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Joseph Campbell famously compared mythology to a kangaroo pouch for the human mind and spirit: “a womb with a view.” In Myths to Live By, he examines all of the ways in which myth supports and guides us, giving our lives meaning. Love and war, science and religion, East and West, inner space and outer space - Campbell shows how the myths we live by can reconcile all of these pairs of opposites and bring a sense of the whole.

One of Joseph Campbell’s most popular, most quoted works, A Joseph Campbell Companion: Reflections on the Art of Living is a treasure trove of insight and inspiration, thought-provoking in its depth, poetic in its scope. Drawn from a month-long workshop at the world-famous Esalen Institute, the Joseph Campbell Companion captures Campbell at his best: wise, funny, intelligent, and inspiring.

Joseph Campbell famously defined myth as “other people’s religion.” But he also said that one of the basic functions of myth is to help each individual through the journey of life, providing a sort of travel guide or map to reach fulfillment - or, as he called it, bliss. For Campbell, many of the world’s most powerful myths support the individual’s heroic path toward bliss. In Pathways to Bliss, Campbell examines this personal, psychological side of myth.

The author of such acclaimed books as The Hero With a Thousand Faces and The Power of Myth discusses the primitive roots of mythology, examining them in light of the most recent discoveries in archaeology, anthropology, and psychology.

In this third volume of The Masks of God - Joseph Campbell’s major work of comparative mythology - the preeminent mythologist looks at the pagan religions of Greece, Rome, and the Celts, as well as the Abrahamic religions - Zoroastrianism, Judaism, Christianity, and Islam. Exploring the West’s shift from female-centered to male-centered mythology, Campbell examines the distinguishing characteristics and the shared root concepts of these mythologies. The Masks of God is a four-volume study of world religion and myth that stands as one of Joseph Campbell’s masterworks.

The Masks of God is a four-volume study of world religion and myth that stands as one of Joseph Campbell’s masterworks. In this second volume of The Masks of God - Campbell’s major work of comparative mythology - the preeminent mythologist looks at Asian mythology as it developed over the course of five thousand years into the distinctive religions of Egypt, Mesopotamia, India, China, and Japan.

In this fourth volume in The Masks of God series - Joseph Campbell’s major work of comparative mythology - the preeminent mythologist looks at the birth of the modern, individualistic mythology as it developed in Europe beginning in the 12th century AD up through the modernist art of the 20th century. The Masks of God is a four-volume study of world religion and myth that stands as one of Joseph Campbell’s masterworks.

Mieko is waiting at a rendezvous behind enemy lines. In the rain. Without a hat. The person who comes up the road is the last person she expected to encounter.

Mochizuki Chiyome wants someone dead...and someone wants to serve her. At a banquet to celebrate a new alliance, Chiyome contemplates murder, and discovers a new servant.

Though Japan has been devastated by a century of civil war, Risuko just wants to climb trees. Growing up far from the battlefields and court intrigues, the fatherless girl finds herself pulled into a plot that may reunite Japan - or may destroy it. She is torn from her home and what is left of her family, but finds new friends at a school that may not be what it seems. Magical but historical, Risuko follows her along the first dangerous steps to discovering who she truly is.

Not all assassins wear black. Some come wearing silk. A young Takeda warrior meets a servant who is much more than she seems. And teaches him what a warrior truly can be. This is the second of six Kunoichi Companion Tales, prequel stories to David Kudler's historical novel Risuko: A Kunoichi Tale.

Lady Mochizuki Chiyome is mired in grief. Recently widowed by Japan's endless civil war, she has become tired of mourning, tired of wearing the white robes that are the traditional Japanese garb of grief. On the road, she encounters two young women who open her eyes to a whole new purpose in life -- and a new way to end Japan's century of bloodshed.

The town of Chelm is known for having the silliest townspeople in the world. And the silliest one of all was Shlomo the Dreamer...Follow Shlomo on his journey as he leaves Chelm behind on the first day of Hanukkah to visit the city of his dreams, and finds that it looks very familiar!

Sachiko and Kenji just want to welcome the new year in the proper way, but their mother tells them they don't have the money for a New Year's feast. An act of generosity brings help from an unexpected source in this heartwarming Japanese classic. This year, may the Seven Gods of Luck visit you!

Kano Murasaki, called Risuko, is a young, fatherless girl, more comfortable climbing trees than down on the ground. Yet she finds herself enmeshed in a game where the board is the whole nation of Japan, where the pieces are armies moved by scheming lords, and a single girl couldn't possibly have the power to change the outcome. Or could she?

Two armies have descended on the Full Moon, and the war that has torn Japan apart for over a century threatens to destroy Lady Chiyome's school for young shrine maidens (and assassins). In this thrilling sequel to Risuko: A Kunoichi Tale, Risuko must face warlords, samurai, angry cooks, a monster in the hills, the truth about her father, a spy among the kunoichi...

Across the Ages, the Headmistresses of Three Very Unusual Schools (along with Their Very Unusual Students) Share a Meal. Lady Mochizuki Chiyome plays host to two of the only women who can understand why she teaches young women to do very unladylike things. Like her, Locusta the Poisoner and Ma Mandelbaum run schools for very particular students gifted with very particular talents.

After a century of brutal civil war has torn Japan apart, Lady Mochizuki Chiyome gathers together the most unlikely army imaginable to unite the empire and bring an end to the bloodshed: an army of girls clad in the red and white garb of miko, shrine maidens. Together, these girls work as spies, as bodyguards, as assassins—going where no soldier could go, doing what no soldier could do.