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Life has the capacity of great moments and attainment, of lives well lived, fulfilling for ourselves and for those we touch. But for others life is arduous. There is no spark to ignite the curiosity, to explore and achieve a stability and a growth to their lives. Indeed their lives, in their own eyes, become almost meaningless, their sense of themselves subsumed under a myriad of problems, whether real or imagined. Seismic events in a life might crush them; the loss of a loved one for instance. Coping is difficult, support hard to find and isolation abounds.

Mental illness though can still carry a stigma. A case of ‘you’re not trying hard enough’, ‘or knuckling down and getting on with it’. But in more recent decades mental issues have come to be recognised as an illness, a disease rather than an affliction. We all remember horror stories of lobotomy’s and electric shock being used to ‘cure’ what society viewed as anti-social behaviour but illness, mental or physical is very real. Depression, schizophrenia, breakdown, psychosis are alarming events to have or to witness.

Amy Levy was born in London, England in 1861, the second of seven in a fairly wealthy Anglo-Jewish family. The children of the family read and participated in secular literary activities becoming firmly integrated into Victorian life. Her first novel Romance of a Shop, written in 1888 is based on four sisters who experience the pleasures and hardships of running a business in London during the 1880s. This was followed by Reuben Sachs (also 1888) and concerned with Jewish identity and mores in the England of her time and therefore somewhat controversial);

There is something about the number 3. The Ancient Greeks believed 3 was the perfect number, and in China 3 has always been a lucky number, and they know a thing or two. Whatever history and culture says WE think 3, a hat-trick of stories, is a great number to explore themes and literary avenues that classic authors were so adept at creating.

For much of history women have been seen rather than heard. Their thoughts, their views, have lain too long in the shadows of our culture. Whilst this traditional view has some merit it is not entirely accurate. Here, gathered together in these volumes, we can, through their words, experience their lives; we can hear their voices, their thoughts, joys, loves and losses. For the female poet there was always the confining hand of men to instruct that their time was perhaps spent more productively elsewhere.

In this series we explore the many facets of love through literary talents that span both time and country. Love comes in many forms, many shades and many hues. There is one though that society wants more than any other and it is now part of our culture. Yes, the Happy Ending.

This century is crammed full of talents that showcase an enviable array of stories and genres. Across a hundred years the short story develops, becomes yet more emboldened, more accessible to a wider audience as these female authors challenge the literary bastions.

Amy Levy was born in London, England, in 1861, the second of seven in a fairly wealthy Anglo-Jewish family. The children read and participated in secular literary activities and became firmly integrated into Victorian life. Amy’s writing career began early; her poem ‘Ida Grey’ appeared when she was only fourteen. Her acclaimed short stories ‘Cohen of Trinity’ and ‘Wise in Their Generation,’ were published by Oscar Wilde in his magazine ‘Women's World’.