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No matter how hard she tries, Ellen Burns will never be Scarlett O'Hara. As a little girl in South Carolina, she prefers playing Tarzan to playing Jane. As a teenage beauty queen, she spikes her Cokes with spirits of ammonia and baffles her elders with her Freedom Riding sympathies. As a young woman in the 1960s and '70s, she hypnotizes her way to Harvard, finds herself as a lesbian, then very nearly loses herself to booze and shamans.

This intoxicating book by the author of The Revolution of Little Girls combines autobiography, reporting, and the dressed-up lies we call fiction. An underground classic since its initial publication, it is the wildly funny personal testament of Blanche McCrary Boyd, '60s radical and born-again Southerner, a lesbian with an un-PC passion for skydiving and stock-car racing, a graduate of Esalen and kundalini yoga who now takes her altered states "raw, like oysters".

Ellen, the narrator of Boyd's previous novel, The Revolution of Little Girls, this time pierces the heart of the sexual revolution in her quest to find a woman hero or - by default - to become one. Ferociously paced, Terminal Velocity delineates six wonderfully engaging characters: Artemis Foote, for whom being rich, talented, and beautiful is a kind of game; Jordan, a messianic fugitive who becomes Ellen's lover; Amethyst Woman, a Marxist/Leninist dentist; Ross, a red-diaper baby and now a columnist for Ramparts; and Pearl, an art history professor turned hippie.

Blanche McCrary Boyd’s first novel in 20 years continues the story of her protagonist Ellen Burns. When Tomb of the Unknown Racist opens in 1999, Ellen - now sober, haunted by her activist past, her failed relationships - is taking care of her demented mother in South Carolina....