. When Ruth is called in to investigate a set of human remains found in one of them, she notices the bones are almost translucent - a sign they were boiled soon after death. Once more she finds herself at the helm of a murder investigation.

It’s not every day that you’re summoned to the Italian countryside on business, so when archaeologist Angelo Morelli asks for Ruth Galloway’s help identifying bones found in the tiny hilltop town of Fontana Liri, she jumps at the chance to go, bringing her daughter along with her for a working vacation. Upon arriving, she begins to hear murmurs of Fontana Liri’s strong resistance movement during World War II and senses the townspeople are dancing around a deeply buried secret. But how could that be connected to the ancient remains she’s been studying?

Dr. Ruth Galloway returns to North Norfolk in her latest chilling adventure. DCI Nelson has been receiving threatening letters. They are anonymous yet somehow familiar. They read like the letters that first drew him into the case of the Crossing Places and to Ruth. But the author of those letters is dead. Or are they?

Everything has changed for Ruth Galloway. She has a new job, home, and partner, and she is no longer North Norfolk police’s resident forensic archaeologist. That is, until convicted murderer Ivor March offers to make DCI Nelson a deal. Nelson was always sure that March killed more women than he was charged with. Now March confirms this and offers to show Nelson where the other bodies are buried - but only if Ruth will do the digging. Curious, but wary, Ruth agrees.

There's nothing Ruth Galloway hates more than amateur archaeologists, but when a group of them stumble upon Bronze Age artifacts alongside a dead body, she finds herself thrust into their midst - and into the crosshairs of a string of murders circling ever closer.

Three years after her mother’s death, Ruth is finally sorting through her things when she finds a curious relic: a decades-old photograph of her own Norfolk cottage—before she lived there—with a peculiar inscription on the back. Ruth returns to the cot­tage to uncover its meaning as Norfolk’s first cases of Covid-19 make headlines, leaving her and Kate to shelter in place there. They struggle to stave off isolation by clapping for frontline workers each evening and befriending a kind neighbor, Zoe, from a distance.

When builders discover a human skeleton during a renovation of a café, they call in archeologist Dr. Ruth Galloway, who is preoccupied with the threatened closure of her department and by her ever-complicated relationship with DCI Nelson. The bones turn out to be modern—the remains of Emily Pickering, a young archaeology student who went missing in 2002. Suspicion soon falls on Emily’s Cambridge tutor and also on another archeology enthusiast who was part of the group gathered the weekend before she disappeared—Ruth’s friend Cathbad.