Eighteen years ago, FBI Agent Darcy Hunt’s life changed forever when her little sister was abducted right under her nose—murdered by a crazed guild of misguided zealots.

When a boy is found dead with the skin of a hare’s head in his hand, everyone knows who killed him—Willis Newland, just released from prison after serving twenty years for an identical murder. But what if everyone’s wrong? Detective Colly Newland reluctantly agrees to investigate a case that seems to involve the whole town, including her dead husband’s extended family. But the deeper she digs, the more secrets she unearths.

In this 2018 New York Times Notable Book,Paige Williams "does for fossils what Susan Orlean did for orchids" (Book Riot) in her account of one Florida man's attempt to sell a dinosaur skeleton from Mongolia—a story "steeped in natural history, human nature, commerce, crime, science, and politics" (Rebecca Skloot).

Jill Ellington's twin sister hasn't spoken a word since she allegedly murdered her husband, and her three-year-old son is missing. No one in the small, idyllic town of Paradise saw or heard a single thing. The chief of police already has Jill's twin convicted and her nephew dead and buried. Jill is going to need a miracle to uncover the truth.

Sabrina Adams thought her luck had finally turned around when she was hired as a librarian for the wealthy Dorsey family. But as soon as she arrives at their elegant estate, she senses something is off. They have cameras everywhere. She’s banned from the third floor, and she spotted someone watching the house from the nearby woods. And why does the housekeeper, Mrs Manning, insist on so many rules?

When her husband goes missing, Marissa Creighton fears the worst. Tell me you trust me was the last thing Ethan said to her, and she’d shrugged it off. Now she can’t get those words out of her head. Marissa’s family has always been her rock. But when they come to help her with eighteen-month-old Logan, their overprotectiveness borders on oppression—occupational hazard of the family’s surveillance business, or is it? Seeking comfort in the playlist she and Ethan share, Marissa is shocked to find a new song there: “Trust Me.” She’s certain it’s a message.

It's 1983 and seventeen-year-old Grace Clark has just lost her mother when she begrudgingly accompanies her estranged father to an archeological dig at Olduvai Gorge on the Serengeti plains of Tanzania. Here, seventy-year-old Mary Leakey enlists Grace to sort and pack her fifty years of work and memories. Their interaction reminds Mary how she pursued her ambitions of becoming an archeologist in the 1930s by sneaking into lectures and working on excavations.

A modern story of family, I’ll Come to You chronicles intersecting lives over the course of one year—1995—anchored by the anticipation and arrival of a child. With empathy, insight, and humor, Rebecca Kauffman explores overlapping narratives involving a couple whose struggle to become pregnant has both softened and hardened them; a woman whose husband of forty years has left her for reasons he’s unwilling to share and the man who is now attempting to woo her; and a couple in denial about a looming health crisis as well as their son who is fumbling toward middle age and can’t stop lying.

Devon Mayes thought she was done with the small conservative town she once called home. She fled when she was eighteen after her best friend Summer took her own life, leaving Summer’s twin brother, Keaton, lost in his grief. But when tragedy strikes again, Devon has nowhere to turn but back to the place that first broke her heart. Being back in Arkana means struggling with the old guilt that shrouds her bisexuality and her feelings for Keaton. There’s so much she’s still hiding from him—and so much of their shared past that’s now resurfacing.

This trial should be a slam-dunk. A faceless powerbroker has other ideas.... Small-town prosecutor Mara Brent must be tough as nails to succeed in her male-dominated profession. But she harbors a soft spot for the victims who rely on her courtroom skill, especially the wheelchair-bound rape survivor she’s known since her first day on the job. So when her friend’s unsolved case reopens with a DNA match and an arrest, she’s determined to finally bring a monster to justice.

Celebrated stage actress Mona Zahid wakes up on Thanksgiving morning to the clamor of guests packed into her Manhattan apartment and to a wave of dread: her in-laws are lurking on the other side of the bedroom door; she’s still fighting with her husband; and in just a few weeks she will begin rehearsals as Shakespeare’s Cleopatra, the hardest role in theater. In an impulsive burst, Mona bounds out the door with the family dog in tow (“I forgot the parsley!” is her lame excuse) to find her estranged mentor, Milton Katz, who was recently forced out of the legendary theater company he founded.

When Emma meets Matthew, a kind, handsome widower, he seems to be just what she needs. Yet as their relationship moves fast, Emma’s friends worry she might be exploited. She’s a rich woman after all. Emma doesn’t care Matthew has no money. But as the memory of his perfect first wife hangs over them, Emma does have one tiny doubt. If Matthew’s wife hadn’t died, he wouldn’t be with her. And Emma wonders if she’s second best. Can she ever fill the dead woman’s shoes?

As the hurricane batters the house and the waters rise, Callum is found hanging from an ancient oak, murdered in the same way as the notorious villain in his most popular book. Cut off from the outside world, the guests soon realize that the murderer might strike again, and everyone at the plantation could either be the next victim or the killer.

When Shelby Dawson survives a harrowing attack that should have left her dead, she tries to move past it—for herself, and for her family. Fifteen months later, with the help of her best friend, Mackenzie, she finally feels safe again in the snowy Minnesota town she calls home. But when an anonymous note appears on her windshield bearing the same threats her attacker made, Shelby realizes that her nightmare has only just begun.

Sami Kierce, a young college grad backpacking in Spain with friends, wakes up one morning, covered in blood. There’s a knife in his hand. Beside him, the body of his girlfriend. Anna. Dead. He doesn’t know what happened. His screams drown out his thoughts—and then he runs. Twenty-two years later, Kierce, now a private investigator, is a new father who’s working off his debts by doing low level surveillance jobs and teaching wannabe sleuths at a night school in New York City. One evening, he recognizes a familiar face at the back of the classroom. Anna.