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Heartfelt, powerfully engaging, and in the tradition of Anthony Doerr’s All the Light We Cannot See, this is a work of storytelling bravado: a thrilling action-packed art heist, an imaginative chronicle of forgotten history, and a poignant coming-of-age epic where a child navigates one of the most morally complex fronts of World War II and lives to tell the tale.

Sheldon Horowitz - 82 years old, impatient, and unreasonable - is staying with his granddaughter's family in Norway when he disappears with a stranger's child. Sheldon is an ex-Marine, and he feels responsible for his son's death in Vietnam. Recently widowed and bereft, he talks to the ghosts of his past constantly. To Norway's cops, Sheldon is just an old man who is coming undone at the end of a long and hard life. But Sheldon is clear in his own mind.

When Lilly was first chief engineer at The Commonwealth, nearly 50 years ago, the Central Archive wasn't yet the greatest repository of knowledge in the known world, protected by scribes copying every piece of found material - books, maps, even scraps of paper - and disseminating them by Archive Runners to hidden off-site locations for safe keeping. Back then, there was no Order of Silence to create and maintain secret routes deep into the sand-covered towers of the Gone World or into the northern forests beyond Sea Glass Lake.

Robert and Mkiwa Livingston are happily ensconced in their tranquil life in Geneva, Switzerland, when Robert's best friend drops dead from a brain aneurysm, sparking a mid-life crisis. Nostalgic for the New England of his youth, Robert begs his wife for a chance to go back to his native America. As the Livingstons settle into their new home in Marblehead, Massachusetts, they - along with the rest of the country - become engrossed in a popular TV show called Quiet Time, about a family who decide to give up all electronic devices and smartphones for one year.

She'd heard the stories, seen the movies, read the books. But now police Chief Inspector Sigrid Ødegård has to leave her native Norway and actually go there - to that land across the Atlantic where her missing brother is implicated in the mysterious death of a prominent African-American academic. America. Sigrid is plunged into a United States where race and identity, politics and promise, reverberate in every aspect of daily life.

Twelve-year old Sheldon Horowitz is still recovering from the tragic loss of his mother only a year ago when a suspicious traffic accident steals the life of his father near their home in rural Massachusetts. It is 1938, and Sheldon, who was in the truck, emerges from the crash an orphan hell-bent on revenge. He takes that fire with him to Hartford, where he embarks on a new life under the roof of his buttoned-up Uncle Nate.

One hundred miles from the Kuwaiti border, Thomas Benton meets Arwood Hobbes. Benton is a British journalist who reports from war zones in part to avoid his lackluster marriage and a daughter he loves but cannot connect with; Arwood is an American private who might be an insufferable ignoramus or might be a genuine lunatic with a death wish—it's hard to tell. Desert Storm is over, peace has been declared, but as they argue about whether it makes sense to cross the nearest border in search of an ice cream, they become embroiled in a horrific attack.

Home alone one morning, Sheldon witnesses a dispute between the woman who lives upstairs and an aggressive stranger. When events turn dire, Sheldon seizes and shields the neighbor’s young son from the violence, and they flee the scene. As Sheldon and the boy look for a safe haven in an alien world, past and present weave together, forcing them ever forward to a wrenching moment of truth.