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Good Night Stories for Rebel Girls: 100 Immigrant Women Who Changed the World is the third book in the New York Times best-selling series for children. Packed with 100 all-new bedtime stories about the lives of incredible female figures from the past and the present, this volume recognizes women who left their birth countries for a multitude of reasons: Some for new opportunities, some out of necessity. Listeners will whip up a plate with Asma Khan, strategize global affairs alongside Madeleine Albright, venture into business with Rihanna, and many more.

When it was first published in 2006, then-literary critic and poet Alejandro Zambra’s first novel, Bonsai, caused a sensation. Here, in a brilliant new translation from four-time International Booker Prize nominee Megan McDowell, is the little book that started it all: The story of Julio and Emilia, two Chilean university students who, seeking truth in great literature, find one another instead. As they fall together and drift apart over the course of young adulthood, Zambra spins an emotionally engrossing, expertly distilled, formally inventive tale of love, art, and memory.

Dr. Ayana Elizabeth Johnson, renowned marine biologist and co-founder of the All We Can Save climate initiative, compiles the best science and nature writing of the year.

Driven and recklessly daring, Martin Sabater follows his lifelong dream of owning a cacao plantation in Valle del Cauca. But on the night of a spectacular gala, he disappears—and is never seen again. Now his hacienda is a budding Catholic hospital saving lives during an emerging epidemic. And novice nun “Sor Puri” is there to uncover the truth behind Martin’s disappearance. But her real identity—and her past with the heartbreakingly charismatic Martin—will put far more than her perilous search at risk.

Told with penetrating insight, humor, and unexpected tenderness, Wait is a story about a family swimming against the social currents that erode bonds: housing precarity, immigration systems, and inherited wealth. But it is also a story about love, wit, and sisterhood, and how two sisters cling to each other in the midst of cataclysmic change, all the while dreaming about a better future.

Linda, an anxious and restless American, has moved to São Paulo, with her husband, Dennis, who has accepted a yearlong professorship. As Dennis submerges himself in his work, Linda finds herself unmoored and adrift, feeling increasingly disassociated from her own body. Linda’s unwavering and skilled maid, Marta, has more claim to Linda’s home than Linda can fathom. Marta, who is struggling to make sense of complicated history and its racial tensions, is exasperated by Linda’s instability.

After a chance encounter at a Santiago nightclub, aspiring poet Gonzalo reunites with his first love, Carla. Though their desire for each other is still intact, much has changed: among other things, Carla now has a six-year-old son, Vicente. Soon the three form a happy sort-of family—a stepfamily, though no such word exists in their language. Eventually, their ambitions pull the lovers in different directions—in Gonzalo’s case, all the way to New York. Though Gonzalo takes his books when he goes, still, Vicente inherits his ex-stepfather’s love of poetry.

From the vast lore surrounding King Arthur, Camelot, and the Knights of the Round Table comes an anthology of gender-bent, race-bent, LGBTQIA+ inclusive retellings.

Thirtysomething Flores and her mother, Paula, still live in the same Brooklyn apartment, but that may be the only thing they have in common. It’s been nearly three years since they lost beloved husband and father Martín, who had always been the bridge between them. One day, cleaning beneath his urn, Flores discovers a note written in her mother’s handwriting: Perdóname si te falle. Recuerda que siempre te quise. (“Forgive me if I failed you. Remember that I always loved you.”) But what would Paula need forgiveness for?

Seraphina Ramon will stop at nothing to find out the truth about why her sister Eff is in a coma after a very suspicious "accident." Even if it means infiltrating the last place Seraphina knows Eff was alive: a once-abandoned amusement park now populated by a community of cultists. Follow Seraphina through the mouth of the Goblin: To the left, a wolf-themed roller coaster rests on the blackened earth, curled up like a dead snake. To the right, an animatronic Humpty Dumpty falls off a concrete castle and shatters on the ground, only to reform itself moments later.

Veronica is late, and Julián is increasingly convinced she won't ever come home. To pass the time, he improvises a story about trees to coax his stepdaughter, Daniela, to sleep. He has made a life as a literature professor, developing a novel about a man tending to a bonsai tree on the weekends. He is a narrator, an architect, a chronicler of other people's stories. But as the night stretches on before him, and the hours pass with no sign of Veronica, Julián finds himself caught up in the slipstream of the story of his life—of their lives together.

Growing up in the ’90s along Clement Moore Avenue in Queens, Brisma and Kelly are two young Latinas with an inseparable bond, sharing everything and anything with each other. The girls are opposites: Brisma is sweet, sensitive, and observant, whereas Kelly is free-spirited, flirtatious, and bold. But together, they binge on Sour Patch Kids, listen to Boyz II Men cassette tapes, and dance to Selena and Mariah Carey where no one can see them.

There is a Japanese-Mexican-American matadora in town for a bull-fighting competition; an ex-guerrilla now working as a waitress in the hotel coffee shop; a Korean manufacturer with an underage mistress ensconced in the honeymoon suite; an international adoption lawyer of German descent; a colonel who committed atrocities during his country’s long civil war; and a Cuban poet who has come with his American wife to adopt a local infant. With each day, their lives become further entangled, resulting in the unexpected - the clash of histories and the pull of revenge and desire.

In this urgent outpouring of American voices, our poets speak to us as they shelter in place, addressing our collective fear, grief, and hope from eloquent and diverse individual perspectives.

Twelve-year-old Ana wants nothing more than to escape the future set for her and her classmates in her small mining village. Boys her age are beginning to leave school to become silver miners and girls her age are destined to one day be the wives of miners. But when her often ill 11-year-old brother is forced by their demanding father to start work in the mines, Ana gives up her dreams of school to volunteer in his place. The world of silver mining though is dark and dangerous and the men who work there don't want a girl in their way.

Night after night, a young girl watches her mami set up a cot in the living room for guests in their Washington Heights apartment, like Raquel (who's boring) and Edgardo (who gets crumbs everywhere). She resents that they get the entire living room with a view of the George Washington Bridge, while all she gets is a tiny bedroom with a view of her sister (who snores). Until one night when no one comes, and it's finally her chance! But as it turns out, sleeping on the cot in the living room isn't all she thought it would be.

Thirty diverse, award-winning authors and illustrators - including Renee Watson (Piecing Me Together), Grace Lin (Where the Mountain Meets the Moon), Meg Medina (Merci Suarez Changes Gears), and Adam Gidwitz (The Inquisitor's Tale) - engage young people in frank discussions about racism, identity, and self-esteem. Featuring stories filled with love, acceptance, truth, peace, and an assurance that there can be hope for a better tomorrow, The Talk is an inspiring anthology and must-have resource published in partnership with Just Us Books.

Zeus, Athena, Apollo, Aphrodite, and the other denizens of Mount Olympus feel almost as present and larger than life today as they did when they were worshipped as gods. Humanity has been telling and retelling stories about the characters from Greek and Roman myth for centuries—heck, the Romans liked the Hellenic originals so much, they remade them faster than Marvel remakes Spider-Man movies. And from Virgil's Aeneid to Xena: Warrior Princess to Percy Jackson to The Song of Achilles, the obsession has never waned.

An early desktop computer becomes the third partner in a doomed relationship; an older brother figure whose father lives in exile imparts hilarious life lessons to his young protégé. A man attempts to quit smoking despite the fact that he’s very good at it; another masquerades as the family man he'll never be. Throughout, Pinochet’s dictatorship casts a long shadow, and men in relationships exhibit their profound capacity for both love and harm.

He got dumped by his pregnant girlfriend, his grandfather just dropped dead, and on the anniversary of the raid that doomed his drug-dealing aunt and uncle, his mother makes her unwanted return, years after she fled to marry another American fool like his father. Misfortune, however, is a Cunha family affair, and no generation is spared. Not Daniel’s grandfather João—poor João—born to a prostitute and forced to raise his siblings while still a child himself.