Coming Soon

Tom Holland gives a dazzling portrait of Rome's first imperial dynasty. Dynasty traces the full astonishing story of its rule of the world: both the brilliance of its allure, and the blood-steeped shadows cast by its crimes. Ranging from the great capital rebuilt in marble by Augustus to the dank and barbarian-haunted forests of Germany, it is populated by a spectacular cast: murderers and metrosexuals, adulterers and druids, scheming grandmothers and reluctant gladiators.

It was a time of revolution. The Roman Revolution describes the little known "crisis of the third century", and how it led to a revolutionary new Roman Empire. Long before the more famous collapse of the Western Roman Empire in the fifth century, in the years between AD 235-275, barbarian invasions, civil war, and plague devastated ancient Rome.

Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women—whether they were simply sitting at their looms at home or participating in the highest echelons of power—were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it.

Ever since the Greek and Roman historians speculated on the seemingly ever-growing violence and greed of the world, metal has been to blame. We have gone from a “golden age” of peace and shared plenty, to an “iron age of bloodshed and conquest”—and beyond. Today, according to geologist Shefa Siegel, we are threatened not by metal, but by its absence. Metal that once lay close enough to the surface of the earth so that primitive miners could more or less chip off what they needed is now so scarce that entire landscapes are pulverized to extract a fine dust of precious, powdered ore.