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Unveiling the profound reflections and philosophical musings of legendary thinker Arthur Schopenhauer, this collection compiles some of his greatest works, providing modern listeners with a detailed and unparalleled glimpse into Schopenhauer’s worldview and philosophy. Perfect for newcomers to Schopenhauer’s philosophy and experienced intellectual adventurers alike, the Schopenhauer Collection serves as an ideal handbook or reference guide for students, as well as anybody who wants to gain a deeper understanding of the ideas that came to dominate 19th century philosophy.

Schopenhauer was just 30 when his magnum opus, Die Welt als Wille und Vorstellung, a work of considerable learning and innovation of thought, first appeared in 1818.

Much to his chagrin and puzzlement (so convinced was he of its merits), it didn't have an immediate effect on European philosophy, views and culture. It was only decades later that it was recognised as one of the major intellectual landmarks of the 19th century.

'The two foes of human happiness are pain and boredom.' Arthur Schopenhauer (1788-1860) was one of the most influential philosophers of the 19th century because his humanistic, atheistic, if pessimistic views chimed with a new secularism that was emerging from a Western society dominated by religion. Despite his rather forbidding image (and a few outdated views), he is one of the most approachable German philosophers, and this is certainly evident in these two key works, The Wisdom of Life and Counsels and Maxims.

Véritable guide de combat rhétorique, Schopenhauer nous invite, afin de convaincre en public, à ne reculer devant rien. Pour avoir toujours raison, il faut ainsi utiliser des stratagèmes tels que manipuler les réponses, utiliser une contre-proposition absurde, ou retourner les arguments de l'adversaire contre lui-même.

The original edition of The World as Will and Idea appeared in 1818, but in 1844 Schopenhauer published an expanded version. It contained the 'Criticism of the Kantian Philosophy', a lengthy document; and Supplements to the First Book ( The Doctrine of the Idea of Perception) and the Second Book ( The Doctrine of Perception or Knowledge of the Understanding).

Arthur Schopenhauer's "The Wisdom of Life" is a compelling exploration into the nature of happiness and fulfillment. Written by a renowned 19th-century philosopher, this work delves into human desires and motivations, offering a unique perspective on finding meaning in life.

A classic guide to tricks and tactics for winning arguments, with commentary on the use of and defense against each tactic. The best summary of this audiobook is "being right doesn’t mean you’re gonna win, and this is why". It’s the ultimate guide to spotting the many different kinds of bull people pull in order to win over the crowd, rather than argue the point at hand. There’s very few of them that don’t immediately bring examples to mind, and having it laid out clearly like this is the perfect armour to stop people derailing you.

Мир как воля и представление—центральная работа немецкого философа Артура Шопенгауэра. Шопенгауэр утверждал, что назначение этой работы во всестороннем рассмотрении «единственной идеи». Он разработал свою философскую систему, состоящую из четырёх разделов: эпистемология, онтология, эстетика и этика.

The World as Will and Idea by Arthur Schopenhauer presents his philosophy that reality is driven by a metaphysical will, influencing all aspects of life and existence. Schopenhauer, a German philosopher, is known for his pessimistic philosophy, emphasizing that desire causes suffering. This work has profoundly influenced both philosophical thought and literature.

Arthur Schopenhauer's The Art of Literature is a lively, illuminating and brutally honest collection of essays on literary style and values, writers and critics, and the nature of genius. Schopenhauer advises seclusion and independent thought, criticizes Pliny's reading habits, and explains the pitfalls of certain schools of thought and even virtues like modesty. His thought-provoking arguments, caustic wit, and accessible style make this a must for any aspiring writer.

Opérant une distinction entre libertés physique, intellectuelle et morale, Schopenhauer interroge ici à la fois le concept de liberté et celui de conscience au regard d'une question simple dont la réponse possède pourtant des profondeurs abyssales : Que signifie vouloir quelque chose ?

"The Art of Controversy or The Art of Being Right" is an acidulous, sarcastic treatise written by the German philosopher Arthur Schopenhauer. In it, Schopenhauer examines a total of thirty-eight methods of showing up one's opponent in a debate. He introduces his essay with the idea that philosophers have concentrated in ample measure on the rules of logic, but have not engaged with the darker art of the dialectic, of controversy.

In this final part to Schopenhauer's momentous and hugely influential work, his original and wide-ranging observations are as lively as ever. Though cast as a 'pessimist' by history, he is anything but that to read - and listen to. Here are the last supplementary comments his original work (published 1818), the fruit of decades of further reflection.

In 1837, the Danish Royal Society of Sciences offered a prize to any essayist who could satisfactorily answer the question, "Is the fountain and basis of Morals to be sought for in an idea of morality which lies directly in the consciousness (or conscience), and in the analysis of the other leading ethical conceptions which arise from it? Or is it to be found in some other source of knowledge?" The Basis of Morality is the essay submitted in 1840 by German philosopher Arthur Schopenhauer. In it, he first mercilessly deconstructs the prevailing Western theory of morality as championed by ...

Parerga means 'supplementary to a main work', and Paralipomena suggests a further supplement, but these two books were anything but a casual addition to his major opus, The World as Will and Idea. For a start, it was the publication of Parerga and Paralipomena in 1851 which brought Schopenhauer to the attention of the general public, decades after The World as Will and Idea first appeared.

Arthur Schopenhauer - Die Welt als Wille und Vorstellung Band 2 – Die Ergänzungen zum zweiten Buch des ersten Bandes. Mit ebenso großer Klarheit und Eleganz wie im 1. Band seines Hauptwerks setzt Arthur Schopenhauer auch im 2. Band von Die Welt als Wille und Vorstellung seine pessimistisch-voluntaristische Metaphysik des Lebens fort, wobei er, direkt Bezug nehmend auf Paragrafen des 1. Bandes, zentrale Gedanken seiner Philosophie weiter vertieft und um mehr als nur perspektivische Facetten bereichert.

Premier grand philosophe contemporain, Schopenhauer ouvre l'ère du soupçon, l'ère de l'inconscient de Marx, de Freud et de Nietzsche. Bien que sa déconstruction des idées traditionnelles le conduise au constat de l'absurdité de la vie, son pessimisme n'est que provisoire. Par l'art, la morale, la sagesse, Schopenhauer nous arrache à nos peurs et entame la construction d'une doctrine du salut.

Counsels and Maxims is a classic work by noted German philosopher Arthur Schopenhauer. His work has influenced some of the modern world's greatest thinkers, including Carl Jung, Sigmund Freud, and Erwin Schrödinger. This piece was originally translated by Thomas Bailey Saunders.

There is a cause, or a reason, behind everything that happens. This is the fundamental view behind the classical proposition the Principle of Sufficient Reason, which, in 1813, Schopenhauer chose as his subject for further examination in his doctoral dissertation On the Fourfold Root of the Principle of Sufficient Reason....

Arthur Schopenhauer konnte durchaus auch allgemein verständlich schreiben. In seinen 1851 erschienenen "Parerga und Paralipomena" (Nebenwerke und Nachträge) präsentiert er 37 philosophische Essays, die in einem wohlgefälligen Stil abgefasst sind. Eines dieser Essays ist "Über das Geistersehen" - Schopenhauers Erläuterungen über den Okkultismus. Gibt es Geistererscheinungen? Gibt es sie nicht? Schopenhauers "Versuch" will nicht unbedingt eine definitive Antwort geben, sondern eine Debatte anstoßen.