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Franklin Starlight is called to visit his father, Eldon. He's sixteen years old and has had the most fleeting of relationships with the man. The rare moments they've shared haunt and trouble Frank, but he answers the call, a son's duty to a father. He finds Eldon decimated after years of drinking, dying of liver failure in a small town flophouse. Eldon asks his son to take him into the mountains, so he may be buried in the traditional Ojibway manner. What ensues is a journey through the rugged and beautiful backcountry, and a journey into the past, as the two men push forward to Eldon's end.

Chiamaka is a Nigerian travel writer living in America. Alone in the midst of the pandemic, she recalls her past lovers and grapples with her choices and regrets. Zikora, her best friend, is a lawyer who has been successful at everything until—betrayed and brokenhearted—she must turn to the person she thought she needed least. Omelogor, Chiamaka’s bold, outspoken cousin, is a financial powerhouse in Nigeria who begins to question how well she knows herself. And Kadiatou, Chiamaka’s housekeeper, is proudly raising her daughter in America—but faces an unthinkable hardship.

Un pequeño castillo de caza en Hungría, al pie de los Cárpatos, donde alguna vez se celebraron fastuosas veladas y la música de Chopin inundaba los elegantes salones decorados al estilo francés, ha cambiado radicalmente de aspecto. El esplendor de antaño se ha desvanecido, todo anuncia el final de una época. En ese escenario cargado de vivencias, dos hombres se citan para cenar tras cuarenta años sin verse. De jóvenes habían sido amigos inseparables, pero luego sus caminos se bifurcaron: uno se marchó a Extremo Oriente y el otro, en cambio, permaneció hasta hoy en su propiedad.

When Georgie's boss-turned-lover, Nico, offers her a high-stakes job in Canada, she wants to say no. But burdened by debt and swayed by Nico's promises that the gig will be quick and lucrative, Georgie feels she has no choice—even though it means leaving behind the people she loves the most. Swapping an Australian mining town for the rugged Albertan oilfields, Georgie's finally getting her life back on track. But as the stakes rise at work and at home, Georgie discovers the real reason she got the job—and just what she stands to lose.

【第172回芥川賞受賞作】高明なゲーテ学者、博把統一は、一家団欒のディナーで、彼の知らないゲーテの名言と出会う。ティー・バッグのタグに書かれたその言葉を求めて、膨大な原典を読み漁り、長年の研究生活の記憶を辿るが……。

A boy on the edge of adolescence fears his mother might be a robot; a psychotically depressed woman is entrusted with taking her niece and nephew trick-or-treating; a reluctant dad brings his baby to a debaucherous party; a teenage boy tries to prevent his mother from putting his estranged father’s dogs to sleep. Ranging from a youth arts camp to an aging punk band’s reunion tour, from a dystopian future where parents no longer exist to a ferociously independent bookstore, Last Day on Earth revolves around the endlessly complex, frequently surreal system that is family.

小学生のとき、担任の先生と町の外からやって来た男が駆け落ちしたのを忘れられない主婦。東京でバツイチ子持ちの恋人との関係に寂しさを覚える看護師。認知症の義母に夫とのセックスレスの悩みを打ち明ける管理栄養士。

朝葉は勉強も部活も要領よくこなす優等生。部員の仲を取りもつ毎日を過ごすうちに、本音を飲み込むことに慣れ、自分の意見を見失っていた。そんなある日、朝葉は自分の顔が見えなくなる「青年期失顔症」を発症し、それを同級生の聖に知られてしまう。いつも自分の考えをはっきり言う聖に、周りに合わせてばかりの自分は軽蔑されるはず、と身構える朝葉。

やさしい「月の魔法」のかかったとっておきの物語（スイーツ）で心繋がるひとときを。お菓子で想いを伝える日に読みたい、背中をそっと押してくれる物語。人気洋菓子店「月と私」の腕利きパティシエながら自分に自信がない三田村糖花を支える語部九十九は、お菓子にまつわる魅力的なエッセンスを物語としてお客様に届ける「ストーリーテラー」だ。

人生を変える、とびきりおいしい物語（スイーツ）をどうぞ。仕事も恋愛もぱっとしない岡野七子がたどり着いた、住宅街の洋菓子店「月と私」。そこには、お菓子にまつわる魅力的なエッセンスを引き出して、物語としてお客に届ける「ストーリーテラー」がいた――。

シリーズ続々重版！ここは、心がよろこぶ物語(スイーツ)とやさしい「魔法」に癒される場所。毎日がんばるあなたに「月」が寄り添う温かな物語。住宅街に佇む洋菓子店「月と私」。腕利きパティシエなのに自分に自信がない三田村糖花の前に「ストーリーテラー」語部九十九が現れた。

Es gibt doch nichts Schöneres als Familie ... oder? Im heiteren Familienroman "Die Zweisteins - Familie formt den Charakter" von Bestseller-Autorin Regine Kölpin zieht Juna Zweistein mit ihrer eigenwilligen Familie in einen verschlafenen Küstenort an der Nordsee, um ihr Erbe, ein ziemlich marodes Hotel, anzutreten. Da sind Turbulenzen vorprogrammiert ... Juna Zweistein ist Feuer und Flamme, als sie das alte Hotel ihrer Tante erbt, das im beschaulichen Tulpenboom an der Nordsee gleich neben dem Leuchtturm steht.

Most people don’t even notice them—three tiny figures sitting at the end of a long pier in the corner of one of the most famous paintings in the world. Most people think it’s just a depiction of the sea. But Louisa, an artist herself, knows otherwise and she is determined to find out the story of these three enigmatic figures. Twenty-five years earlier, in a distant town, a group of teenagers find refuge from their difficult home lives by spending their days laughing and telling stories out on a pier.

A boy wakes up with a knife in his hand. It’s the early ’90s in Stockton, CA, when Christian is caught sleepwalking in the kitchen by his family—the beginning of a curse unleashed by an aunt. To save Christian and the family from the curse, the family seeks out a curandero who promises salvation, but at a price Christian wishes he didn’t have to pay.

" On dit qu'on ne sait rien à dix-huit ans. Mais il y a des choses qu'on sait à dix-huit ans et qu'on ne saura plus jamais. ". Tout le monde rêve d'avoir dans sa vie un Tully Dawson, le type d'ami qui vous marque à jamais, qui vous rappelle que la vie peut être différente. Écosse, été 1986. Sur fond de thatchérisme sauvage, un groupe de jeunes gars de la classe ouvrière décide de suivre Tully pour fêter la fin du lycée dans un festival de musique mythique à Manchester, la Mecque du punk rock, de la new wave, de la musique qu'on met à fond !

連続通り魔殺人事件の容疑者"コートの男"を追う所轄の刑事・中島と捜査一課の女刑事・小橋。しかし、それはさらなる悲劇の序章に過ぎなかった。世界の片隅で求め合う男と女。極限の愛が狂気に変わる時、「人間」を超えた殺人者の終わりなき〈復讐〉が始まる――。神にも愛にも見捨てられた人間を、人は救うことができるのか。

結婚五年目にして夫婦関係が冷えきってしまった麻矢、離婚を経験した璃子、モラハラ気質の夫に悩みながら一人娘を育てる友里香。三十代半ばになった大学の同級生三人組は、立場は違えどみな夫への不満を抱え、時に集まり愚痴を言い合っていた。

Lydia España—once a wealthy, spoiled daughter of Cuba—works at a sewing factory in New York. Adjusting to her sharp change of circumstances, missing the days when her prosperous father provided her with every luxury, she ruminates on the incident that drove her away from her homeland in the late 1940s—until she falls in love with Raul, a kindhearted, working-class waiter who sees Lydia as the “Queen of the Congo Line” she used to be: the empress of "the most beautiful and splendid season, which is love.”

Blowfish is a postmodern novel in four parts, alternating between the respective stories of a female sculptor and a male architect. Death is the motif connecting these parallel lives. The sculptor’s grandmother killed herself by eating poisonous blowfish in front of her husband and child, while the architect’s elder brother leapt to his death from the fifth floor of an apartment building. Now, both protagonists are contemplating their own suicides.

Sie hat sich geschworen, die Regeln zu befolgen. Er könnte alles verändern. Lori liebt ihr Lehramtsstudium, Partys und Dates, auch wenn aus diesen selten mehr wird. Sie sehnt sich danach, nur ein einziges Mal das zu fühlen, was der Kuss mit Joshua sie hat fühlen lassen. Dieser eine schmerzhaft perfekte Kuss ist mittlerweile fast zwei Jahre her und sie haben nie wieder ein Wort darüber verloren. Was in Ordnung ist, denn der Kapitän der Basketballmannschaft ist der Bruder ihrer besten Freundin und damit off-limits.