Résultats de "Thomas Hood" dans Toutes les catégories

Collection includes the most famous horror stories of all time from the pens of genius' of the genre: Edgar Allan Poe and Bram Stoker.

Stories from the masters of the fantasy genre, George MacDonald, Joseph Sheridan Le Fanu, Edgar Allan Poe, and Thomas Hood. Tales of fairies, ghosts, and hauntings. These stories have never lost their magic.

Night. The day has gone. Departed. And the dark embrace, the inky shadows of night descend. For many a time to unwind and slumber. For some a nagging doubt that all is not well. That some primeval and primordial happening may yet go bump in the night. But for our poets the night is a time of wonder and imagination as well as many other emotions and feelings. Among our ranks of gloried talents are Keats, Coleridge, William Morris, DH Lawrence, Whitman, Longfellow and many more besides. Their descriptions capture what they see and feel as perhaps only a poet can.

Poetry can capture the imagination in a few short lines but narrative verse or poetry takes the form of telling a story whether it be simple or complex in a longer form. Among the most ancient forms of poetry, it has widespread roots through almost every culture. In Volume 2 we bring you the classics 'Sohrab and Rustum' by Matthew Arnold, 'The Prisoner of Chillon' by Lord Byron, and 'Faithless Sally Brown' by Thomas Hood. They are read for you by the renowned actors Sean Barrett and David Shaw-Parker.

English Poetry, Volume 2 – An Introduction. The English language has grown into the Worlds pre-dominant spoken language. It’s estimated there are over one million words with which to do this. Its sources are rich and diverse, absorbing from other cultures and times without hesitation.

Thomas Hood (1799-1845) was an English writer and great friend of Lamb, Hazlitt and De Quincey. Hood wrote regularly for The London Magazine, the Athenaeum, and Punch. He later published a magazine largely consisting of his own works. "A Tale of the Great Plague" is an ironic piece set in the time of the Black Death, about how an old man outwits a gang of ruthless cutthroats.

Death is a subject that few of us talk about, but many think about and more than a few of us dread. Whether it is the actual end of our life’s journey or merely a transit point to heavenly glory, its actual point of impact is, obviously, life-changing. But what do poets think of it? How do their minds tangle with the subject and make sense of this? That’s what we wondered, too. Poets as rich and diverse as Longfellow, Hood, Bronte, Burns, and Gibran here share their words, thoughts and visions with us.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. When you consider the depth of literary talent available over the extraordinary length of Queen Victoria’s reign, allied to the fascination with their all things spiritual on ‘the other side’, then perhaps it’s simply right place, right time. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Thomas Hood (May 23, 1799-May 3, 1845) was an English poet, author and humorist. Hood wrote regularly for the magazines, The London Magazine, Athenaeum, and Punch. He later published a magazine largely consisting of his own works. Hood, never robust, lapsed into invalidism by the age of 41, and died at the age of 45. The following includes Hood's short stories: The Widow of Galicia and The Golden Cup and The Dish of Silver.