A modern story of family, I’ll Come to You chronicles intersecting lives over the course of one year—1995—anchored by the anticipation and arrival of a child. With empathy, insight, and humor, Rebecca Kauffman explores overlapping narratives involving a couple whose struggle to become pregnant has both softened and hardened them; a woman whose husband of forty years has left her for reasons he’s unwilling to share and the man who is now attempting to woo her; and a couple in denial about a looming health crisis as well as their son who is fumbling toward middle age and can’t stop lying.

Liza Day’s mother isn’t dead, but leave it to Darla Day to throw herself a funeral anyway. It’s the kind of attention grab Liza left behind to build a quiet life for herself and her rebellious teenage daughter, Avery. But between her students discovering her old daytime TV show—putting her teaching job at risk—and her mother’s unexpected funeral invitation, Liza’s life feels truly like a soap opera.

Magnolia "Mack" Bishop is staring down the barrel at single motherhood--thanks to an unsolicited personal picture her husband texted another woman that quickly went viral among every mom group in town. But she's determined to not let it distract her from the professional victory she's inches away from: securing Charleston's prestigious Historic Preservation Design Fellowship, the apple of every local designer's eye.

Devon Mayes thought she was done with the small conservative town she once called home. She fled when she was eighteen after her best friend Summer took her own life, leaving Summer’s twin brother, Keaton, lost in his grief. But when tragedy strikes again, Devon has nowhere to turn but back to the place that first broke her heart. Being back in Arkana means struggling with the old guilt that shrouds her bisexuality and her feelings for Keaton. There’s so much she’s still hiding from him—and so much of their shared past that’s now resurfacing.

When her husband goes missing, Marissa Creighton fears the worst. Tell me you trust me was the last thing Ethan said to her, and she’d shrugged it off. Now she can’t get those words out of her head. Marissa’s family has always been her rock. But when they come to help her with eighteen-month-old Logan, their overprotectiveness borders on oppression—occupational hazard of the family’s surveillance business, or is it? Seeking comfort in the playlist she and Ethan share, Marissa is shocked to find a new song there: “Trust Me.” She’s certain it’s a message.

Tig Costello has arrived in Darren, Kentucky, commissioned to paint a portrait honoring her grandfather Benjamin. His contributions to the rural Appalachian town and his unimpeachable war service have made him a local hero. But to Tig, he’s a relative stranger. To find out more about him, Tig wants to talk to the person who knew her grandfather best: Eloise Price, the woman who murdered him fifty years ago.

Fledgling actress Amelia Grant is at rock bottom when offered the opportunity of a lifetime: to star in a biopic about the world-renowned romance author Gloria Diamond, who used her own tragic love story as inspiration for her bestselling books. To prepare for the role, she’ll spend a week with Gloria at her secluded Washington estate. It’s a chance to get out of LA, away from her cheating ex-boyfriend, and to make her recently deceased mother proud.

Able God works for low pay at a four-star hotel where he must flash his “toothpaste-white smile” for wealthy guests. When not tending to the hotel’s overprivileged clientele, he muses over self-help books and draws life lessons from the game of chess.

Celebrated stage actress Mona Zahid wakes up on Thanksgiving morning to the clamor of guests packed into her Manhattan apartment and to a wave of dread: her in-laws are lurking on the other side of the bedroom door; she’s still fighting with her husband; and in just a few weeks she will begin rehearsals as Shakespeare’s Cleopatra, the hardest role in theater. In an impulsive burst, Mona bounds out the door with the family dog in tow (“I forgot the parsley!” is her lame excuse) to find her estranged mentor, Milton Katz, who was recently forced out of the legendary theater company he founded.

Sabrina Adams thought her luck had finally turned around when she was hired as a librarian for the wealthy Dorsey family. But as soon as she arrives at their elegant estate, she senses something is off. They have cameras everywhere. She’s banned from the third floor, and she spotted someone watching the house from the nearby woods. And why does the housekeeper, Mrs Manning, insist on so many rules?

Gemma Guillory has lived in the Australian Outback enclave of Rainier her entire life. She knows the tiny, red-dust town’s ins and outs by heart, knows the people like they are her family, their quirks as if they were her own. She also knows her once charming town is now remembered for one reason and one reason only: three innocent people died there at the hands of a serial killer. The last stop on the Rainier Ripper’s trail of deaths fifteen years ago was her picturesque little tea shop.

Everyone knows about the fight between Kathleen Walsh and her sister on the night she disappeared. For six months, no one has heard from Kathleen. Not her bullying husband, not her teenage son, and not her devastated sister Siobhan. But then Kathleen’s purse is found by a walker high up on the rocky Irish sea cliffs. The only thing inside is a torn scrap of paper with the words ‘HELP ME’. For Siobhan, it’s a chance to find her sister and fix the mistake she made six months ago. But not everyone in the tight-knit community welcomes Siobhan’s interest in the disappearance.

It’s the 1960s in North Carolina, and Lorraine Delford has it all—an upstanding family, a perfect boyfriend, and an idyllic home complete with a white picket fence. Yet every time she looks through her father’s telescope, she dreams of leaving it all behind to go to space. It’s ambitious, but Lorraine has always been exceptional.

At forty, Peter, an asylum lawyer in New York City, is overworked and isolated. He spends his days immersed in the struggles of immigrants only to return to an empty apartment and occasional hook-ups with a man who wants more than Peter can give. But when the asylum case of a young gay man pierces Peter's numbness, the event that he has avoided for twenty years returns to haunt him. Ann, his mother, who runs a women's retreat center she founded after leaving his father, is wounded by the estrangement from Peter but cherishes the world she has built.

Ten years ago, legendary author Riley Cannon produced three of the best-selling thriller novels of all-time. Then, she vanished, leaving the final three books of the saga unfinished and producing the biggest mystery in the history of publishing. Now, a decade later, there is word from her mega-agent, the glamorous and powerful Topaz Kennedy, that a new Cannon novel is all-but-finished. But, Topaz knows the truth: Riley Cannon hasn’t even started the book. With the clock counting down to the publication date, desperate measures are needed.