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English Poetry, Volume 2 – An Introduction. The English language has grown into the Worlds pre-dominant spoken language. It’s estimated there are over one million words with which to do this. Its sources are rich and diverse, absorbing from other cultures and times without hesitation.

Robert Browning (1812-1889), playwright and poet, is known and admired for his dramatic monologues in blank verse, of which he is a recognized master. He also wrote many lighter poems with a humorous touch. Here is one of his best known, The Pied Piper of Hamelin.

Here is a collection of 41 favorite classic children's poems by some of our best loved writers, including Edward Lear, Lewis Carroll, Robert Browning, Rudyard Kipling, and others.

Selected Poems by Robert Browning (1812-1889) is read by Greg Wagland for Magpie Audio. The selection is as follows: "The Bishop Orders his Tomb at St Praxed’s Church", "The Lost Leader", "Pictor Ignotus", "Soliloquy of the Spanish Cloister", "Love Among the Ruins", "Up at a Villa, Down in the City", "A Woman’s Last Word", "A Toccata of Galuppi’s", "Love in a Life", "Life in a Love", "Women and Roses", "Two in the Campagna", and more.

Perhaps one of the most endearing love stories of all time captured theatrically, in sonnet and in letter by Katharine Cornell & Anthony Quayle.

James Mason reads a selection of Robert Browning's finest work.

A wonderful selection of classic Christmas poetry from G. K. Chesterton, Henry Vaughan, Elizabeth Barrett Browning, Robert Burns, Lord Tennyson, and many more.

This anthology looks back over some of the great love affairs of literary history. It includes readings of poetry, letters and scenes from fiction written by British poets and authors from Shakespearian times to the twentieth century. Here are real-life romantic couples, such as Mary Wollstonecraft Shelley and Percy Bysshe Shelley, John Keats and Fanny Brawne, Lord Byron and Lady Caroline Lamb, Oscar Wilde and Lord Alfred Douglas, and Elizabeth Barrett Browning and Robert Browning.

Even if the act of travel has been transformed beyond recognition in a mere decade or two, how much has actually changed in our favorite destinations in the past two hundred years? Listeners are invited to compare their impressions with those of veteran travelers and literary legends: Charles Dickens on Rome; Mark Twain on Paris and Versailles; and Washington Irving on Stratford On Avon. Added to this mix is elegiac verse by Robert and Elizabeth Barrett Browning and Christina Rossetti.

Poetry can capture the imagination in a few short lines but narrative verse or poetry takes the form of telling a story, whether it be simple or complex in a longer form. Among the most ancient forms of poetry, it has widespread roots through almost every culture. In Volume 4 we bring you the classics 'The Eve of St Agnes' by John Keats; 'Flodden' by Sir Walter Scott; 'The Ballad of Agincourt' by Michael Drayton; 'Tam O'Shanter' by Robert Burns; and 'The Pied Piper of Hamelin' by Robert Browning.

Helen Hayes, Raymond Massey and Thomas Mitchell read a selection of the world's finest poetry from the greats including Keats, Browning, Kipling and Gray.

Robert Browning's classic tale about a magical rat catcher. When Hamelin is overrun by rats, only the magical music of the Pied Piper can solve the problem. The town council tries to trick the piper out of his agreed reward, and he wreaks terrible revenge.

This recording features some of the best known narrative poems ever written. It includes: "The Highwayman" by Alfred Noyes, "My Last Duchess" by Robert Browning, "The Raven" and "Annabel Lee" by Edgar Allan Poe, "Gunga Din" by Rudyard Kipling, "La Belle Dame Sans Merci" by John Keats, "Kubla Khan" by William Taylor Coleridge, "The Ballad of Reading Gaol" by Oscar Wilde, and "The Hound of Heaven" by Francis Thompson.

Robert Browning's classic adventure ballad. Three riders set off from Ghent to bring urgent news to Aix. They ride furiously through the night and the next day. Only one completes the journey and saves the fate of the town.

collection of favorite classic poems by some of our best loved poets, including Robert Browning, Rudyard Kipling, Thomas Hardy, John Keats, William Butler Yeats, Thomas Love Peacock, Alfred Lord Tennyson, William Shakespeare, Algernon Charles Swinburne, and others.

An anthology of over 40 classic nature poems, read by some of our finest actors. The majesty of nature has always inspired poets, and this collection contains a selection of the very best verses praising the natural world.

The United States has July 4th, Ireland St Patrick’s Day and France Bastille Day. Most Nations celebrate a particular day as ‘theirs’. That day is when they turn to themselves; to reflect on the past, to revel in the present and to look forward to the future. For England 23rd April is St George’s Day. St George, a hero from bygone days, who slays dragons and pursues other mythic deeds, is part of childhood. But for modern times, for modern nations, a greater purpose is needed. For England St George is best now described as a principle.

With classics such as ‘My Last Duchess’ and ‘The Pied Piper of Hamelin’ Robert Browning’s status as one of the great Victorian poets will always be secure in popular culture, while for the more literary he is considered a master of dramatic verse and dramatic monologues. It is interesting to note that his career bloomed late. Indeed, it was only after the death of his wife Elizabeth in 1861 and his return to England from their life in Italy that his work came into wider acceptance and critical acclaim. 

Andrea Del Sarto (1836 - 1530) was a Florentine painter whose career flourished during the High Renaissance. In this dramatic monologue, "the faultless painter" (Andrea Senza Errori, as he was surnamed by the Italians) is the speaker. He addresses his unsympathetic wife, Lucrezia, upon whom he dotes, and for whom he has broken faith with his royal patron, Francis I of France so that he can meet the expenses of her indulgent lifestyle. He laments that he has not realized the possibilities of his genius, partly blaming and partly excusing the woman who has failed to support his high ideals.

This poem, rich in its palette of human emotions, is couched in simple narrative language. Some critics have sought to interpret the poem as an allegory and find a specific meaning for every phrase and picture, but the richness of its symbolism is not favorable to this kind of treatment. In some ways, it resembles a piece of music. Each mind can draw from it a personal, and, to the individual, satisfactory interpretation.