Liza Day’s mother isn’t dead, but leave it to Darla Day to throw herself a funeral anyway. It’s the kind of attention grab Liza left behind to build a quiet life for herself and her rebellious teenage daughter, Avery. But between her students discovering her old daytime TV show—putting her teaching job at risk—and her mother’s unexpected funeral invitation, Liza’s life feels truly like a soap opera.

Devon Mayes thought she was done with the small conservative town she once called home. She fled when she was eighteen after her best friend Summer took her own life, leaving Summer’s twin brother, Keaton, lost in his grief. But when tragedy strikes again, Devon has nowhere to turn but back to the place that first broke her heart. Being back in Arkana means struggling with the old guilt that shrouds her bisexuality and her feelings for Keaton. There’s so much she’s still hiding from him—and so much of their shared past that’s now resurfacing.

Magnolia "Mack" Bishop is staring down the barrel at single motherhood--thanks to an unsolicited personal picture her husband texted another woman that quickly went viral among every mom group in town. But she's determined to not let it distract her from the professional victory she's inches away from: securing Charleston's prestigious Historic Preservation Design Fellowship, the apple of every local designer's eye.

When her husband goes missing, Marissa Creighton fears the worst. Tell me you trust me was the last thing Ethan said to her, and she’d shrugged it off. Now she can’t get those words out of her head. Marissa’s family has always been her rock. But when they come to help her with eighteen-month-old Logan, their overprotectiveness borders on oppression—occupational hazard of the family’s surveillance business, or is it? Seeking comfort in the playlist she and Ethan share, Marissa is shocked to find a new song there: “Trust Me.” She’s certain it’s a message.

Quiet Funke is happy in Nigeria. She loves her art teacher mother, her professor father, and even her annoying little brother (most of the time). But when tragedy strikes, she’s sent to England, a place she knows only from her mother’s stories. To her dismay, she finds the much-lauded estate dilapidated, the food tasteless, the weather grey. Worse still, her mother’s family are cold and distant. With one exception: her cousin Liv.

Julia, only daughter of the emperor of Rome, lives a life of excess and freedom. Wine, philosophy, and scandal—she revels in hedonism. But when her father dies and her teenage brother takes the throne, he will stop at nothing to seize control of both the empire and his wayward sister. And now Alaric of the Visigoths, a ferocious warrior who has battled Rome for years, has come to the capital to bargain for his homeland. When Julia rebels against the marriage her brother has ordered her to accept, he responds by publicly punishing her lover in the Colosseum.

Tig Costello has arrived in Darren, Kentucky, commissioned to paint a portrait honoring her grandfather Benjamin. His contributions to the rural Appalachian town and his unimpeachable war service have made him a local hero. But to Tig, he’s a relative stranger. To find out more about him, Tig wants to talk to the person who knew her grandfather best: Eloise Price, the woman who murdered him fifty years ago.

Sabrina Adams thought her luck had finally turned around when she was hired as a librarian for the wealthy Dorsey family. But as soon as she arrives at their elegant estate, she senses something is off. They have cameras everywhere. She’s banned from the third floor, and she spotted someone watching the house from the nearby woods. And why does the housekeeper, Mrs Manning, insist on so many rules?

Sisters Nadia and Cass Brenner are heirs to Ocean House, a decades-old empire that builds superyachts for the rich and powerful: emirs, oligarchs, and titans of industry throughout America and Europe. They’re a next-generation success with the design of their soon-to-be-commissioned megayacht for a Chinese billionaire. But the sisters’ entrée into the coveted Asian market is tragically cut short when Cass falls from a fortieth-floor hotel balcony.

Born in a country that has repeatedly traumatized her and her loved ones, Maya Wiley grew up in a household that prioritized activism, hope, and resilience above all else. This attitude landed her father on President Nixon’s enemies list as her mother organized third-party political platforms. Still, they modeled hope for their children. In the decades since, she has borne witness as presidents and political figures used racism and fascism to gain power, and as cities have again and again elected white men, effectively shutting out people of color and women from having a political voice.

Al Ward lives on an isolated mining claim in the high desert of central Nevada fifty miles from the nearest town. A grizzled man in his sixties, he survives on canned soup, instant coffee, and memories of his ex-wife, friends and family he’s lost, and his life as a touring musician. Hampered by insomnia, bouts of anxiety, and a chronic lethargy that keeps him from moving back to town, Al finds himself teetering on the edge of madness and running out of reasons to go on—until a horse arrives on his doorstep: nameless, blind, and utterly helpless.

Able God works for low pay at a four-star hotel where he must flash his “toothpaste-white smile” for wealthy guests. When not tending to the hotel’s overprivileged clientele, he muses over self-help books and draws life lessons from the game of chess.

Frederick Fife was born with an extra helping of kindness in his heart. If he borrowed your car, he’d return it washed with a full tank of gas. The problem is there’s nobody left in Fred’s life to borrow from. At eighty-two, he’s desperately lonely, broke, and on the brink of homelessness. But Fred’s luck changes when, in a bizarre case of mistaken identity, he takes the place of grumpy Bernard Greer at the local nursing home. Now he has warm meals in his belly and a roof over his head—as long as his poker face is in better shape than his prostate and that his look-alike never turns up.

As the hurricane batters the house and the waters rise, Callum is found hanging from an ancient oak, murdered in the same way as the notorious villain in his most popular book. Cut off from the outside world, the guests soon realize that the murderer might strike again, and everyone at the plantation could either be the next victim or the killer.

Isaac is at a crossroads in his young life. Growing up in Missouri, the son of a caustic, hard-driving father, he was conditioned to suppress his artistic pursuits and physical desires, notions that didn’t align with a traditional view of masculinity. But now, in late ’80s Chicago, Isaac has finally carved out a life of his own. He is sensitive and tenderhearted and has built up the courage to seek out a community. Yet just as he begins to embrace who he is, two social catalysts—the AIDS crisis and Rodney King’s attack—collectively extinguish his hard-earned joy.