Inspired by the life of Easton’s grandmother, White Mulberry is a rich, deeply moving portrait of a young Korean woman in 1930s Japan who is torn between two worlds and must reclaim her true identity to provide a future for her family.

Aging Herb’s charmed life with his dear wife, Susan, in their Key West house is coming undone. Susan now needs constant care, and Herb is in denial about his own ailing health. The one bright spot is the arrival of an endlessly optimistic manicurist calling herself Renee. She sings to Susan during manicures, gets her to paint, and brings her a sense of contentment. But then Herb and Susan’s adult children arrive to stage an intervention on their stubborn, independent father, and as a consequence, Renee’s gig with Susan—and her grand plans for her own life—start to unravel as well.

Dorothy Graham is dead, which is inconvenient, not least for her. Luckily, she has planned for this eventuality. Now, if any of the truly dreadful people she is related to want to get their hands on her money, they’re going to have to do so via a fiendish difficult and frankly bizarre competition of Dorothy’s devising. After all, just because you’re dead, it doesn’t mean you can’t enjoy a last laugh at the expense of people who made your life miserable.

A delivery driver finds himself inside a world occupied by characters from unfinished novels and must accept he is not real. But the world around him doesn’t feel right, and when he starts asking questions, the authorities soon take extreme measures to stop him finding the truth about Fiction Land.

On a dark, wet evening in Dublin, scientist and mother of four Eilish Stack answers her front door to find the GNSB on her step. Two officers from Ireland’s newly formed secret police are here to interrogate her husband, a trade unionist. Ireland is falling apart. The country is in the grip of a government turning towards tyranny and when her husband disappears, Eilish finds herself caught within the nightmare logic of a society that is quickly unravelling.

Early in the Great War, men left Britain’s factories in droves to enlist. Struggling to keep up production, arsenals hired women to build the weapons the military urgently needed. “Be the Girl Behind the Man Behind the Gun,” the recruitment posters beckoned. Thousands of women—cooks, maids, shopgirls, and housewives—answered their nation’s call. These “munitionettes” worked grueling shifts often seven days a week, handling TNT and other explosives with little protective gear.

Isaac is at a crossroads in his young life. Growing up in Missouri, the son of a caustic, hard-driving father, he was conditioned to suppress his artistic pursuits and physical desires, notions that didn’t align with a traditional view of masculinity. But now, in late ’80s Chicago, Isaac has finally carved out a life of his own. He is sensitive and tenderhearted and has built up the courage to seek out a community. Yet just as he begins to embrace who he is, two social catalysts—the AIDS crisis and Rodney King’s attack—collectively extinguish his hard-earned joy.

In the summer of 1974 a heatwave blankets Boston and Mary Pat Fennessey is trying to stay one step ahead of the bill collectors. Mary Pat has lived her entire life in the projects of “Southie,” the Irish American enclave that stubbornly adheres to tradition and stands proudly apart. One night Mary Pat’s teenage daughter Jules stays out late and doesn’t come home. That same evening, a young Black man is found dead, struck by a subway train under mysterious circumstances. Mary Pat, propelled by a desperate search for her daughter, begins turning over stones best left untouched.

Dorothy Moy breaks her own heart for a living. As Washington’s former poet laureate, that’s how she describes channeling her dissociative episodes and mental health struggles into her art. But when her five-year-old daughter exhibits similar behavior and begins remembering things from the lives of their ancestors, Dorothy believes the past has come to haunt her. Fearing that her child is predestined to endure the same debilitating depression that has marked her own life, Dorothy seeks radical help.

Investigative crime journalist Signe Gates’s life became a nightmare the day she was kidnapped and drugged. After forty-eight missing hours, she woke to a blur of unsettling memories and a warning from her unknown abductors: tell anyone what happened and they’ll die. They’ve already proved they will deliver on that threat. For two years, Signe has been haunted by what she knows she did and terrified of what else could be buried in her memories.

For years, there have been whispers that, before his death, Van Gogh completed a final self-portrait. Curators and art historians have savored this rumor, hoping it could illuminate some of the troubled artist's many secrets, but even they have to concede that the missing painting is likely lost forever. But when Luke Perrone, artist and great-grandson of the man who stole the Mona Lisa, and Alexis Verde, daughter of a notorious art thief, discover what may be the missing portrait, they are drawn into a most epic art puzzles.

Writer Carrie Colts hopes a move to Montauk will be a rejuvenating change of pace for her family. The last thing she expects to see is her former college roommate on her doorstep. Newly widowed, and with a daughter of her own, Maya would love to reconnect. As a gesture to an old friend in mourning, Carrie extends an invitation to stay. Just for a few days. After all, there are reasons that Carrie and Maya are estranged.

Trunks packed with potions and cures, Jane Aire sets out on a crisp, clear morning in October to face the greatest challenge of her sheltered girls’-school existence. A shadow lies over Thornfield Hall and its reclusive master, Edward Rochester. And he’s hired her only as a last resort. Jane stumbles again and again as she tries to establish a rapport with her prickly new employer, but he becomes the least of her worries as a mysterious force seems to work against her.

Traumatised by the death of a child in her care, top London paediatrician Claire seeks refuge on remote Selkie Island in the wilds of the Irish Sea with her husband Daniel and their baby daughter Kitty. Hidden away in Daniel’s old family home, Claire hopes to be as cut off from her guilt as she is from the mainland, but can she find peace in a place so full of its own secrets? Twenty years earlier, Daniel’s parents left the island in a boat and never made it to the mainland.

After a childhood filled with heartbreak, Irene, a talented artist, finds herself in a small Central American village where she checks into a beautiful but decaying lakefront hotel called La Llorona at the base of a volcano.