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Mary Eleanor Wilkins Freeman (October 31, 1852¿March 13, 1930) was a prominent 19th century American author. Up until recently she was known primarily as a "feminist" writer, for her classic stories like "A New England Nun" and "The Revolt of Mother". However, she also wrote many well-crafted supernatural stories which have only recently begun to attract appreciative critical attention. These stories combine pragmatism and supernaturalism and are very much in the tradition of an "Americanized" Gothic.

Letitia Hopkins has always been curious about the peculiar green door in her Aunt Peggy's cheese room. But whenever she asks about it, she is always forbidden to open it or go through it. And the door is always locked. But one day, she finds a small black key on a green ribbon. And when she is left alone in the house, she cannot resist the temptation to try the door. Immediately Letitia finds herself in a strange, unfamiliar world full of wild animals, hostile natives, and a frontier life of hardship and hard work in the company of her pioneer ancesters. But how is she to find her way back to her own time?

This ghostly, sometimes ghastly, collection includes "The Buckled Bag" by Mary Roberts Rinehart, "The Tapestried Room" or "The Lady in the Saque" by Sir Walter Scott, "The New Catacomb" by Sir Arthur Conan Doyle, and "The Lost Ghost" by Mary Wilkins Freeman.

Mary Wilkins Freeman (1852-1930) was an American writer, best known for her stories reflecting the world of women fighting for dignity and independence from men. Her tales typically describe domestic settings and intimate relationships and are told with sensitivity and a poignancy which illuminates a bygone era in vivid detail. "The Revolt of Mother" tells the story of a strong and self-reliant farm wife who defies her obstinate husband by moving her household into his newly built barn.

Glenn Hascall once again slips into character, and it becomes Jimmy Scarecrow who is spending a very sad winter. Even Santa Claus ignores him. But wait folks there is more. Along comes a very sweet little girl with a gift for Jimmy.

Some of the greatest ghost stories of all time, here to send chills down your spine.

Americans have vivid, colourful and mesmerising imaginations. On the flip side they are equally adept at Realism. In this volume their famed authors explore short stories that bring us up close and personal to reality.

In a quaint New England village, the Glynn siblings gather to mourn the unexpected death of their brother Henry. As they convene in the dimly lit family home, old tensions and secrets begin to surface, intertwining with an unsettling presence that lurks within the house. The siblings soon discover eerie shadows cast upon the walls—shadows that seem to move of their own volition, whispering untold tales of the past. As the family grapples with their own guilt and grief, the mysterious shadows grow darker, revealing a truth more sinister than any of them could have imagined.

This century is crammed full of talents that showcase an enviable array of stories and genres. Across a hundred years the short story develops, becomes yet more emboldened, more accessible to a wider audience as these female authors challenge the literary bastions.

The ferry-boat was waiting when Rebecca Flint got off the train with her bag and lunch basket. When she and her small trunk were safely embarked she sat stiff and straight and calm in the ferry-boat as it shot swiftly and smoothly across stream. There was a horse attached to a light country wagon on board, and he pawed the deck uneasily. His owner stood near, with a wary eye upon him, although he was chewing, with as dully reflective an expression as a cow.

Embark on a journey through 19th-century New England with 'A New England Nun' by Mary E. Wilkins Freeman. This annotated edition unveils the nuanced layers of societal expectations and women's autonomy. Explore the symbolism of wild grapes, the metaphorical imagery of an uncloistered nun, and Joe Daggett's poignant honesty.