For decades, Nick Burns has been haunted by a decision he made as a young soldier in World War I, when a French artist he’d befriended thrust both her paintings and her baby into his hands—and disappeared. In 1974, with only months left to live, Nick enlists Jenny, a college dropout desperate for adventure, to help him unravel the mystery. The journey leads them from Paris galleries and provincial towns to a surprising place: the Museum of Tears, the life’s work of a lonely Italian craftsman.

On a highway in Houston, Texas, Sarah LaBrie’s mother was found screaming at passing cars, terrified she would be murdered by invisible assailants. The diagnosis of schizophrenia that followed compelled Sarah to rethink her childhood, marked at turns by violence and all-consuming closeness. Digging into the events that led to her mother’s break, Sarah traces her family history of mental illness, from the dysphoria that plagued her great-grandmother, a granddaughter of slaves, to her own experience with depression as a scholarship student at Brown.

Everyone knows about the fight between Kathleen Walsh and her sister on the night she disappeared. For six months, no one has heard from Kathleen. Not her bullying husband, not her teenage son, and not her devastated sister Siobhan. But then Kathleen’s purse is found by a walker high up on the rocky Irish sea cliffs. The only thing inside is a torn scrap of paper with the words ‘HELP ME’. For Siobhan, it’s a chance to find her sister and fix the mistake she made six months ago. But not everyone in the tight-knit community welcomes Siobhan’s interest in the disappearance.

Ten years ago, legendary author Riley Cannon produced three of the best-selling thriller novels of all-time. Then, she vanished, leaving the final three books of the saga unfinished and producing the biggest mystery in the history of publishing. Now, a decade later, there is word from her mega-agent, the glamorous and powerful Topaz Kennedy, that a new Cannon novel is all-but-finished. But, Topaz knows the truth: Riley Cannon hasn’t even started the book. With the clock counting down to the publication date, desperate measures are needed.

Dorothy Graham is dead, which is inconvenient, not least for her. Luckily, she has planned for this eventuality. Now, if any of the truly dreadful people she is related to want to get their hands on her money, they’re going to have to do so via a fiendish difficult and frankly bizarre competition of Dorothy’s devising. After all, just because you’re dead, it doesn’t mean you can’t enjoy a last laugh at the expense of people who made your life miserable.

Ruby Young's new Boston apartment comes with all the usual perks. Windows facing the brick wall of the next-door building. Heat that barely works. A malfunctioning buzzer. Noisy neighbors. A dead body on the sidewalk outside. And of course, a ghost. Since Cordelia Graves died in her apartment a few months ago, she's kept up her residency, despite being bored out of her (non-tangible) skull and frustrated by her new roommate. When her across-the-hall neighbor, Jake Macintyre, is shot and killed in an apparent mugging gone wrong outside their building, Cordelia is convinced there’s more to it.

Everything is going to be perfect. Greyson comes home from deployment to live the life she and her husband Caden dreamed of. He has a surgical residency, and she has a psychiatric practice in the basement of their Manhattan brownstone. Caden loves his wife more than he can measure. But he starts hearing whispers. Someone else loves her. Someone else wants her. There's someone else, and though whoever's behind the whispers will move mountains to have her, Caden will move heaven and earth to keep her.

Tig Costello has arrived in Darren, Kentucky, commissioned to paint a portrait honoring her grandfather Benjamin. His contributions to the rural Appalachian town and his unimpeachable war service have made him a local hero. But to Tig, he’s a relative stranger. To find out more about him, Tig wants to talk to the person who knew her grandfather best: Eloise Price, the woman who murdered him fifty years ago.

Los Angeles, 1948: Easy Rawlins is a black war veteran just fired from his job at a defense plant. Easy is drinking in a friend's bar, wondering how he'll meet his mortgage, when a white man in a linen suit walks in, offering good money if Easy will simply locate Miss Daphne Money, a blonde beauty known to frequent black jazz clubs.

It's 1942, and as far as her father knows, Evelyn Bishop, heiress to an aeronautics fortune, is working as a translator in London. In truth, Evelyn—daring, beautiful, and as adept with a rifle as she is in five languages—has joined the Office of Strategic Services as a spy. Her goal is personal: to find her brother, who is being held as a POW in a Nazi labor camp. Through one high-risk mission after another, she is paired with the reckless and rebellious Nick Gallagher, growing ever close to him until the war's end brings with it an act of deep betrayal.

East House is the oldest and least desirable dorm on campus, but it has a draw for lonely university freshman Aleeza Kassam: Jay Hoque, the hot and broody student who vanished from East House five months ago without a trace. It’s irresistible to an aspiring investigative journalist like Aleeza. But when she starts receiving texts from Jay, the mystery takes an unexpected turn. To put it mildly.

It happens more than you might think. One second someone’s life is totally typical, the next it’s terribly tragic. Everything they had, everything they planned, everything they were, all of it vanishes in a flash. Shock and sorrow leave the victim staring into tomorrow’s void, wondering: How did it happen? Who did it? And why?

It’s been ten years since Priscilla and her Zeta Phi Zeta sorority sisters graduated college. Ten years since they were all in the same room together. Ten years since one of them died. And now Lupé’s killer has been released from prison on a technicality, days before their ten-year reunion. Priscilla decides that the party must go on; Lupé would have wanted it to. And besides, an epic reunion bash might be the perfect distraction. Back together, the Zetas party like it’s 2012, and it’s wild, just the way it used to be. Maybe too wild.

When Georgia rents her country home for the month of August, it’s off to the relaxing Connecticut shore for her; her husband, Tom; and their young daughter. It’s just what they need to ease family tensions and reconnect. All that’s left to do is leave behind their house keys—to a stranger. For Anna, Georgia and Tom’s house in the cool woodlands is a dream break from the oppressive heat of a New York City summer—and from an increasingly ill-fated relationship with her lover. A month apart and Anna can clear her head and reassess her future. She’s found the perfect place to do it.

Martha Ratliff conceded long ago that she’d likely spend her life alone. She was fine with it, happy with her solo existence, stimulated by her work as a librarian in Maine. But then she met Alan, a charming and sweet-natured salesman whose job took him on the road for half the year. When he asked her to marry him, she said yes, even though he still felt a little bit like a stranger.