Inspired by the life of Easton’s grandmother, White Mulberry is a rich, deeply moving portrait of a young Korean woman in 1930s Japan who is torn between two worlds and must reclaim her true identity to provide a future for her family.

Remy Wadia left India for the United States long ago, carrying his resentment of his mother with him. He has now returned to Bombay to adopt a baby from a young pregnant girl—and to see his elderly mother for the first time in several years. Discovering that his mother is in the hospital, has stopped talking, and seems to have given up on life, he is struck with guilt for not realizing just how sick she has become.

Offering a striking, dramatic journey unspooling over centuries and across continents, Witchcraft is a “well-rounded insight into some of the strangest and cruelest moments in history” (Buzz Magazine), giving voice to those who have been silenced by history.

The vibrant, sprawling saga of Empress Maria Theresa - one of the most renowned women rulers in history - and three of her extraordinary daughters, including Marie Antoinette, the doomed queen of France.

The Light Eaters is a deep immersion into the drama of green life and the complexity of this wild and awe-inspiring world that challenges our very understanding of agency, consciousness, and intelligence. In looking closely, we see that plants, rather than imitate human intelligence, have perhaps formed a parallel system.

In the summer of 1925, Katharine Sergeant Angell White walked into The New Yorker’s midtown office and left with a job as an editor. The magazine was only a few months old. Over the next thirty-six years, White would transform the publication into a literary powerhouse. This exquisite biography brings to life the remarkable relationships White fostered with her writers and how these relationships nurtured an astonishing array of literary talent.

Following the deaths of her husband and son, Helen Cartwright returns to the English village of her childhood after living abroad for six decades. Her only wish is to die quickly and without fuss. Helen retreats into her home on Westminster Crescent, becoming a creature of routine and habit. Then, one cold autumn night, a chance encounter with an abandoned pet mouse on the street outside her house sets Helen on a surprising journey of friendship.

Months after her mother passes away, artist Tillie Morrisey sees a painting in a gallery that leaves her inexplicably lightheaded and unsteady. When a handsome stranger comes to her aid, their connection is so immediate it seems fated, though Liam is only visiting for a few days. Working on her own art has always been a refuge, but after discovering a document among her mother’s belongings that suggests Tillie’s life has been a lie, she begins to suffer from a series of fugue states, with memories surfacing that she isn’t even sure are her own.

Washington’s End begins where most biographies of George Washington leave off, with the first president exiting office after eight years and entering what would become the most bewildering stage of his life. Embittered by partisan criticism and eager to return to his farm, Washington assumed a role for which there was no precedent at a time when the kings across the ocean yielded their crowns only upon losing their heads. In a different sense, Washington would lose his head, too.

Julia White is struggling: her bartending job isn’t cutting it, and her first book has sold hardly any copies. She’s broke, barely able to make ends meet while drowning in her late mother’s medical bills and reeling after a one-night stand with her ex-boyfriend, who’s now completely ghosted her. Enter Johnathan Aster, world-renowned photographer, with a proposal: he has a never-before-seen photograph of a woman falling from a train bridge, clutching what appears to be a baby. And he wants Julia to research the story.

Heartfelt, powerfully engaging, and in the tradition of Anthony Doerr’s All the Light We Cannot See, this is a work of storytelling bravado: a thrilling action-packed art heist, an imaginative chronicle of forgotten history, and a poignant coming-of-age epic where a child navigates one of the most morally complex fronts of World War II and lives to tell the tale.

In 1924, four-year-old Cecily Larson’s mother reluctantly drops her off at an orphanage in Chicago, promising to be back once she’s made enough money to support both Cecily and herself. But she never returns, and shortly after high-spirited Cecily turns seven, she is sold to a traveling circus to perform as the “little sister” to glamorous bareback rider Isabelle DuMonde. With Isabelle and the rest of the circus, Cecily finally feels she’s found the family she craves.

Joanna Eberhart is a creative, self-possessed wife and mother, newly arrived in seemingly idyllic Stepford, Connecticut. But as she and her family begin settling in, she’s jarred by the unaccountable sameness of the local wives: all flawlessly attractive, with perfectly maintained homes—and little seeming interest in anything else. As curiosity turns to concern, Joanna finds herself unraveling a web of malice that threatens her very existence.

When Ghana achieved independence from Britain in 1957, it instantly became a target for home-grown opportunists and rapacious Western interests determined to claim whatever assets colonialism hadn’t already stripped. A CIA-funded military junta ousted the new nation’s inspiring president, Kwame Nkrumah, then falsely accused him of hiding the country’s gold overseas. Into this big lie stepped one of history’s most charismatic scammers, a con man to rival the trickster god Anansi.

What do you do when you start to feel a shift and must decide if it’s time to make a change? When it comes to navigating big decisions about when to stay and go, how can we know for sure when the time is right? Though we enter and exit many rooms over the course of our life—jobs, relationships, communities, life stages—knowing how and when it’s time to leave is a decision that rarely has a clear answer.